Suicide In The Samurai's Garden And Things Fall Apart

The Samurai’s Tale by Erik Christian Haugaard is about a boy named Taro, the protagonist in the story. The major characters in the story are Taro, Yoshitoki, Lord Takeda Katsuyori, Lord Akiyama Nobutomo, and Togan. The setting of the story is in Japan, in around the 16th century. In the beginning of the story he was presented as a gift by the great Lord Takeda Shingen to Lord Akiyama after his parents had been killed. By using his wits and suppressing his fierce pride, Taro slowly escalates the ranks of his lord’s household until he achieves his greatest goal—becoming a samurai like his father and Lord Akiyama, whom he has come to admire. The life of a samurai is not so easy, Taro finds himself sacrificing opportunities of love and friendship

Chikamatsu Monzaemon’s play, The Love Suicides at Amijima explores the disgrace of Jihei and Koharu’s misbegotten romance, the underlying conflict of the hidden innuendos aimed at the Japanese social class and the sense of duty formed between two women from unseemmingly different backgrounds. In order to fully understand these themes, on must take into account the societal structure of Osaka, Japan in the 1720s. Within this culture, every individual was instilled the notion of familial obligation and had to adhere to the rules placed upon them by society. Chikamatsu Monzaemon does an ideal job of capturing these concepts within the play.

“The perfect blossom is a rare thing. You could spend your life looking for one, and it would not be a wasted life” (Zwick). These are the words of Katsumoto, an important samurai warrior. The movie The Last Samurai directed by Edward Zwick is about an American War Captain named Nathan Algren who is hired to train, lead and modernize a group of Japanese soldiers to defeat a rebellion of the country's remaining Samurai in 1876. Algren is captured by the Samurai and soon becomes part of the village he is being held hostage in. There, Algren learns from the Samurai and comes to respect them. He finds that his true warrior is becoming unleashed as he trains to become a Samurai with the very people we once called his

In this passage of Things Fall Apart, by Chinua Achebe, the protagonist and main characters of the novel, Okonkwo, has just been sent into exile away from his land of Umuofia , Nigeria . The crime he has committed to receive such a punishment is the sin of murder. While he is attending a funeral for a man named, Ogbuefi Ezeudu, Okonkwo’s gun accidentally explodes and kills Ezeudu’s sixteen-year-old son. Killing a clansman is a crime against their earth goddess, thus, Okonkwo and his family are sent into exile, being forced to go back to his motherland of Mbanta. The men of the family who have experienced the loss in this accidental death burn Okonkwo’s houses and kill his animals to cleanse the village of his sin of murder. They do this to

in the city where commercial and cultural exchange between provinces and and politics increased. “The Shoguns were also worried about public morals. To control prostitution, they consolidated brothels that were previously spread into “officially licensed pleasure quarters.”” (Early Modern Japanese, 316). These large pleasure quarters also kept reappearing again and again in this popular literature time and everything was spent on music, sex, and dances and families being ruined by broken hearts and planned double love suicides. So yes, this society reflected on this story.

Going back to the novel, we see Okonwo, who is extremely shocked by the twists which take place in his tribe as a cultural revolution. He sees their ancient religion giving its place to Christianity, and their father’s culture and traditions, which his life was based on, fall apart. To make things even worse, his own son turns his back to him. Okonkwo can not stand this as a result he tries to fight against the people who were the creators of this disaster. But as he fails, he commits suicide, preferring to kill himself, rather than let those strangers kill him.

Like walking through a barren street in a crumbling ghost town, isolation can feel melancholy and hopeless. Yet, all it takes is an ordinary flower bud amidst the desolation to show life really can exist anywhere. This is similar to Stephen’s journey in The Samurai’s Garden. This novel is about an ailing Chinese boy named Stephen who goes to a Japanese village during a time of war between Japan and China to recover from his disease. By forming bonds with several locals and listening to their stories, he quickly matures into a young adult. Throughout the novel, Gail Tsukiyama shows how disease forces Stephen into isolation; however, Matsu’s garden and Sachi lead him out of solitude.

The word isolation is defined as meaning, “The state of being in a place or situation that is separate from others” (Merriam Webster 1). Isolation is very powerful in that it leads to many negative effects and causes people to feel left out, as well as, separated from the group. However, isolation can have differing effects on different people, while isolation can negatively affect some, it can also cause people to find themselves. Through the use of the characters Stephen, Sachi, and Okonkwo, the topic of what isolation really is will be assessed, and what exactly this very same isolation can cause will be found. In Samurai’s Garden by Gail Tsukiyama, and in Things Fall Apart by Chinua Achebe, Stephen, Sachi, Okonkwo and Nwoye, are all isolated, thus causing them to strive to regain identity in their new lives.

The Samurai’s Tale is about a young boy named Taro, who had became the hero of the story. The main characters in the story was Lord Akiyama, Lord Takeda Shingen, and Togan. This story took place in Japan around the 16th century. The story began with Taro, Murakami Harutomo, arguing with his mother about what she had been telling him to wear for an event that was going to happen without him knowing about. Later that day Taro saw that soldiers came attacking his house, his mother leaving him with Yone in a chest trying to keep them safe in a storehouse that had laid behind the house. A soldier then found them both and took them out of the chest, then as they walked out of the store hold, he found his mother on the ground dead. A plot twist that

Fighting for justice in “Revolutionary Suicide” presents two conflicts between suicide and salvation. In Oakland California around 1970, African Americans were being so mistreated that a movement was created to fight for black power which is known as Black Panther Party. African Americans were going up against the police and government of the racist south. This was a time Jim Crow laws had just ending along with segregation ,but that dosen’t mean that the whites of the south still didn’t have the same intentions they used to have about blacks. Which lead to many confrontations that resulted in death or injury causing revolutionary suicide. In poem “Revolutionary Suicide,” The style of the poem is built of a cause and effect. First, the speaker addresses that having nothing causes him to have everything .“By having no family I inherited the family of humanity …By having surrendering my life to the revolution I found internal life.” Readers can get an impression that the speaker would make a great leader. Especially when he tells the audience that he is willing to sacrifice himself in order to gain revolution. The speaker is confronting the opposition letting them know he is not afraid of death nor them. He also writes this in the poem

Secrets fill the garden. In Gail Tsukiyama’s novel “The Samurai’s Garden”, she uses metaphors to show the audience the garden and its’ curator in a mysterious light. Tsukiyama’s character Stephen gazes upon Matsu’s garden with wonder and amazement. He compares it to another world, “The garden is a world filled with secrets… Matsu’s garden whispers at you, never shouts; it leads you down a path hoping for more, as if everything is seen, yet hidden” (Samurai 31). Tsukiyama creates another world within the fences of the garden. She integrates the secrets of its’ caretaker into the aura of the garden. The metaphor to another world impacts the reader by allowing the reader to see the mystery and beauty that shrouds it. The cloak of beauty shows

The poem “Preface to a Twenty Volume Suicide Note” by Amiri Baraka uses vivid images of sights, sounds, and daily activities to symbolize a heartfelt story. In the poem, Amiri, is one of the African American slaves who is frustrated about the discriminatory treatment by whites. So frustrated he wants to commit suicide. The writer used transition words starting with “lately”, “now”, and “then” for each stanza. He was imagining how he acted before his death and how his daughter reacted to his death.

In the book “The Samurai’s Garden” by Gail Tsukiyama, a common occurrence that appears in the book is comparisons of a certain character to an Samurai. Since even the title refers to Samurai it leaves the reader wondering, “Who is the real Samurai?” The book gives a lot of evidence for people to think that different characters could be the Samurai. The characters that people mainly think are the “real” Samurai are the main three characters, Stephen, Matsu, and Sachi. All of them carry traits of a Samurai, but at the same time there’s plenty of things to disprove most of them as being the Samurai. In the book Sachi does overcome a tragedy in her life that a lot of people would struggle with but

Lord Takeda Shingen- The Lord of Kai, a ruthless warlord whose ambition is to rule all of Japan.

In a time of need, Okonkwo decides to improve his exterior image, instead of being the true father that Ikemefuna thought he was. A true father would have put his son before anything else and would have tried to keep Ikemefuna out of such a fatal situation. Lastly, Achebe states, “Obierika, who had been gazing steadily at his friend’s dangling body, turned suddenly to the District Commisioner and said ferociously: ‘That man was one of the greatest men in Umuofia. You drove him to kill himself’” (208). Okonkwo knows his clan won’t go to war and he does not want to continue to be a part of such a weak clan. Though his life’s purpose was to be nothing like his father, he is viewed as even weaker than Unoka. Since, suicide is “an abomination for a man to take his own life” (207). Through Okonkwo’s actions, the theme is clearly highlighted.