Summaries of Chapter 3-6 of Su Lac's 'I Love Yous Are for White People'

The third section of the essay uses narration but also analysis, as Liu examines the effects of his assimilation. As Liu narrates his experiences in college, he analyzes their importance as related to his own acceptance into white American culture. Liu examines the cause and effect of his acts in college, like how he chose not to be pigeonholed by the race-specific clubs. He considers whether it was a good idea to distance himself from his Chinese culture in order to achieve success and respect in America. The third section deals with Liu’s college experience and how it played a part in his

Continuing with the views of Nguyen and his parents, Nguyen’s split identity of being Vietnamese and American is fueled by the way he interacts with his family. The aforementioned disagreement between Nguyen and his parents on fighting the

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

Sui Sin Far’s short story, “In the Land of the Free” touches on the reality of being a Chinese immigrant in late-19th century America. The story revolves around a Chinese couple. The husband is ready for his wife, Lae Choo, to arrive from China with their new son, later named Kim. However, due to policies on immigration, the American government was forced to take possession of the child due to a lack of paperwork. However, Far’s short-story has a deeper meaning than just focusing on unfair immigration policies. She takes advantage of the story’s ending to symbolize a rejection of immigrant culture, most especially Chinese immigrant culture, by taking advantage of Kim’s change in behaviors, appearance, and dialect.

In the year 1898 in the town of Wilmington, North Carolina a riot occurred between the African American inhabitants and the white minority of the city. Several historians accuse the origin of the riot on racism and white supremacy. Although these two beliefs have been around for countless years, and African Americans received the right to vote almost thirty years’ prior, no demonstration nor aggressive threats, to the point in which was seen in 1898, had occurred in Wilmington until that year. The Wilmington Race Riot was the reaction of the “sociopolitical conditions” that were being applied by the Democratic Party to win the election through a sequence of diabolical campaign tactics just like creating partial accusations about the “negroes” of the town thus, creating unconstitutional practices, and threatening their existence.

Getting straight to her point, Andrea Smith thoroughly explains to her audience exactly what the three pillars of white supremacy are. According to Smith, the three pillars are slavery/capitalism, genocide and colonialism, and orientalism and war. In an effort to enlighten to not only identify the three pillars of white supremacy, Smith effectively describes how these three pillars connect to heteropatriarchy. The main argument that Smith attempts to make

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

On the other hand, Nguyen talks of the language difficulties that she experienced being a Vietnamese in the United States. At first, she is enrolled to a school far from home as it offers bilingual education to help her integrate with the system of learning. She works hard to raise her academic performance with hopes of falling in favor with the teacher. However, as the teacher knows her Vietnamese origin, she manifests her stereotype on Nguyen’s comprehension in literature readings. For instance, while it was her turn to read, the teacher would interrupt her making sentiments such as “you are reading too fast….things she did not do to other students” (Nguyen, 35). She also faces a “school-constructed identity” together with her sister with all sorts of jibes thrown against them. As Vollmer puts it, “such assumptions affect the interpretations made of student behavior and school

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

What is it like to be born in one country and then grow up in another where people speak a different language and follow different traditions? And is it easy to grow up in another country where members of the native country pressure one to be "one of their own"? If anyone wishes to find insightful and interesting answers to these questions, one should go no further than read Lac Su's I Love Yours Are for White People. In this book, Lac tells the story of his child- and adolescent-hood, growing up in "urban" Los Angeles as a Vietnamese living with a "traditional" Vietnamese family. As Lac demonstrates in the book, he once was between two worlds, sometimes unable to figure out who he was, and sometimes rejecting one or the other altogether. After going through difficult and painful experiences, Lac learns to embrace his ethnic identity. He realizes that he is a Vietnamese-American who belongs to both cultures. He learns to appreciate his Vietnamese background but also acknowledges that he is partly American because some Vietnamese habits are so uncommon for him.

" I love Yous Are for White People" is a memoir about Lac's journey and his family immigrated to America from Vietnam, after the Vietnam's War. Lac's family had to deal with cultural shock, language barrier, and difficulty finding jobs. As a Vietnamese immigration myself, I feel like Lac's experiences live through me because there were a lot of similarities in his memoir compared to my past experiences with my parents. Lac's family and many immigrations families had the same circumstances, that had a hard time adapting to a new cultural, and establish a new life in America. As the result, this environment played a

The U.S is seen as a safe haven for many refugees and immigrants around the world and that those who have made it are the “lucky ones” however, Author Aimee Phan discusses this common misconception in her novel We Should Never Meet. We Should Never Meet is a collection of short stories about how the Vietnamese War has effected its citizens still living in Vietnam or who fled to the United States in search of a safer home. In one short story, Emancipation, Phan gives readers a look into the life of Mai, a Vietnamese girl who was smuggled to America at the age of five. While the story is told by Mai in first person she is used more as median to show the differences in lives between her four friends Tiffany and Haun,

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

In Season 1, Episode 5 of the The Netflix Original Series: Dear White People released on April 28, 2017, Reggie, a black college student and the leader of Winchester University’s Black Student Union is seen at a fraternity party surrounded by mostly white students. All is well until Reggie’s white friend, Addison, repeatedly utters the N-word while singing along to a hip-hop song. Reggie asks him not to say it anymore however, Addison questions him and attempts to justify his use of the word which leads to a debate. The creator of Dear White People uses characterization and setting to convey how non-Black people-especially white people- who use the N-word regardless of whether or not they understand its historical context, reinforce the notion that Black people are inferior which helps to maintain white supremacy.