Summary Of Another Bullshit Night In Suck City

Nick is involved in many of Gatsby's affairs and he finally learns that the American Dream does not bring any happiness to Gatsby and destroys him instead. Nick, who leaves his Midwestern life and its values, is a witness to the destruction of the American Dream. Nick comes to the East with great hope and expectations, but then discovers how the hope has been

The reader receives the impression that Nick’s self analysis of his own character tries to influence their opinion of him. Therefore the reader becomes inclined to question his judgements. Nick Carraway’s narration takes the reader into his confidence; he describes significant experiences in an almost voyeuristic way. Nicks narrative style uses elaborate and very mature vocabulary that gives extra depth and description to his account; drawing the reader further into the story. Additionally Nick’s tone creates a sense of authority and immediacy which encourages the reader to read on.

1. Pay attention to Nick's judgments. What do they reveal about his character that he does this (especially in relation to his opening comments)?

While George and I share same social aspects we also share some personal aspects with each other. Like George, I was left without a father figure in my life. George’s father and my father left around the same time in our lives, which I find particularly interesting. Our fathers left when we were between the ages of seven and ten years old. As our fathers left we were looked at as the “man of the house” in our household. This might seem like a big responsibility for young boys our age but, we established ways to make a positive result for ourselves and those affected by the situation.

In Devil in the White City, by Erik Larson utilizes the idea of a “devil” during a time of when Chicago was prospering to showcase the evil lurking behind the mirage of wealth and beauty. The speaker is a third person omniscient narrator who has known about Burnham and Holmes life Chicago in the late-nineteenth century. The audience is intended for readers who enjoy non-fiction thriller novels or wants to know about the historical event from different viewpoints. The purpose is to entertain the audience but also teach them about the coexistence and balance of “good” and “evil” in one city. The subject is about Chicago during the Columbian Exposition, focusing on the juxtaposition of the lives of Burnham and Holmes. The tone shifts throughout the novel between every other chapter when there is a change in character since they have different thoughts and settings. Larson uses this to emphasize the universal themes of harmonization of polar opposites. He contrasts the two demeanors of Chicago, the white city was Burnham’s fair, also known a dream land. On the other hand, the black city is Holmes’ house of terror.

When Nick meets up with his cousin Daisy and his old classmate Tom in East Egg, he is shown an unfamiliar side of people, a darker side, and he is at a loss and out of his element. Nick is tempted and curious about these things and they lead him away from his midwestern upbringing. The love triangles, the infidelity, gold digging and homicide disgust Nick and he becomes resolved to move back to his midwestern comfort zone almost like in doing so, he will be able to wash himself clean of the experience. Although the character Nick acts as a confidant for those around him, it seems that the burden of their indiscretions is too much for him and he returns to the familiarity and the safety of the morals he was raised on.

Hemingway, to illustrate the theme of sovereignty, uses the character of Nick Adams. Nick is a character who has been injured in the war and, though his wound has healed over, Nick has yet to recover mentally from the attack. Hemingway’s portrayal of Nick is of a man who is trying to regain his identity. Hemingway depicts this through stream of consciousness and symbolism. The stream of

character but is vital in the role of the novel. It is later that Nick realizes that he becomes twisted and that he finds no desire to associate himself with careless people like Tom, Daisy,

Erik Larson is the author of Devil in the White City, a book paralleling the story of H.H.Holmes and the building of the Chicago World Fair. At the beginning we are introduced to the beginning of the next world fair. It is going to be held in Chicago, a city known for being dirty and having disease and sewer problems. In contrast, the architects of the world fair want it to be known as the white city, a place of wonder and history full enough to spend a week exploring. At the same time, we are also introduced to Holmes, whose given name was Herman Webster Mudgett, and the beginning of his obsession with women, that he later murders. Larson constructs his book differently than other authors, using organization, contrast, and emotions in unique

In the memoir, “Another Bullshit Night in Suck City” by Nick Flynn, drug use plays a huge role. Throughout the memoir, Flynn describes his father’s struggles with alcoholism and how it continually caused negative events in his life. Along with his father he also explains the drug use of his mother and friends. Flynn not only describes the consequences of other’s drug use, but also his own. During his memoir, Flynn continually gives drug use a negative connotation, through the actions and decisions of his characters.

“Nicholas Nickleby” begins on a lonely house in the country where Nicholas’s father dies. The Nickleby’s family has no income for survival and must travel to London, where their Uncle Ralph lives, in search of aid for money. They arrive to their Uncle Ralph’s investment home, who deviously helps the Nickleby’s family by sending the son, Nicholas, to a cruel school to teach, and keeping the

Nick is a World War I veteran who, as many veterans, suffers from emotional trauma that his experiences from the war left him with. Multiple scenes throughout the story, Big Two Hearted River, relates to Nick, the main character’s, journey toward recovery. Nick describes his surroundings in way that parallels to his own experiences and current voyage in respect to his revival.. He takes a calming adventure saturated with calming natural paths over hills, through woodland, and along a river to find peace with himself and to return to his prewar state of mind.

Before one can learn, one must be confused. It’s no surprise that a coming of age character starts out naïve and inexperienced. When Nick first introduces himself, he appears very innocent. “In my younger and more vulnerable years my father gave me some advice,” he says. “Whenever you feel like criticizing anyone, just remember that all the people in this world haven’t had the advantages that you’ve had” (Fitzgerald 1). Nick naively claims that he is a man

This highlights Nick’s incapability of seeing poverty, as instead he romanticises over the bleak setting. This can be linked to the way Nick views the character of Gatsby. He is aware of Gatsby’s involvement in illegal businesses yet still describes him as ‘gorgeous’ and proceeds to be slightly in awe of him. As a result of characters creating an illusion around them, many relationships are built on a superficial premise as nothing is what it seems.

As one re-reads the story, it is evident that Hemingway has chosen this style for a particular reason.  Hemingway did not have Ole executed, because in doing so the reader would focus all the attention to his tragic death.  The murder does not occur, and the reader is forced to focus on the reaction of Nick, Sam and George, and the nonchalant attitude of "The Killers."  "One has to read it two or three times before he realizes that Nick Adams is the central figure" (Walcutt, 305).  The story can be broken into four scenes; first, "The Killers" are introduced; second, Nick warns Ole; third, Nick speaks to Mrs. Bell; fourth, Nick returns to the cafe.  Nick is the only character present in each scene, and in returning to the cafe his final statement to George is, "'I can't  stand to think about him waiting in the room and knowing he's going to get it.  It's too damned awful."'  George replies, "'You better not think about it'"(Hemingway, 252).  It is obvious Nick is unwilling to accept defeat, and give up his delusion of a world without evil.  To maintain his delusion, he is willing to escape the reality that is presented to him.  "So, of the two boys, it is obviously Nick on whom the impression has been made.  George has managed to come to terms with the situation.  By this line of reasoning, it is Nick's story" (Brooks, 195).  Nick is the only character that evolves; Nick is a round character.  The other