Summary Of Born Of Address Language By Claudia Rankine

Speak by Laurie Halse Anderson is a coming of age themed fictional Novel based around Melinda Sordino, a freshman at Merryweather High School. During her days at school Melinda found trouble fitting in and speaking because of an incident that happened at a summer party. That incident being that she was raped by a senior named Andy Evans, aka, “IT.” At the time, Melinda panicked and ended up calling the police, which resulted in everyone despising her. Similarly to “high school drama,” the author illustrated gossip and the effects it can have on a person. To compare, when the news hit Melinda, she became silent and isolated staying away from any old friends she glanced upon. Fortunately, Melinda found new hope when a stranger asked, “I’m Heather

Throughout her speech, Florence Kelly uses her diction to create imagery and convey her point. An example of this in Kelly’s speech is lines 18-22 where she says “ Tonight while we sleep, several thousand little girls will be working in textile mills, all night through, in the deafening noise of the spindles and the looms spinning and weaving cotton and wool, silks and ribbons for us to buy.”(Kelly, 10). With attention to the word choice, Florence Kelly creates an image of a small girl working long into the night, making goods for people to buy, while the adults are at home sleeping in their beds. In this excerpt, she uses the three main phrases, while we sleep, little girls and deafening noise to help the reader picture what is happening with

Citizen is a narrative written to connect with the reader by telling stories in the second person . In the novel, “Citizen”, Claudia Rankine uses short stories and personal experiences to encapsulate the struggle that African American people endure when they are thrown against a sharp white background .

Claudia Rankine analyze racism to its core, bringing to surface that miniscule event are just as problematic as televised one. Her words are beautifully brutal, striking up emotions for anyone that reads it. As readers we are taken through a journey from past to present events of racial incidents experienced by different genders and ages. Above all, Claudia provides a strong indication that racism is far from over.

This dialect, Tan says, became their "language of intimacy, a different sort of English that relates to family talk, the language [she] grew up with" (Tan 589). This type of language creates an identity for Tan, one which she was ashamed of growing up. This feeling of shame later backfired as an adult in her fiction writing. She wrote to prove she had "mastery over the English language" with large words, unheard of to the common ear, and sentences she thought were "wittily crafted." But as Tan matured, she realized she should envision an audience for her stories; this audience was her mother. She began to write stories using "all the Englishes" she grew up with. As she found out, this change of her own conception of language enriched her writing and added to her ethos. After all, her mother’s language, as she heard it, was "vivid, direct, full of observation and imagery." "That was the language that had helped shaper the way [she] saw things, expressed things, made sense of the world" (Tan 590). Her "mother tongue" is her identity as a writer, and she learned that someone’s English does not reflect the quality of what he/she has to say.

Throughout the essay, the use of vernacular speech can be observed when looking at the dialogue between characters. For example, “Good day, Mrs. Henderson. Momma responded with “How you, Sister Flowers?”. In the dialogue between Mrs. Henderson and Mrs. Flowers, it can be seen that Flowers speaks respectively with sophistication while Mrs. Henderson speaks carelessly using an older southern tone. This results in a clear comparison between the characters in the essay which represent the importance of education and vocabulary. The constant use of the wrong verb by “Momma” bothers the author, giving us a better idea of language’s role in her life. In addition, the author foreshadows part of the lifeline, so we gain a better understanding of the story when the lifeline is presented later on.

There are numerous bilingual and multicultural individuals on the planet today. For some, decisions of which language they utilize, and how they utilize it, relate to what social or social group they have a place with. Amy Tan, a Chinese American writer, depicts this well in her short exposition “Mother Tongue”. Tan experienced childhood in two unfathomably unique universes utilizing diverse English’s. The primary world, which comprises of her nearby family, she talks what we may call “broken” or “constrained” English. The second world, which is her business and expert world, tan talks and composes culminate standard and scholastic English.

Ken Wiwa presents several ideas pertaining to language and culture within his essay, Get Beyond Babel. Wiwa explains that every language has a chance of dying out over time. For any language to survive through years of societal changes, it must be adapted so it can be used to embrace other cultures, new technology and new perspectives. Wiwa presents the concept that language is the same as culture. I do not agree with this concept because I believe that culture is carried by the people, not by the language.

Speaking out is a tough task for many people that have dealt with horrible, traumatic situations. In the novel Speak, by Laurie Halse Anderson, the main character, Melinda, is one of those people who lost their voice. To be able to understand another person’s emotions, feelings, and situations is very difficult to do, especially because of how our society has formed and became a very judgmental place. Melinda Sordino starts her freshman year at Merryweather High School in Syracuse, New York, to a terrible start; she is a victim of a sexual assault and loses her confidents and voice to speak out. The more she interacts and makes new friends is how she starts to reach out and become more self-sufficient. Few weeks into school Melinda’s only

Language is much more than a method of communication. Permeated within it are traditions, customs, and legacies of one’s culture. The identity of an entire population is in the distinct vocalizations of their native language. Unfortunately, as a wave of immigrants enters the United States at young ages, many face language barriers that pose significant challenges. Language barriers affect a multitude of immigrant populations to different degrees. This, in turn, causes many of them to abandon not only their native tongue but a piece of their ethnic identity, as well. In Maxine Hong Kingston’s personal narrative,“The Language of Silence,” she describes the difficulties she experienced throughout her childhood with a language barrier as a

Possibly the three most important components a writer must understand are audience, genre, and rhetorical situation. When reading critically we become acquainted with these concepts therefore become better writers ourselves. While learning about rhetorical writing and composition we have analyzed Billy Collins “ Commencement Address at Choate- Rosemary Hall” , Martin Luther King Jr’s “letter from Birmingham Jail” and Lloyd Bitzer’s essay on “Rhetorical Situation”. In this paper I will analyze and make connections between the concepts of audience, genre and rhetorical situation in connection to the fore-mentioned readings. In doing so I will focus on how each used these concepts as means to communicate their main ideas and purpose.

Amy Tan’s literacy narrative “Mother Tongue” is about the different dialects of English, she is familiar with. She explains that her intelligence is judged by the way she speaks. Amy Tan, explains memories from her life where she encounters many forms of English. Her mother, a Chinese immigrant spoke “broken English.” She describes her mother as someone who was able to understand English, well the mother claims that she understands everything, but when it came to speaking, she spoke without the correct grammar. Due to her mothers broken English, Amy Tan has adapted to the type of English her mother speaks, their own type of English language. Tan feels as if the English she is speaking with it outside world is more complex than the English she

In Mother Tongue, an essay written by Amy Tan, the fictional author explains how we all speak different languages and how we are all categorized and treated differently by the way we speak. She gives us examples and stories that have happened to her and how they made her become “fascinated by language in daily life.”

Currently, there are over 6,000 living languages spoken in the world. Even with these many languages spoken, people are still discriminated in America. Language is a part of many cultures and daily life, for example in Amy Tan's "Mother Tongue", Tan says "I've heard other terms used, 'limited English,' for example. But they seem as bad, as if everything is limited, including people's perceptions of the limited English speaker." Language should not be a border where people today are still treated as "broken".

In the essay, “Mother Tongue”, Amy Tan lays out examples of noticing the different Englishes in her life and how she incorporates them into her writing. She also breaks down the different versions of English that have taken root in her life. Tan notes that she includes all the Englishes of her life in her book, The Joy Luck Club. Tan, the daughter of immigrants, learned to navigate between the “perfect” English of her professional life and the “broken” English of her youth. The author’s main claim of there being no perfect way of speaking English is one that can be easily recognized because Tan gives clear examples of the diverse versions of English in her life, she pinpoints moments in which she sees the differences and discovers how to accept and acclimate these differences to her life and career.