The book Maus, a graphic novel by Vladek Spiegelman’s son, Art Spiegelman is written in the form of a graphic novel. It elaborates on Vladek’s adolescent experiences as a young jew during the Holocaust. On a surface level, the photographs in Maus contributed to my understanding of the story by giving Vladek's words a visual. The images tell the story in a direct way by expressing the emotions of his father as the comic strips transition from the past to present. The format of this story certainly takes some risks. To some audiences, this format could come off as a joke, as though Spiegelman wasn’t taking his father’s story seriously. With a graphic novel usually used to depict fictionally, sci-fi like stories, the audience might think that Art is treating his father’s experiences as if they were part of a fictional …show more content…
This story could possibly be negatively associated with a mocking tone. To some audiences, the way that Spiegelman depicted the victims as mice and the Germans as cats, could come off as though Spiegelman was mocking the victims with this prey and predator metaphor. The interviewer challenges Spiegelman by asking the questions about the aspects of his book that make it the most controversial. For example, Bolhafner says “Harvey Pekar has commented that he feels you shouldn’t have used mice for any of it. He thinks it would have had more impact if you had used people, and is critical of your using pigs for the Poles” (Spiegelman, Art. “Art for Art’s Sake: Spiegelman Speaks on RAWS’s Past, Present, and Future.” Interview by J. Stephen Bolhafner. The Comics Journal #145 Oct. 1991). Here, Bolhafner brings up the fact that some audiences don’t agree with Arts way of portraying the people in his book and how it could lessen the impact of his
What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a
Throughout modern history, various historical texts, personal accounts, and books have been published regarding the devastating events of World War 2 and the Holocaust. Two of the most prominent novels written about the Holocaust are Maus and The Hiding Place. Maus is a graphic novel illustrated by Arthur Spiegelman in 1980 and details the catastrophic effects of the Holocaust on the Jewish survivors of it. Another notable book similar to Maus is The Hiding Place by Corrie Ten Boom. The Hiding Place is a biography written and published in 1937 and details the story of a young Christian family during World War 1. Throughout these accounts, contrasting themes are explored such as love, anger, forgiveness, and guilt. Although there are various similarities, there are also extreme differences in the characters responses to the Holocaust as well as the themes present within both novels.
Spiegelman’s Maus is a graphic novel which explores events of the holocaust and the uniting of a father and son. Though often overlooked the dedications play an integral role in better understanding the text. The dedications do not influence the meaning of the book but do reinforce events in the book. Spiegelman dedicates the first book to his mother as an attempt to rid himself of the guilt associated with his mother’s suicide. In an attempt to not have the same short comings as his father, Art associates his most prized work with the most prized people in his life. Richieu is often disregarded in the book however he is vital in Spiegelman’s eyes. The book in its entirety is highly important as it is a dedication to a whole race.
“Maus: A Survivor’s Tale”, and “Maus: And Here My Troubles Began”, are hit graphic novels about World War II, and tell the fictional stories of a soldier who survived the Holocaust. These two books are both purely about survival, but not in the way that you may think. Maus I and Maus II are both essentially telling us that survival may mean that you live through something horrific, but you may be a different person by the end of it.
The books Maus I and Maus II are biographical comic books written and illustrated by Art Spiegelman. In these books Spiegelman tells his father’s story of survival through the horrors of the Holocaust. Spiegelman simultaneously presents an inner story of the conflict between him and his father, Vladek Spiegelman as both he and his father try to come to terms with the past, and work to have a normal life. This feelings of tension and conflict suffered by Vladek and Art in Maus I and II is caused by a transitional and rebounding feeling of survivor’s guilt caused by Vladek’s passing down of his own guilt, Art’s guilt of neglect, and Art’s attempts to come to terms with his own guilt of survival.
After the Holocaust on May 8th, 1945, a book called Maus was released which is revolved around survival. The author, Art Spiegelman intended the story was to reflect upon his past and express his feelings world how he had to deal life was at the time.The book is a story of Art’s father named Vladek, he tells his point-of-view to the world to show multiple struggles he had to withstand. The theme of Art Spiegelman’s book Maus is survival; Art Spiegelman shows the theme of survival by using tone, mood, and point-of-view throughout the graphic novel. Vladek is the main character of Maus and shares his point of view. Vladek tells a true story about how he survived the Holocaust and the things he had to accomplish to make it through alive. This book is based on a true story of what had happened during the Holocaust.
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
Comics exist to expose the ethnic representations that seek to control the development of collective perceptions, memories and emotions and especially fear by investigating the techniques through which this control is maintained. Maus I is a true account of a Holocaust survivor, Vladek Spiegelman, and his experiences as a young Jew during the horrors leading up to the confinement in Auschwitz. Maus II is about Vladek recounting his own history to his son Art
Spiegelman’s use of animal imagery is effective because it leaves room to straightforwardly translate the significance of each animal’s contribution to the racial logic of the Nazi regime. In the graphic novel, Americans are portrayed as dogs, Jewish people are portrayed as mice, and Germans are portrayed as cats. These animals were picked by Spiegelman based off the traits each animal has that he found fitting to characterize each race. The Americans are dogs because dogs are morally correct, proud, and loyal. The Germans are cats because cats hunt, capture, torture, and then kill mice, which is
Maus has an interesting way in approaching a historical account such as the relationship with his father and the Holocaust. One of the most interesting aspects of Maus is the way in which Spiegelman uses animals to distinguish the various races within the comic
Art Spiegelman’s Maus is a famous, Pulitzer Prize winning tale about the journey of a Jewish Holocaust survivor. Despite the amount of similar storylines, Spiegelman’s creativity with the normal elements of comics has won him high praise. This analysis will focus on Spiegelman’s unique twist on icons, layouts, diegesis, abstraction, and encapsulation as displayed by Maus.
In the book Maus by Art Spiegelman, it tells the story about Valdek Spiegelman who is a mouse, and a Holocaust survivor, and his son Artie who wrote a book on his father and the horrible things he encountered during the time he was trying to survive the Holocaust.
The Maus books are award-winning comics written by Art Spiegelman. They are the non-fictional stories of Art and his father, Vladek. In the book, Art Spiegelman is a writer, planning to portray Vladek’s life as a Jewish man during WWII Europe in comic book form. While Art gathers information for his story through visits to his father’s house, much is learned about their relationship and individual personalities. Through this analysis, Maus becomes an example of how the Holocaust has effected the lives of survivors and their children for decades. Survivors suffer from Post Traumatic Stress Disorder (PTSD), which impairs their ability to live normal lives and raise their children. By
The book Maus is written by Artie Spiegelman. Artie’s father is a Holocaust survivor, and a prisoner of war; this is the main event of the story. Artie uses imagery in the form of animals to display race in the graphic novel of Maus. The survivors of the Holocaust are burdened with mental disorders; Artie acknowledges the trauma and the effect it has on the survivors as well as the people around them. Artie uses figurative language and imagery to demonstrate relationships and mental health issues.
The graphic novel Maus by Art Spiegelman conveys many varied and powerful themes to the reader. Spiegelman has conveyed the themes Guilt and Survival by using various methods including narration, dialogue and several comic book techniques to show the expressions and feelings of the central characters. Guilt is an especially strong theme in Maus, appearing many times with Art and Vladek. Survival is another primary theme in Maus. Images are used by Spiegelman to display the ways that Vladek survived during the Holocaust.