Stylistic Elements In Beowulf

more than use art to rid of unwelcome spirits. Shields, churches, even the handles of swords have been known to have pictures, or art, on them by this time. Much like Egyptians, important members of society would generally be buried with artifacts to keep them protected in the afterlife. Which is a peculiar sight to see since the Anglo-Saxons did not believe the afterlife as pagans, but as stated, they were converted into Christians when the St. Augustine came to the pagans.

The epic, Beowulf, is filled with literary elements such as imagery, alliteration, and personification, among others. These elements help to create a tone that suits the circumstances; additionally, the elements also enhance the plot and the scale of character development. The translator, Burton Raffel, used point of view, imagery, and diction to create a laudatory tone of self-righteousness.

In the epic poem Beowulf, there is an obvious distinction between good and evil. The hero and his foes play roles that are commonly associated with Anglo-Saxon literature. The lines are clearly drawn and expressed in the poem. As the story moves, the reader cannot mistake the roles being played, based on the characterizations in the epic, one recognizes each character for their purpose and place.

“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.

“There are two sides to every issue: one side is right and the other is wrong, but the middle is always evil.” – Ayn Rand. To fully understand the complex world and culture of the Anglo-Saxons, one must examine the only form of historical evidence available – texts. One particular great work from this time period is often underrated and overshadowed in modern society by many other ancient works such as Iliad or Oedipus Rex. The epic poem, Beowulf, was sung by multiple unknown Anglo-Saxon poets four centuries before the Norman Conquest. The theme of good versus evil was constantly reappearing throughout the storyline, the portrayal of evil and its downfall initially shaped the poem’s plot, and illustrates an alien presence; something that

The theme of Beowulf had the good vs.evil theme to the story when the monster is Grendel is the monster and his mother also a threat to herot and Beowulf is the hero to solve the problems of Grendel is making. Beowulf is the hero in the story and Grendel is the villain. Beowulf is the faced with many trials throughout the story with unferth and the Grendel.

Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or ideas. Symbolism is one of the most common practices of writing, and has been used for centuries. Symbols can often tell a story better than a human can because of there deeper meaning. When epic poems became popular during the Anglo-Saxon period they were filled with harrowing tales of bravery, and courage. Epic poems are long narrative poems that often have characters facing impossible tasks and still finding courage to defeat them. While many marvel at the original Anglo-Saxon dialect of Beowulf, Seamus Heany's modern English translation allows all readers to enjoy this tale.

Theme is the central topic of a given text. In Beowulf, war is the theme that is presented thrice within the progression of the story. The first of the three wars is with the monster, Grendel, the second is with the monster’s mother, and the final battle is with the dragon. Within each of these battles, the author subtly questions the reasons for each of them, and whether or not they are actually practical and necessary. The first of the monsters that Beowulf faced had his grievances plainly stated in lines 104 through 105 when it reveals that Grendel “had dwelt for a time in misery among the banished monsters.” This revelation, although it does neither condone nor justify his actions, provides his reasoning for feasting upon the sleeping men. Some may argue that Beowulf, himself possesses many undesirable qualities for a hero. Chih-chiao Joseph Yang addresses this argument in his essay entitled “Humanizing the monsters: a schematic reading of Beowulf” when he states that

Beowulf: A New Telling is a book for people that need reassurance that light will overcome darkness and that we need to accept that we have some darkness inside of us, then our weaknesses can become our strengths. Beowulf has to face many faces of evil, including Grendel, the cruel slimy creature who murders Beowulf’s friends and She, the wife of Cain and malicious monster that lives at the bottom of a pool of blood. He becomes king of Geats and is famous all throughout the land.

In the Epic Beowulf, composed in the 8th century, the reader follows the protagonist, Beowulf, on a series of adventures to defeat three key monsters. This old English poem uses a series of motifs to help develop its themes, known as dichotomies. Dichotomies, defined as “opposites on the same spectrum,” range from good and evil to young and old, light and dark to Christianity and paganism. All these dichotomies are represented clearly in the text; however the concept of Heroes and Villains can be pulled in many different directions. Although Beowulf is always the hero, it is questionable as to if his three opponents are simply “villains.”

The main character in the epic poem “Beowulf” is Beowulf. An epic hero is one that has superhuman qualities and who beholds values of his society and is braver than life. “Epics are stories told on a grand scale, with armies, heroes, gods, and the brutal forces of nature depicted over long character arcs and sweeping landscapes.” (Rebecca Ray 1) Beowulf is a selfless warrior that puts the kingdom of Herot first and tries to rid evil for the people.

In the epic poem, Beowulf, translated by Seamus Heaney, it is said, "Behavior that's admired is the path to power among people" (Beowulf 5). That being stated, it is very apparent throughout the entirety of the story. The main character, Beowulf, quickly comes to a position of power once defeating multiple atrocities and executing numerous heroic deeds. The people in the city admire Beowulf and abide to his ways; but once offered kingship, he declines. Throughout the epic poem, it is obvious that Beowulf would rather be a hero than a king because of the individual representation that comes with it, the rewards, and the self-reliant aspect.

As I stood in the bright sun I saw the men working so hard. The sweat dripping from their heads. You could almost taste the sweat dripping past their tired eyes. The tower was going to be monumental. After 10 days it was finished. This was the loudest 10 days ever. You couldn’t even hear yourself think. Clink, clack, clang. All day and night, it was all you heard.

The theme of Beowulf is heroism. Beowulf himself represents the heroic ideal because of his features, strength, and courage, but also because of his intelligence and honor. Beowulf is proud of his strength and great his honor. When Beowulf goes to Heorot, waiting for Grendel, he refuses to keep a weapon. He believes in himself that he can defeat the monster who has devoured many men without using any weapons. It turns out that Beowulf's intelligent approach was right. Glory is also one of the themes in Beowulf. In the beginning, Beowulf comes to Hrothgar's rescue, not just out of generosity but out of a desire to win glory for himself in battle. Beowulf's quest for glory never ends and drives him, in his old age, to face a foe he cannot

The poem of Beowulf is one of the earliest recorded pieces of literature in history, written at an estimated time of around 1000 A.D. and set in the pagan world of sixth-century Scandinavia. Disregarding the poem’s age, the writing uses many of the same literary devices people use modern day-- such as kennings, alliteration, and caesura. Kennings are compound expressions used in Anglo-Saxon writings that have a metaphorical meaning. For example, the word sea-traveler could be used to describe a boat. Alliteration is when there is a repetition of words that start with the same letter. Caesura is a type of verse unique to Anglo-Saxon, Greek, and Latin literature that breaks the text into two with each side sharing a similar number of syllables to create an intense, ominous tone of rhythmic sound. With the use of these three devices, pictures are painted in the minds of readers, and characters are both directly and indirectly developed to enhance the story. Often in this epic poem, courage is expanded upon and interpreted in different ways with the use of these tactics.