The Theme Of Rage In Harlem By Chester Himes

First, on March 21, 1924, Charles S. Johnson of the National Urban League hosted a dinner to recognize the new literary talent in the black community and to introduce the young writers to New York’s white literary establishment. The National Urban League was founded in 1910 to help black Americans address the economic and social problems they encountered as they resettled in the urban North . Because of this dinner, The Survey Graphic, a magazine of social analysis and criticism that was interested in cultural pluralism, produced a Harlem issue in March 1925. Devoted to defining the artistic ness of black literature and art, the Harlem issue featured work by black writers and was edited by black

In Harlem Runs Wild, Claude McKay depicts the Harlem Riot of 1935 as merely "…a gesture of despair of a bewildered, baffled, and disillusioned people." (McKay 224) The Harlem Riot of 1935 was spontaneous and unpremeditated. It was not a race riot in the sense of physical conflict between white and non-white groups as there was little direct violence to white persons. McKay states, "The mass riot in Harlem was not a race riot." (McKay 221) Its distinguishing feature was the persons' attack upon property rather than persons, and resentment against whites that, while exploiting Negroes, denied them an opportunity to work. Communists did not instigate the riot, though they

Thesis statement: Hughes wrote this when Jim Crow laws were still imposing an bitter segregated society in the South. There were still lynchings of innocent African Americans, there was no Civil Rights Movement, there was no Civil Rights legislation yet, and Blacks couldn't eat at lunch counters in the South. Harlem, however, was not at all like the South in terms of blatant, legal segregation. However, racism was very much in place in many places in America. Blacks were second class citizens, their children attended schools that were ill-equipped, and the dreams of Black citizens were not being realized in this period.

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The first poet I chose from the Harlem Renaissance was the American poet, Countee Cullen This 1920s artistic movement produced the first large body of work in the United States written by African Americans. (Brown, 2012) The work, Yet Do I Marvel, took a racial theme, lynching of a black youth for a crime he did not commit. The poem is stark and makes reference to Sisyphus and speaks of how life is a struggle up a never ending stair. It speaks to God as if to wonder why, knowing that God is benevolent he does not stop the unreasoning actions of brutes against, “flesh that mirrors him”, meaning the black race. (Brown, 2012) This line is important as it shows that the black consciousness is coming to recognition of their own worth taken

 Harlem Renaissance 2015, Wikipedia, accessed 23 August 2015, .  Harlem Renaissance n.d., History, accessed 23 August 2015, .  Harlem Renaissance n.d., Encyclopedia Britannica, accessed 23 August 2015, .  Great Migration 2015, Wikipedia, accessed 23 August 2015, .  Claude McKay 2015, Wikipedia, accessed 24 August 2015, .

The 369th Infantry Regiment otherwise known as the Harlem Hellfighters was the first all-black US combat unit that was shipped during WW I and was crucial in the WWII battles in Hawaii and Okinawa. These members who were skilled and very proud were shipped to Hawaii and protected the Hawaiian islands with antiaircraft from Japanese attack. William De Fossett was one of the main leaders of the 369th regiment, who joined it due to the regiments fame from the waning days of World War I. The original Harlem Hellfighters fought with the French Army and were awarded for their excellent service. De Fossett made the highly selective and demanding requirements of the 369th regiment. He grew up in the highly cultured

Gilbert Osofsky’s Harlem: The Making of a Ghetto paints a grim picture of inevitability for the once-exclusive neighborhood of Harlem, New York. Ososfky’s timeframe is set in 1890-1930 and his study is split up into three parts. His analysis is convincing in explaining the social and economic reasons why Harlem became the slum that it is widely infamous for today, but he fails to highlight many of the positive aspects of the enduring neighborhood, and the lack of political analysis in the book is troubling.

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Born on July 29, 1909 in Jefferson City, Missouri, Chester Himes faced a plethora of hardships. At a young age, he witnessed racism. Chester Himes’ brother, Joseph Himes, was in a life-threatening accident when chemicals exploded in his face, leaving him blind. Due to the Jim Crow Laws, Joseph was declined treatment at the hospital. Additionally, Chester Himes fell down an elevator shaft while at work. In school, Chester Himes felt as if he was an outsider; he was lonely, which eventually led to his involvement with violence. Despite facing a twenty-five year prison sentence, Chester Himes surprisingly became a famous, detective novelist! Such tragedies that Chester Himes experienced cultivated him as a notorious, respectable author!

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

taste, hear and touch. ' Does it dry up Like a raisin in the sun' this

during this time he quickly became a part of the Harlem Renaissance. Four years later,

The Harlem Renaissance was a wonderful allotment of advancement for the black poets and writers of the 1920s and early ‘30s. I see the Harlem Renaissance as a time where people gather together and express their work throughout the world for everyone to see the brilliance and talent the black descendants harness.

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged