Summary Of Art Of The Contact Zone By Mary Louise Pratt

Many people learn to write and read with the help of a formal education. Malcom X in “Learning to Read” and Richard Wright in “The library Card” had none of these blessings. In spite of having great disadvantages both Malcom X and Wright became educated. Even though their journey to literacy have some significant differences, the resemblance are evident Malcom X and Richard Wright were incredibly resourceful and extremely self-motivated during their path towards literacy. Both of these men learned to write and read mostly on their own, and along the way, became visionary thinkers with great influence on others.

In 1990, the second Modern Language Association Literacy Conference was held in Pittsburgh, Pennsylvania. During the conference Mary Louise Pratt a Stanford Professor delivered a keynote/lecture that revolutionized how people think about their social spaces. She introduced a revolutionary way to think about these social spaces, instead of calling them communities she started calling it the “contact zone”. According to Pratt a “contact zone is a place where cultures meet, clash, and grapple” (Pratt 487). While lecturing her fellow colleagues Pratt argues that our idea of community is strongly utopian. She continues to plead her case by saying that societies often profess, “embodying values like equality fraternity and liberty, but

The child knew how to turn the pages, show me the title of the book, and show me the title page of the book. The child struggled in holding the book right side up, showing me the front cover, and the back cover, and finding the first page of text. The child was not able to tell me what the author or the illustrator did. With the conventions of print the child was able to tell me where it tells the story at, where we start to read. Lastly the he could tell me that we read from left to right and top to bottom. The child struggled with the return sweep when reading. The child excelled in showing me the spaces between words, and pointing out letters to me. The child struggled in one on one reading, and finding word boundaries around a word. The child also had problems with finding the first word on the page, and the last word on the page, and with counting the words and letters for me. The child was not able to show me the difference between a capital and lowercase letter. The child was able to identify the letters on a page, some of the specific letters that I pointed to, and also was able to identity some of the letters in his name. The child was also able to name some of the letters on a page, some of the specific letters, and some of the letters in his name. He was able to

After talking to students in classroom who were assigned to do a project on Pratt, getting a frequent response “I didn’t read it, it’s too hard to comprehend” was an ordinary thing. Therefore, writing a response to Pratt’s essay in a language that is comprehendible by regular people can be very helpful to those struggling students. In "Arts of the Contact Zone" Pratt discusses the mix of two different cultures in one area. Where one person is born and lives in a "contact zone" he/she is surrounded by two different conflicting cultures, and there are two different languages. She also introduces us with a new word "autoethnography", which means the way in which subordinate peoples present themselves in ways that their

     The Arts of the Contact Zone by Mary Louise Pratt opened up a whole new concept for our class. The new term “contact zone” appeared and Pratt defined it as "social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today." The idea of the contact zone is intended in part to contrast with ideas of community that trigger much of the thinking about language, communication, and culture.

Mary Louise Pratt defined contact zones as “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today.” A contact zone is a place where two cultures can mesh together. People from different cultures are able to interact with each other through these contact zones. A contact zone allows people to look into cultures other than their own. They can get new ideas by looking into another culture, as well as their own. Contact zones allow you to look at things in a new way. Pratt talks about contact zones being seen more and more today. People may have to look beyond how

Throughout “Arts of the Contact Zone”, Pratt uses many real life situations to exemplify how contact zones create conflict and separate people and cultures; but she also examines ways to use the contact zone to our advantage in order to unify society. Sometimes people are led believe their differences are too great to overcome, so they remain isolated from the rest of society. People shouldn’t be trying to isolate themselves, but rather incorporating their culture into the community around them. This incorporation of cultures can often cause conflict, but Pratt explains that conflict can be avoided if people abandon their biases and pursue knowledge about the cultures around them. This idea “will read very differently” to people on opposing sides of the contact zone

As a young man, while living and working with various ethnicities, I learned that certain elements of social location cannot be altered and this can affect our reality. It has been my personal experience that the social location of a particular group of people may generate a very different set of values and beliefs for them to a group in a different social location. Thus, this principle can help us to better understand our worldview and its effects on the way we view and interpret other cultures.

Literacy is a vital part of all later learning. Because of this, the children will engage in hands on activities that relates to what they have read and give them opportunities to make up their own versions, as well as make up their own stories. They will have a large group story time and a partner reading time. An ample variety of books will be available at all times. Signs with words and pictures will be posted around the classroom showing, daily activities, objects that are used daily, and the placement of toys and

Richard Rodriguez, in the passage “Remedial Reading” from his autobiography “Hunger of Memory”(1982), promotes active reading as a developer of one’s mind. He justifies his position by describing his initial experiences with reading, specifically his attachment to the reading. Rodriguez’s anecdote functions as an encourager of stubborn minds trying to read and displaying its potential to change their life for the better. Rodriguez uses a very descriptive style that may be too verbose for children but compliments the verbosity with enough explanation of his purpose for his message to be known or ascertained.

The “Arts of the Contact Zone”, an article written by Stanford professor Mary Louise Pratt, discusses many different ideas about culture and communication by utilizing what she calls the literate arts. Pratt explains many terms that she believes are beneficial in gaining a further understanding of a literary piece. Key terms such as, contact zone, autoethnography and transculturation are introduced in her essay. She describes contact zones as “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power”(Pratt 487). The contact zone can be summarized as a space where two groups with different beliefs or ideas intermingle. In the essay, Pratt also describes the literate arts that come out of the contact zone. Literary arts are ways of addressing problems in the contact zone and sometimes make an attempt to resolve the issue that is happening or has happened. Two terms heavily discussed in the essay are autoethnography and transculturation. These are only two of the many literate arts that precipitate out of the contact zone. Pratt defines autoethnography as a “text in which people undertake to describe themselves in ways that engage with representations others have made of them”(Pratt 487). The culture often takes on those stereotypes in some form of literary work and presents it to the dominant culture often trying to change their views or perspectives. Autoethnography is often used as an effective method

“The Contact Zone”, is defined by Mary Louis Pratt as “the space in which transculturation takes place – where two different cultures meet and inform each other, often in highly asymmetrical ways.” Pratt describes what she calls ‘contact zones’ and elaborates on the pros and cons of these cultural interactions. She sees the contact zone as a place that allows people to exchange cultural ideas and break down the dividing cultural borders. When a contact zone is started, people are able to interact on new levels gaining a new perspective because they are able to collaborate with people from foreign cultures. If you are always with people of the same culture as you, you become used to hearing everything from the same perspective. With a

Children can take more than one of these steps at the same time. This list of steps, though, gives you a general idea of how your child will progress toward reading.” (Helping your child become a reader) While these ideas may seem structured, it is also important to allow children to be creative and use their imagination. Although reading is imperative, too many arrangements and rules can turn a child off and lead to feelings of resentment, anger, and resistance. Reading should be set to the tone and pace of the child.

This journal provides insight into diversity and tolerance in regards to the social contract. Providing evidence to support one’s claim that people don’t define the social contact because not all voices, ethnicity, religion, or culture maybe represented.

As a child, my nightly bedtime routine consisted of being read a book, singing a tune, and a brief summary of tomorrow’s agenda. “Frog and Toad” was the expected book of choice, with it being my favorite. It’s safe to say that my mother had it memorized. She would often try to convince me to pick a different choice, but my heart was set on “Frog and Toad.” I remember her pointing to every word as she read aloud to me. By doing, so I became aware of words and eventually started to recognize them. One of my favorite car games as a child was “the alphabet” game. The alphabet game consisted of my brother and I trying to find every letter in the alphabet, whether it be on a license plate or a billboard. My older brother Jesse had hawk eyes so he usually beat me to a lot of letters but I still enjoyed playing and got better with each game. My childhood experiences helped me recognize and develop early stages of literacy.