Summary Of Albert Camus's The Plague

When the plague began, people kept their hope in love alive. They initially maintained their ideals, and honestly believed that the separation was temporary. When given the option of having their loved ones return to Oran, most people showed their love as they "realized the

"The Black Death" is known as the worst natural disaster in European history. The plague spread throughout Europe from 1346-1352. Those who survived lived in constant fear of the plague's return and it did not disappear until the 1600s. Not only were the effects devastating at the time of infection, but during the aftermath as well. "The Black Death" of the fourteenth century dramatically altered Europe's social and economic structure.

A book of horrors, fear and death. “The Plague” is a book by Albert Camus which weaves these emotions and events into one suspenseful tale. Each paragraph and section is written and structured in such a way as to give the reader insight into the feelings of the victims of the plague, and to show somewhat of a theme. The passage from section 4, part 4, line number 1 to line number 35 gives us a glimpse of the melancholy of the people of Oran to their dead loved ones to the extent that they do not attend All Souls' Day, for they were thinking of them too much as it was. Albert Camus fills this passage with figurative devices, including, diction, personification, pathetic fallacy, metaphors, irony and a turning point. The first two paragraphs

The Plague, by Albert Camus, is a story following a man named Dr. Rieux living in the town of Oran on the coast of Algeria, which was a French owned territory in Africa. In this town, a plague begins, similar to that of the Bubonic plague in Europe, and the town is quarantined. The story shows how the residents cope and try to create a cure while surrounded by dying people and a lack of supplies and entertainment. In this novel, he uses the format of a Shakespearean play, with five acts and from the point of view of an audience looking in, rather than from a first-person view. He also points to the Greek myth of Orpheus and Eurydice, where Orpheus goes against all odds to the underworld to rescue his love, Eurydice, who was taken from him by

The book When Plague Strikes, is about 3 deadly diseases. It 's about the Black Death, Smallpox, and AIDS. Each of these diseases can cause a serious outrage of death. The book also tells about how doctors try to come up with treatments, medicines, and antibiotics to try and cure these diseases. All these diseases got the best out of everyone. Some people reacted differently than others with these diseases. All the diseases came in play in A. D. 1347, when the Black Death broke out for the first time in what’s today is know. As southern Ukraine.

The plague, otherwise known as “the Black Death”, brought on much turmoil and suffering for the habitants of Pistoia. Numerous ordinances were put into effect with the primary goal of limiting the spread of the plague as well as to keep the city as healthy as possible. These ordinances typically focused on confinement, i.e. no one goes to Pisa and Luca and no one from Pisa and Luca is allowed to enter Pistoia (ordinance 1), how death and burials are to be processed (ordinances 3-12), and how butchers were to handle their animals and animal carcasses (ordinances 13-19). Essentially, confinement was targeted in hopes of stopping the spread of the infection while keeping the city isolated. Secondly, how the bodies of plague victims and their

The sanitation of Oran is a significant problem in The Plague. Camus portrays the sanitation of the city as being very deficient in the novel where it is mentioned, “The sanitary department is inefficient, understaffed, for one thing, and you're worked off your feet” (Camus 61). Although there were sanitary services present, they encompassed a poor image, so the townspeople started forming their own voluntary “sanitation squads” (Camus 65) to help clean the city. It is mentioned in the novel that there is a notice outlining a general sanitation program that the authorities have drawn up. It includes a systematic extermination of the rat population by injecting poison gas into the sewers, and a strict supervision of the water-supply. The claim made in Camus’ novel of inferior sanitation of the streets is not the central problem faced in Algeria. The prevalent sanitation problem faced by a vast population of Algeria is their water sanitation. Camus mentions the unsanitary water supply, but bases a larger concern for the cleanliness of the streets. The concern for sanitary water is much greater in the authentic Algerian culture and the government has implemented various programs to conduct sanitary practices in the effort of getting clean water. In addition to sanitary programs being implemented, various sanitation strategy studies have been finalized through the Algerian efforts (“Algeria-Water”). The medical treatment practices conveyed through the novel were also conflicting to the authentic culture.

There are many ways to explore any period in history. The period that we will look further into will be Medieval Europe. I found an academic article that explores deeper into that period, especially the Black plague. Assembling three primary sources of the black plague, each has a different perspective of what was portrayed in the academic article.

In Twilight of the Idols Nietzsche emphasizes that the Christian Church is a false idol. He dares to say, “..God to be an enemy of life..” and, “Life ends where the ‘kingdom of God’ begins..” because he believes that Christian morality is against life itself (Idols, 23). The reason for this is because Nietzsche believes that, “to have to fight against the instincts- this is the formula for decadence: so long as the life is ascendant, happiness equals instinct” which simply means that if one goes against instincts, or an intuitive way of carrying ones life, then as a consequence it will lead to the degeneration of society and intellect while if life is on the rise, happiness must be equivalent to following ones’ instinct (Idols, 15). Because of his belief it is understood that Nietzsche wants one to embrace their instincts. Nietzsche states that a life in which

In its most basic sense, absurdity addresses the meaninglessness of life, with special attention directed to divine disavowal.” Jared White utilizes Absurdism to highlight the thoughts and meanings that go from individuality to the community. Absurdism is defined as the philosophy that humans live in essential isolation in an irrational and meaningless world. White says that when people realize their time has almost no value in the large scale, they give it up to the remainder of the world. He also claims that despite of the humans’ absurd settings, personal gains are favored. White makes clear that, taken literally, the plague of rats is an epidemic, but, symbolically, the plague of humans is a pandemic. The smaller outbreak only parallels the massive disease that people are infected with. White also argues that The Plague is in part a historical allegory, in which the plague signifies the German occupation of France from 1940 to 1944 during World War II. “In a deft narrative act, Camus allegorically uses the plague to consider not only his personal situation--sick, exiled, and restricted--but also the European conflict. Bernard further elaborates that Camus wrote La Peste with the plague as an obvious reference to “the kind of imprisonment [. . .] the Germans imposed on occupied France” (165).” Oran is cut off from the outside world, which is equivalent to France; the different attitudes of the

Socrates, a Greek philosopher, once said that “the unexamined life is not worth living” (Apology 38b). Like Socrates, Albert Camus believed that a man needs to live meaningfully.

Albert Camus is a famous writer who discusses a wide variety of topics in his works. His account of the myth of Sisyphus touches on a topic that most writers are either afraid of or unwilling to talk about. This is the issue of suicide and how to deal with it as an individual and as a community. The principal point in the story by Camus is the presence of absurdity in our very existence. The presence of life and all living things that we are aware of is an absurdity according to Camus, who questions the plausibility of some people considering suicide to be the best solution to this absurdity. Having an understanding of the elements of nature that make up our world does not mean that it will ever be possible to understand—and fully appreciate—the reasons why our world is as it is. Whether one believes in God and the creation account, in the evolution process or in the Big Bang Theory among others is irrelevant because of the underlying absurdity to all of these scenarios (Camus 3). He writes that it was his intention to find the relationship between suicide and the absurd. This essay by Camus leads the reader to make an assessment of life and arrive at a suitable decision. This paper will provide a further understanding of these thoughts. This paper will show that life is simply meaningless but must be appreciated nonetheless.

Two central themes to understanding the human condition are suffering and morality. Humans contrive morality to be a set of values deemed right or wrong in a society, and are often defined by institutions. These guidelines shape the way people live and how they react to life’s circumstances. Suffering is one emotion crucial to the understanding of existence. In a time of pain, an individual often seeks direction from a higher power, like the church. Institutions such as religion are a way of expressing morality and a means to cope with suffering, a crucial understanding of the human condition.

This novel was chosen due to its unique characters and plot overview. The idea of absurdism is quite apparent in this story. Absurdism is defined as the intentionally ridiculous or bizarre behavior or character or the belief that human beings exist in a purposeless, chaotic universe. With the reintroduction of the bubonic plague to the society, the characters begin to live in a chaotic state where they display bizarre behaviors of indulging in selfish, personal distress, and are convinced that their suffering is like no one else’s. This

In his novel The Plague, Albert Camus presents a pseudo-historical documentary of a plague that confines and controls the citizens of Oran within their city gates. The plague possesses the power of life and death over the people, as it determines which citizens will face their death or those who work to stop death. These latter men, personified by the character's of Rieux, Grand, and Tarrau, each struggle endlessly to master the plague's power over their lives, even with the realization they may never succeed. For Camus, this idea of "impossible struggle" against an unseen power resonates throughout the novel and reoccurs in another "plague" which these men must contend - the limits of human