Suffering In Job And Medea By Euripides

During the time of Euripides, approximately the second half of the fifth century B.C., it was a period of immense cultural crisis and political convulsion (Arrowsmith 350). Euripides, like many other of his contemporaries, used the whole machinery of the theater as a way of thinking about their world (Arrowsmith 349). His interest in particular was the analysis of culture and relationship between culture and the individual. Euripides used his characters as a function to shape the ideas of the play (Arrowsmith 359).

The theme of the Book of Job is the perseverance of the human spirit. Job loses everything but he does not lose his faith in God. “Job refuses to curse God” (Book). Job has not done anything to deserve this, but it is a test from God and Satan to see if Job is actually as

   Throughout Virgil's Aeneid and Job  from the Old Testament, great obstacles block the paths of the protagonists.   Mental and physical, anguish is placed upon Job and Aeneas.  Though both men suffer extreme pain, the extent and content of the tribulations are different.

In the Greek Tragedy Euripides: Medea, Medea is sad and angry towards her husband Jason for getting

In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth.

In Euripides' play the title role and focus of the play is the foreign witch Medea. Treated differently through the play by different people and at different times, she adapts and changes her character, finally triumphing over her hated husband Jason. She can feasibly be seen as a mortal woman, Aristotle's tragic hero figure and even as an exulted goddess.

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

Euripides’ Medea and Seneca’s Medea are the two surviving ancient tragedies of Medea. Both versions are drastically different and contrast in several aspects. Euripides portrays Medea as more human. She is the epitome of the oppressed housewife and only after her suffering is she capable of the crimes she committed. Seneca’s Medea is even more vengeful than Euripides’ and she is angry from the very beginning. Seneca’s version also portrays Medea as a vengeful sorceress whereas in Euripides’ version, though she is known to be a witch and have remarkable skill in poisons and potions, that aspect is not as crucial and significant as in Seneca’s Medea. The two poets offer contrasting depictions and characterizations of Medea, the most

The play Medea by Euripides challenges the dominant views of femininity in the patriarchal society of the Greeks. While pursuing her ambition Medea disregards many of the feminine stereotypes/ characteristics of the patriarchal Greek society. She questions the inequality of women in a patriarchal society, contradicts Jason?s chauvinist beliefs, challenges the stereotype that women are weak and passive and completely disregards the feminine role of motherhood. Feminism is the belief that women and men are, and have been, treated differently by society, and that women have frequently and systematically been unable to participate fully in all social arenas and institutions. This belief is confirmed in

The view of fate the book of Job expresses, though similar in that it originates from God, differs in a few important ways. In Job, situations are predetermined to occur, but the personal choices of the people involved determine the outcome of the situation. The story of Job opens with Job's fate of suffering being planned. Satan presents himself in an audience before God. God makes example of Job, and Satan rebuffs, stating that Job's constancy is only because of God's preferential treatment. Satan tells God, "But put forth thy hand now and touch all he hath, and he will curse thee to thy face."(40). In response, power is given to Satan to torment Job as a test. Job's life and finally health are viciously mangled and destroyed by Satan. Though Job does not know the reasons behind his great suffering, we are told that "In all this Job sinned not, nor charged God foolishly."(41), and "In all this did not Job sin with his lips."(41). Self-pity creeps into Job's thoughts and words, but there is no disenchanted turn from God. Instead in Job the reader sees a turn to God for relief and

Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.

Despite them being righteous men of the Lord, Mephistopheles tempts Faust with earthly pleasures while Satan took everything from Job entailing his health, wealth, and family. Job endured the physical pain while Faust had to ensure both physical pain and the suffering of the multitude. However, when Satan did these things to Job, he expected Job to turn into a bitter man and try to curse God. However, Job remains ardent and adamant in believing in God. Job remains loyal to the Almighty, but Faust succumbs to Mephistopheles

Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. She is a strong character and Euripides allows Medea to have a voice by allowing the audience to witness her break from the norm of what a woman of her time is expected to do. After giving up her family and former life to be with her husband, Jason, he decides to marry a younger princess while still married to Medea. Medea realizes that women are left to face the most miserable situations and says, “We women are the most unfortunate creatures” (229). Jason feels that Medea is to be grateful for what he is doing by marrying into royalty as it will afford all of them a better life. The representation of Medea by Euripides is powerful, manipulative, and extremely smart, yet because she is a woman she has limited social power.

As the famous Greek playwright Euripides once said: “Stronger than lover's love is lover's hate. Incurable, in each, the wounds they make.” Such ideas are portrayed in one of him most famous plays, Medea. This play is a fascinating classic centered on the Greek goddess Medea. Despite its recent fame, during his time, Euripides was unpopular since he used what would be considered a ‘modern’ view where he would focus on women, slaves and persons from the lower classes. In the play, Medea commits filicide, which initially appears extremely horrendous, but as the audience is guided through the play, they develop sympathy towards Medea. In order to achieve this empathy and enhance the understanding of Medea’s pride and ideals, Euripides

him. How one deals with despair and suffering is what makes a person who he or