Subjugation of Freedom in One Flew over the Cuckoo's Nest

wo of the most prominent conflicts in the story are issues arising from person vs. person (Randle McMurphy vs. Nurse Ratched) and person vs. self (Dale Harding and Billy Bibbit.) Of the two topics, the arising issues between patient McMurphy and Mrs. Ratched seems to prompt for the largest problem. From the moment that McMurphy was admitted to the psychiatric ward, there was tension between him and Nurse Ratched. Upon his arrival, McMurphy established that he wanted to know who the “bull goose looney” (most influential man among the patients) was so that he could overpower him and gain power. Nurse Ratched seemed to disapprove of his thirst for power from the beginning, fearing that he may disrupt the flow of her ward. The tension between the

One Flew Over the Cuckoo’s Nest is a novel written by Ken Kesey during a time in our society when pressures of our modern world seemed at their greatest. Many people were, at this time, deemed by society’s standards to be insane and institutionalized. One Flew Over the Cuckoo’s Nest is set in a ward of a mental institution. The major conflict in the novel is that of power. Power is a recurring and overwhelming theme throughout the novel. Kesey shows the power of women who are associated with the patients, the power Nurse Ratched has, and also the power McMurphy fights to win. By default, he also shows how little power the patients have.

Therefore, she “attempts to conceal [her breasts] in [a] sexless get-up” (64). In order for McMurphy and the men to regain power, they must regain their sexuality and reveal the nurse’s. McMurphy’s final stand against the nurse involves him “ripp[ing] her uniform all the way down the front” (275) and revealing breasts that she had concealed. With this metaphorical rape, Kesey is equating the men regaining power with sexual dominance over women. The rape of the nurse is seen as a heroic act by McMurphy, which conveys the misogynistic message that men have a right to sexual power over women. The way that McMurphy performs this rape is effectively silencing the nurse, as he had his “heavy red fingers [in] the white flesh of her throat” (275). Using silence in conjunction with a metaphorical rape gives a further misogynistic tone, as McMurphy is exerting sexual dominance as well as stopping her from being able to speak out against him, or any man. Because this is McMurphy’s final action, it is seen as his greatest one. Therefore, the man who can break a woman is seen as an ideal specimen.

In the novels Night and Lord of the Flies, there are many parallels surrounding the theme of freedom. Night portrays the historical events of World War II. The control factor in this story is prominent. Hitler convinces his followers to help him imprison everyone that believes should not be a part of his Aryan race. In Lord of the Flies the presence of captivity is still there, but less extreme. A group of young boys are stranded on an island. In that sense, they are very much confined. However, they retain the ability to think for themselves and choose their own actions. While there is a clear difference between the two novels and they take place in opposing settings, they both explore the same theme of freedom. They show

Ken Kesey’s One Flew Over The Cuckoo’s Nest is a book in which he dealt with the issues of racism, sex and authority that is going on in a mental institute. In the novel, the women are depicted as the power figures who are able to significantly manipulate the patients on the ward. There are four ways of Ken Kesey’s using of “woman” as a subject: Superiority of male sexuality over female authority, matriarchal system that seeks to castrate men in the society, mother figures as counterpart of Big Nurse and “Womanish” values defined as civilizing in the novel.

In “One Flew Over the Cuckoo’s Nest” by Ken Kesey, Nurse Ratched symbolizes the oppression of society through archetypal emasculation. The male patients at the ward are controlled, alienated and forced into submission by the superior female characters. Throughout the novel, there is a constant fear of female superiority; Randle McMurphy, the sexually empowered male protagonist, states how they are essentially being castrated. Castration, in the novel, symbolizes the removal of freedom, sexual expression and their identity. Furthermore, Nurse Ratched, the mechanical enforcer, represents American society: corruption, surveillance and the deterioration of individuality.

was also the one who enabled the patients to use the tub room for card games,

When the two station attendants try to exploit the men, McMurphy helps them gain the upper hand by posing as criminally insane (Fick). Even though the patients “become men”, adult sexuality is conspicuously absent from the novel. It is mainly the men’s cause to “remain boys on their own terms” (Fick par. 8). McMurphy’s women are boys’ companions. Candy and Sandy are good bad girls. “McMurphy’s sexuality complements a personal consistency that obliterates the distinction between past and present. Returning from the fishing trip, for example, he stops by his childhood house and tells the men of his own sexual initiation” (Fick par. 9).

Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.

1962 was known as the freedom summer, which developed the fight for civil rights among black people in the US and worldwide. This historical setting of One Flew Over The Cuckoo’s Nest influenced the ideologies throughout the inscription of this novel. Ken Kesey developed his conceptual ideas of isolation through the setting of the characters. These concepts are developed through the protagonists, B Randle Patrick McMurphy and Nurse Ratchet. McMurphy challenges all aspects of rules and regulations within the psychiatric ward. McMurphy’s rebellion forces the reader to observe his understanding of insanity. The ward is a metaphor of a social statement being made by the author, perceiving society as the same as the ward; controlled, under authority and McMurphy is an example of chaos, change, and hope for the patients within the ward itself. “I hide in the mop closet and listen, my heart beating in the dark, and I try to keep from getting scared, try to get my thoughts off someplace else-try to think back and remember things about the village and the big Columbia River” , (chapter 1, lines page, 121, line 23). McMurphy’s actions throughout the novel are foreshadowed thus positioning the reader to question if he’s truly insane “And the third boy mutters, "Of course, the very nature of this plan could indicate that he [McMurphy] is simply a shrewd con man, and not mentally ill at all." Chapter 2, Line.1, .Page 32-37).

One Flew Over the Cuckoo’s Nest is a controversial novel that has left parents and school authorities debating about its influence on students since its publication in 1962. The novel describes the inner workings of a mental institution, how the patients are emasculated and mistreated by the terrifying Nurse Ratched, who will go to any length to control them. But in comes McMurphy, a criminal who chose to go to an asylum rather than serve physical labor; he disrupts the order of the hospital with his big personality and loud opinions, undermining the authority of Nurse Ratched and encouraging the patients to live their own lives, until he too, is silenced forever by authority. With his novel, Ken Kesey paints society as an oppressive

In Kesey’s 1950s novel ‘One Flew Over The Cuckoos Nest’ Nurse Ratched’s relationship with male patients is based upon differences they hold about gender and identity. Nurse Ratched is portrayed as a masculine misandrist figure that gains power from emasculation. She carries “no compact or lipstick or woman stuff, she’s got that bag full of a thousand parts she aims to use in her duties” . This implies nothing womanly about her as she prioritises her “duties”, suggesting that she aims to control her male patients by ridding her feminine qualities. In addition, she is shown in robotic with a chilling aura. This is evident when she slid “through the door with a gust of cold and locks the door behind her” . This indicates that as a power figure her only concern is controlling her male patients, making sure they are obedient and abiding by her rules. “Gust of cold” implies that by doing so she wholly ruins her relationship with the males due to her “cold” and callous methods. Daniel J. Vitkus states she is “the Big Nurse, an evil mother who wishes to keep and control her little boys (the men on the ward) under her system of mechanical surveillance and mind control.” Yet, can be argued that she is fulfilling her role of working as a Nurse within a mental institution. However Vitkus’s critique is similar to when McMurphy says “Mother Ratched, a ball-cutter?” McMurphy is a hyper masculine force against Ratched’s emasculating norms. Their relationship is essentially a power

               Jack Nicholson as Randall McMurphy: What do you think                you are, for Chrissake, crazy or something'? Well you're not!                You're not! You're no crazier than the average asshole out                walking' around on the streets and that's it.

Conformity has been the target of many works of literature even before Holden Caulfield from Catcher in the Rye spewed angst about everyone around him being a “phony.” To many people, there are forces in the social order that shape others to fit a certain mold, and one who does not fit the mold will be considered an outcast by society. During the 1960’s, rebellion was a shared act among the majority, including authors and artists; this was due to the conflict in the East as well as the Civil Rights movement. To these people, the government was a criminal, even a machine perhaps, which threatened one’s individuality. This provides some historical context on the background of One Flew Over the Cuckoo’s Nest. Ken Kesey, the author, worked in

society, as well as sanity vs. insanity are greatly expressed through the characters actions and events in the novel, as seen from a patients eyes. Randle McMurphy, the main character of the novel portrays the theme of the individual against society through his dealings with Nurse Ratched and the hospital. “The main action of One Flew Over the Cuckoo's Nest consists of McMurphy's struggles against Nurse Ratched. Her ward at the hospital is a society in itself. McMurphy challenges the rules from the beginning” (Malin 224). The effects of the battle between McMurphy and Nurse Ratched is expressed in the reactions of both characters, as well as the changes brought to the ward. “But she stops. She was flustered for a second there. Some of the acutes hide grins, and McMurphy takes a huge stretch, yawns, winks at Harding” (Keasey 45). The individual vs. society theme is clearly displayed here though McMurphy's struggle against the rules of the asylum, and against the rule of Nurse Ratched. This represents a a man, or individual, fighting for his own rights when faced with the views and obstacles forced upon him by a tyrannical society with strict guidelines. The second major theme in this novel, tied to the individual vs. society, is the theme of insanity vs. sanity. “Sanity vs. insanity is a topic that is established by society itself, set by public values and rules on what normalcy should be and what insane should be qualified