Submissive Role Of Women In Society

It is human nature to have issues of balance within any relationship. For example, the knight, desperate in need, found an old woman who knew the answer to save his life. In order for him to receive vindication, he had to pledge his life to her. The old woman at last revealed the answer, that all women want sovereignty over their husbands and lovers (“The Wife of Bath’s Tale” 170-71). In contrast, Walter forces Griselda to be submissive at all times as he tests her loyalty and obedience by pretending to kill both of her children and asking for a phony divorce. One tale appears to suggest that the male should be inferior to his wife as the other tale promotes that the woman should be at least steadfast in adversity and obedient to her significant other. The issue of an unbalance relationship is still a part of modern society because the majority of people are familiar with the saying, “Who wears the pants in the relationship?” That joke derives from the struggle of dominance in a relationship. Yet the characters’ opinions of where they believe a woman belongs in a relationship are slightly polar; both stories are constructed around the theme of struggle in a relationship (“The Clerk’s Tale” 217-24).

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In Nathaniel Hawthorne 's “The Birthmark”, we find the tragic story of a woman named Georgiana who sacrificed her life for the sake of appeasing her husband, Aylmer. What did Georgiana do that it was more favorable for her to die than to continuing to displease her husband? Georgiana, who was otherwise hailed as incomparably beautiful, had a birthmark on her face. Aylmer desired this to remove this birthmark, which he considered the one thing keeping her from being “perfect”, from her face. In an attempt to remedy his wife’s “imperfection”, Aylmer makes an elixir for her to drink. While this elixir successfully removes the birthmark, the same elixir also causes Georgiana to die soon after. This story brings to light several examples of how society belittles women and puts their desires below the desires of men.

In Of Mice and Men by John Steinbeck, and The Yellow Wallpaper, by Charlotte Gilman, both the main female characters are explored through their marriages, their inability to express themselves and the gender limitations of the late 1800s and the early 1900s. Curley’s Wife, in Of Mice and Men, and ‘Jane’ in The Yellow Wallpaper, are controlled by their husbands and the women are seen as inferior. This inferiority, in turn, prevents them from necessary self-expression and their actions against their husband’s wishes characterises them as disobedient. Ultimately, the death of Curley’s Wife and ‘Jane’s’ nervous breakdown highlights these two character’s extensively inferior positions and lack of power in their marriages. Many techniques were used

In addition to this, masculinity in marriage contributes to oppression of women due to the general idea of their need to for control or power over another. In “The story of An Hour” there is no indication of whether Mallard was passive or subservient to Brently but she felt the sweet sense of liberation when she thought she was a widow. She was ‘free’ of marriage, ‘free’ of her husband and ‘free’ in body and soul (Chopin 124). It is clear that male dominancy in marriage proves to be an oppressive factor to most women and in Mallard’s perspective she was ‘free’ from the oppression. The Yellow Wallpaper also illustrates this factor as John refuses to meet his wife’s demands to at least change the ugly yellow wallpaper instead of allowing her to move to a different room. The Narrator quotes, “He said that after the wallpaper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on” (Gilman 304). John refuses to these demands as he wished to remain in control of his wife. He notes how if he changes the

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

Charlotte Perkins Gilman’s story of a woman who goes mad while fixating on a bizarre wall-covering has been used as an early example of post-partum depression. In the latter part of the 1800’s women were seen as inferior subordinates to men who could not be trusted due to the effect of the female organs on their brains. The narrator is almost certainly a victim of the lack of medical knowledge of the day, while the prevailing attitudes in the medical field of women as childlike and the social pressure of male domination contribute to the narrator’s illness. The husband’s role as spouse and physician enable his benevolent manipulation of the narrator by isolating her and removing her

In a quote by Christine de Pizan, she stated, “Not all men share the opinion that it is bad for women to be educated, but it is very true that many foolish men have claimed this because it displeased them that women knew more than they did.” Christine uses this quote to examine marriage inequality. Women are subjugated in a marriage because of the views and expectations society has pushed upon them. Perkins Gilman wonderfully examines the inequality of marriage in her story The Yellow Wallpaper. In The Yellow Wallpaper, Perkins Gilman reflects upon the inequality of women within the relationship of marriage during the 1800s. This is seen in Gilman’s use of literary devices, characterization, and plot.

The gender roles of the 19th century formed the foundation of societal norms for marriages. The prescribed idea of what marriage should look like focused on the wife’s obedience to her husband and family. This obedience that the speaker has for her husband, John, in Charlotte Perkins Gilman’s short story “The Yellow Wall-Paper” undermined the woman’s mental health, refusing her the ability to express and speak for herself. The speaker’s diagnosis and treatment of her “nervous condition” was completely in her husband’s control, taking away her independence as a person.

The trails and tribulations of life can cause a person to go down a road they could have never imagined. Some people are able to rise above the issues that come their way and while others become consumed by their problems. In a male dominated society, the issues of women are often pushed to the side and they are left to deal with them alone. Therefore, some women become abused by their thoughts and problems due to the fact that they do not have the ability to tackle them alone. It becomes an internal and external battle for the scorned woman to please herself, husband (or father) and the society at the same time. In the short stories, “A Rose for Emily” by William Faulkner and “The Yellow Wallpaper” by

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

Within these three relationships, the power in the relationship was given to the woman. However, the 5th husband that she married differed from the first three. He wanted to have the power in the relationship and this resulted in a clash. Ultimately, the husband yelled at her, beat her, and left her deaf on one ear. This shows that if both the woman and man want control in the relationship, there will always be a problem. These marriages teach the reader that a marriage needs to have both powers in balance and cooperate together in order to succeed.

The social role which I feel that I occupy and that I am going to focus on in this essay is the one of a women in this society. I believe I have been socialized into this role for numerous reasons. Throughout this paper I will explain how I think I have been socialized into this role.