Summary Of DJ Cannonball's Experience At The Bistro Club

White spaces trump black experience in Suzan-Lori Parks’s Topdog/Underdog and Lorraine Hansberry’s Raisin in the Sun. According to Elijah Anderson, a Yale professor specializing in black sociology, the domination and subjugation of black experiences in white spaces is a normalized practice: “White people typically avoid black space, but black people are required to navigate the white space as a condition of their experience” (Anderson 10). These aforementioned ‘white spaces’ are defined as any space that is overwhelmingly white and often feel “off limits” for black bodies (Anderson 14). No moment in either of these two plays better encapsulates the sentiment of “off limit” spaces than Lindner’s visit to the Youngers’ home in Raisin in the

The warehouse that Mark had sold off when he sold his previous company was still for sale after being on the market for two years and having over $2M spent on getting it ready for sale. Since Mark had an existing relationship with the landlord, the real estate market was at a record low, and Mark didn’t have to take a loan since he still had the cash from his previous venture. The landlord was asking $9/square foot, tempting Mark to make the same mistake that the competition made. Instead of accepting it and falling into the trap, Mark did extensive research on the town and comps in the area and felt confident offering $4.50/square foot in four consecutive five year leases starting at $4, then $4.25, all the way to $5 thus freeing up more working capital for the launch of his business. Mark’s homework on his timing paid off and locked down the warehouse he previously owned but for his new venture.

During the mid-20th century there was much racial discrimination, specifically in home ownership. During this period there was mass immigration of Southern blacks to the north. In Lawndale Chicago, there was adverse reactions to this. As the

In Brent Staples’ “Just Walk On By: Black Men and Public Space” he forces women to recognize the feeling of estrangement from the surrounding public that he has endured. He first took notice at the age of twenty two, when his own self-judgement resulted from scaring a woman when solely walking at night near his college, the University of Chicago. He maintained his dejected attitude when he wrote that a few years later, his own work mistook him for a thief instead of a journalist. Brent Staples heightened his frustration by mentioning a black male journalist who was blamed as a killer in a murder, instead of the writer reporting it. In portraying two versions of his story, he proves that this was a rather common and difficult occurrence for not only him, but others of his race. To attempt to resolve this, he decided to attempt to cross the street or sing classical songs to portray innocence. In this article, Staples’ forces his audience to encounter the hypocrisy in which all black men are dangerous. He concluded the essay with the realization that you can't change what people think, only attempt to show them who you are. Brent Staples appeals to the audience through his emotionally charged language with the use of his experiences with unconscious prejudice.

In the “Prelude: The Barbershop,” Ashanti Young details of his hardship of being denied from subcultural groups that he wants to identify with. As an educated black man, he’s denied from the “ghetto” black neighborhood because of how “superior” or how “white” he talks compared to his fellow blacks. On the other hand, he faces prejudice when pursuing an education because of black skin tone he was born with. Young cites from Quincy Mills using Eric as an example in a black barbershop. Young describes that “Eric’s insufficient heterosexual performance cast him” outside the boundaries of blackness because his demeanor and speech” (par. 10). Because Eric’s sexual performance was not masculine enough to fit the standards of men. According to Young, ghetto black neighborhoods tend to believe the strict guidelines of the gender roles, and because Eric was not appealing to them, or having “insufficient heterosexual performance,” he was shunned from society and isolated. Most didn’t want to interact with him and Eric had a harder time socializing with others. Just as Young, Eric was denied from his cultural black group and essentially, most of society. A person who devalues the stereotypes and expectations of gender, are treated with violence and discrimination in the barbershop. Although it is an awkward situation to face, this social cognition must be changed. Society shouldn’t shun a certain gender performance because it doesn’t fit their beliefs or agenda. Traditional people shouldn’t judge or treat non-gender conformities any different, even though they may be different. As a union, society should put their differences aside and fight for positive

Brent Staples “Black Men and Public Space” is a look at how people perceive black people in the 1960s. Staples explains how people would treat him on a day to day basis. Even when he was a child he would be looked at differently because of his color. He quickly establishes ethos, logos and pathos credibility tough the many examples. This article shows the injustices done to him while living in New York. Brent Staples Black Men and Public Space uses pathos, ethos, and logos effectively throughout the essay.

In today’s American society, being born black is often life threatening and comes with many struggles and fears. The author Brent Staples visibly demonstrates the presence of black men, in his article “Black Men and Public Spaces”. Staples illustrates to the readers how black men attempt to live their lives as normal as possible, but are unable to because of the fear society has of them. Brent Staples attests to the turbulent lives black men face in society, from their childhood to an adult age. Staples is able to demonstrate the various issues black men face in society with the use of logos, ethos, and pathos.

As a target of racism and prejudice, Brent Staple wrote Just Walk on By: Black Men and Public Space. Throughout this essay he explains his personal experience in public spaces and the stereotypes he has faced. Since society has deeply embedded their views of “blacks,” just their presence induces fear and causes unnecessary feelings and emotions to arise. Staples presents no anger in his decision to alter his actions and his appearance to ease those around him despite his skin tone. Societal views on blacks are based on reputations as a whole and not on each individual person, Staples presents this through the uses of point of view, ethos, and pathos.

By the 1920’s the amount of African Americans in New York City had more than doubled. Meanwhile the roadways and subway system had just begun to reach Harlem, where some of the most influential Blacks had situated themselves. Soon after, Harlem became known as “The Black Mecca” and also as “The Capital of Black America”.

She dialed the number. “Park County Realty, Vern Wilson speaking” the voice answered. Cheyenne identified herself and the property of interest. “Is it still available?” she inquired. “I’m sorry ma’am, that property is under contract just this morning. But I do believe a similar and even nicer property will be available soon. It’s across the valley a little bit and it’s really nice. I believe the asking price will be about $85,000.” Cheyenne asked if there were more similar properties available in the area. “Well ma’am, out here, “in the area” is a relative term. If you don’t have to be right in the valley, there are several others available in similar price ranges” the agent said. Cheyenne clarified her requirements and the agent affirmed “Yes ma’am, I think most of them would fit the bill.” “Let me get back to you in a few days. I would like to schedule a trip to see the properties” Cheyenne told him. “Just let me know when you’re coming. I will sure be delighted to show them to you ma’am” Vern replied. As she hung up the phone, Cheyenne felt as though she could conquer the

Staples starts his piece by talking about an experience with a white woman while walking in Hyde Park, which was a “relatively affluent neighborhood in an otherwise mean, impoverished section of Chicago,” (Staples 542). His description of how the woman reacts to him- worriedly glancing behind her at him before running off, scared- contrasts with how Staples describes himself: a shy, kind black man who isn’t one for violence, like many might perceive him to be. This contributes to his ethos, as it gives the reader a taste of what it is like to be a black man, which will be handy when Staples delves even further into his experiences as a black man, giving the reader a look into what he experiences daily. This also lets the

“Black Men in Public Spaces” and “Parallel Time” show how two black men have been stereotyped. Brent Staples on “Black Men in public spaces” recited that “My first victim was a woman- white, well dressed, probably in her early twenties. I came upon her late one evening on a deserted street in Hyde Park, a relatively affluent neighbourhood in an otherwise mean, impoverished section of Chicago. As I swung onto the avenue behind her, there seemed to district, uninflammatory[aa1] between us. Not so. She cast back a worried glance. To her, the youngish black man- aboard six feet two inches with a beard and billowing hair, both hands shoved into the pocket of bulky military jacket- seemed menacingly close. After a few more quick glimpses, she picked up her pace and was soon running in earnest. Within second she disappeared into cross street” (132). The author clarified that the woman misjudged the black man, because he was black, and the way he looked like. The same happened with the main character of “Parallel Time”, while he was walking home. The author mentioned that “At night,

Racial segregation has had a long history in Chicago. While separation by nationality had always been apparent in the city, with neighborhoods typically being dominated by a certain ethnicity, no group of Chicagoans experienced the degree of segregation that African Americans faced in everything from the housing districts to public services. Forced to live only in designated areas by de facto segregation, redlining, and other tactics, they had limited chances to escape the cycle of danger and discrimination of the city. Confined to only their deteriorating neighborhoods,they had little chance.

him. The narrator struggles to verbally describe the building so Robert has him draw it

Within essay one, Black Men in Public Spaces by Brent Staples it describes the life and experiences of a young African American man living between Chicago and New York City over about a ten year span. Due to stereotypes on his race, society assumes he compliments them resulting in being viewed as dangerous