Suffering In Oedipus The King And Antigone

Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied

We read that Creon has issued a law that if anyone buries the body of Polyneices they will be sentenced to death. Antigone plans to bury her brother regardless of the law set into place. She is going to try and do it in secrecy and to avoid detection. She asks her sister, Ismene, to join her in the burial, but she refuses. At this point in the play the you realize the fear setting in. Ismene believes

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

Ismene (Antigone’s sister) points out to Antigone, “Remember we are women, we’re not born to contend with men,” (Sophocles p.646). This strict patriarchy is symbolized by King Creon, who makes a decree that is opposition with the gods and forbids the proper burial of Polynices (Antigone’s brother).

Traditional gender roles have stamped a hard to remove label on how a woman is supposed to act within society, and this makes it difficult for them to be looked at differently for the good things they do versus the “good” things they do. In Antigone, Antigone “steps out of line” with the Theban laws. Antigone declares to Ismene that she thinks Creon’s law has much injustice, and she’s going to bury the body of Polyneices because she thinks that her brother should have a fine afterlife (Sophocles 118). This quote is saying that Antigone doesn’t really care too much about Creon’s civil law because she believes that moral laws have a higher level of importance than civil laws. Also, she believes that it’s what the gods would want her to do instead of having his body unburied in the desert. This quote is implying that Antigone is willing to have a bad girl image put on her, even though she will be looked at it in a negative way by her uncle for burying the body of Polynices. This quote relates to the bigger picture because it is a powerful moment for women because it breaks away from social norms because Antigone is going to do something that most people would be shocked by, especially because it’s a WOMAN who is doing something that a man would normally do. While some women choose to do what society believes is right, versus what is morally right. Ismene gently states to Antigone that they are only women, and that they are unfit to deal with the things that men deal with, and that they have to listen to the law because it is greater than Antigone and herself (Sophocles 119). This quote implies that Ismene believes Antigone should not mess with the Creon's law which states that Polyneices' body will not be buried because he is a traitor. The quote suggests that Ismene believes that Antigone should maintain a good girl image by acting like a typical female, so she won't get in trouble by Creon and be outcasted by society. Sometimes being the

Ismene wants peace for women, and the gods. She would rather avoid conflict than helping fight for women's equality. Antigone and Ismene argue because they have different views of women’s roles. Ismene explains she disagrees with the gods, but that she does not want to fight when she says,“I do dishonor them, but to do this against the state- I have no strength for it” (Ant. 16). Ismene gets into an argument regarding women’s roles with Creon. Creon wants to kill Antigone because of her views of women’s roles. Ismene mourns over the thought and asks Creon, “What would life be for me alone, without her?” (Ant. 34). Sophocles reveals that Ismene is a weak character by showing Ismene’s rational side of

Antigone’s Influence on Creon, Ismene, and Haimon It is human nature to be influenced by people with lots of passion and drive. In Sophocles’ play, Antigone, the titular character’s passionate determination influences the key people around her, ultimately transforming their lives and altering Antigone’s fate. Specifically, Antigone’s fiery determination to give her brother a proper burial inspires Ismene to overcome her fear, Creon to temper his strong desire for power, and Haimon to stand up to his father.

Antigone was used to represent family in the play while Ismene represented authority. Sophocles used the bond between two sisters and their brother, to show how family should hold the highest of importance to someone. When Antigone asked Ismene to help her in burying their brother she ask if she was “A true sister, or a traitor to your family” (1.27). This was an important line to show where Sophocles stands in the matter family or authority. He wanted to show that by not saying yes to helping Antigone, she should have been ashamed of herself for betraying her family. When Antigone went through with her plan and was caught, Creon had the guards get Ismene too. Ismene wanted to die along with her sister but Antigone told her “You shall not lessen my

Additionally, Ismene also gets punished due to Antigone’s actions even after obeying her superior’s orders. As a result, Creon states that “[he will] execute them” (43). Moreover, Ismene is punished with the shame of the actions she has caused. She stood up to Antigone and partially blamed herself for their brother’s burial as she didn’t want to be left alone. Ismene therefore “bear(s) [her] share of blame” (45) and suffers from Antigone’s actions. Ismene wasn’t the only character who embodied a traditional attitude as Sophocles introduces a similar male character.

In contrary Ismene is docile and someone who follow the laws at all costs. She said, “we are women” stating a woman’s position in society and obligated to obey by the law. She doesn’t agree with her sister Antigone, since is prohibiting for women to have a voice during those times. Ismene believe that women should never violate the laws of man who were guide by the gods. Antigone will carry out the forbidden burial alone, nevertheless she seeks futilely the complicity of her sister Ismene. Ismene without endorsing the established power by King Creon, discreetly folds to it, became a passive collaborator of the system implemented by him.

Together as a society, we require tragic heroes to show examples of the imperfections and mistakes that make seemingly flawless characters relatable. A tragic hero is a character that begins in an elevated position but then progressively falls in a downward spiral once the character flaws become too great, which they end up learning and growing from. LitChart states, “A tragic hero is a type of character in a tragedy, and is usually the protagonist. Tragic heroes typically have heroic traits that earn them the sympathy of the audience, but also have flaws or make mistakes that ultimately lead to their own downfall” (Litcharts). The plays, Oedipus and Antigone, are perfect examples of a tragic hero because both of them go on a journey in which they learn about themselves. In the novel, Salt to the Sea by Ruta Sepetys, Joana Vilkas, Florian Beck, and Emilia Stożek are tragic heroes because, before World War 2, they start at elevated positions and experience downfall through the war such as Joana accidentally murdering her family, Emilia being impregnated by Russian soldiers, and Florian becoming a puppet to Erich Koch. Together as a society, we need tragic heroes to show examples of the imperfections and mistakes that make seemingly flawless characters relatable.

Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.

In Oedipus The King by Sophocles, Oedipus, the great king of Thebes, suffers a reversal of fortune when he attempts to change his fate. Oedipus is prophesied to kill his father and to marry his mother so he leaves Corinth to come to Thebes so this prophecy does not come true. As Thebes is being countered by a plague, Oedipus is trying everything he can to help the citizens. Throughout the play, Oedipus seeks knowledge about the plague later leading to his downfall. Oedipus is seen as a hero to his city due to his contributions, but he soon has a tragic ending when he seeks for knowledge.

Oedipus Rex is a play that works on extremes. First of all, Oedipus, the protagonist of the play inadvertently kills father, Laius and performs the act of incest with his mother Jocasta. He lives in ignorance until his deeds necessitates consequences which is when Thebes is in turmoil. The tension that is built throughout the play goes through a cathartic moment when Oedipus goes on a self imposed exile. Aristotle uses this play to show how it meets the requirements of being an ideal triagedy. Aristotle, provides many requirements, but for the purpose of this essay I will be focusing on the plot, character and suffering aspects of the play.

The Greeks considered tragedy the greatest form for literature.  However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person.  Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone.  Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends.  As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy.  Therefore the tragedies were not a result of a plot by the fates, but rather a result of the