Summary Of Diana George Changing The Face Of Poverty

The purpose of this essay is to inform the reader of a real problem, media misrepresentation, and to try to have the reader change the way the think, feel, and perceive the poor. She gives examples of encounters she has had that are a result of the damaging depiction and conveys to the reader why those thoughts are wrong by using her own personal experiences. She mentions that before entering college she never thought about social class. However, the comments from both other students and her professors about poverty were alarming to her. Other people viewed the poor as, “shiftless, mindless, lazy, dishonest, and unworthy” indigents. Hook opposes that stereotypical image of the poor, referring back to being taught in a “culture of poverty,” the values to be intelligent, honest, and hard-working. She uses these personal experiences to her advantage by showing she has had an inside look at poverty.

In Diana George's essay "Changing the Face of Poverty," she explains how the issue of poverty in the United States is misinterpreted. Diana argues that organizations with the primary goal of eradicating global poverty may be the ones contributing to the problem they're fighting against. I can agree with George that Americans have some over simplistic views and stereotypes which then “often fail to overturn cultural commonplaces that represent poverty as an individual problem that can be addressed on an individual basis.” (678) In order to overcome poverty organizations such as Habit need to move past using “the most common understandings of poverty in America." (680)

During the start of the 1800s major poor citizens of New York City outer the South bears a resemblance to poor of Europe. These people were majorly widows, orphans, seasonal workers out from season, or persons too sick or too old to do work. Local governments provide them “Outdoor relief” comprising of firewood, food, or slightest amount of cash named as alms, initially from an intellect of communal responsibility or paternalism. State poor Laws innate from customs of English, necessitates cities to care for their poor citizens.

George is addressing the important issue of the perception of poverty in the United States at this time. She brings up many valid points about the perceptions of poverty in the United States and how nonprofit organizations perpetuate this narrow view of what poverty is in order to elicit contributions (676). Moreover, George is able to show how Habitat for Humanity while helping many people in need. Also gives the false idea that people living in poverty merely need some volunteers to build them a home and then they will be able to work their way right out of poverty (678). Given these points, Prof. George explains, the idea that people in the United States living poverty all live in squalor or are homeless does nothing but limit people’s knowledge of what true people in need actually look like (682). By the same token, when it comes to the actual individuals in need, many of them might not even realize or want to admit that they are in need themselves (682-683). One limiting factor of Prof. George’s article is that she narrowly focuses on one nonprofit organization to show how the majority of nonprofit organizations portray people in

In Ruby Payne's “A Framework for Understanding Poverty” she endeavors to provide educators with strategies to teach children from poor families, but Ruby Payne went wrong when she just took a mental image from a classroom and began analyzing on what she saw without enough evidence, her principal message was that poverty is not simply a monetary condition. She describes it to her audiences as a culture with particular rules, values, and knowledge transmitted from one generation to the next.

In Diana Georges “Changing the Face of Poverty”, she uses various examples of ads, brands, and organizations  to show that the way poverty is portrayed has corrupted the understanding Americans have on poverty and what it really is. I agree with Diana George’s statement that the impression of poverty through visual imagery is distorted. Her essay examines many aspects of the misrepresentation of poverty. Society believes that they are doing more than what is actually being accomplished. The effect of her explanation allows for the audience to alter their opinion on the true image of poverty. Her use of real organizations within the community strengthens her approach.

The book “The Other America”, written by Michael Harrington, describes poverty in America in the 1950s and 1960s, when America became one of the most affluent and advanced nations in the world. The book was written in 1962, and Harrington states that there were about 50,000,000 (about 25% of the total population) poor in America at that time. The author did extensive research with respect to the family income levels to derive the poverty numbers, and used his own observations and experiences to write this book. This book addresses the reasons for poverty, the nature of poverty, the culture of poverty, the blindness of Middle Class America with respect to poverty, and the responsibility of all Americans in addressing the issue of poverty in America.

The 50th anniversary of the War on Poverty brought with it the usual spate of tie-in books, scholarly conferences, and political debate. As the dust settles on the anniversary, the country’s continuing conversation about poverty hasn’t advanced much, largely because the event became an occasion to recirculate old and deeply problematic myths.

In “Changing the Face of Poverty”, the author Diana George shows different ways poverty is advertised and displayed. She disagrees with the way poverty is addressed and visually represented, in a limited way. I agree with the way she wants people to acknowledge how poverty is being misunderstood.

In professor and editor Diana George’s article, “Changing the Face of Poverty: Nonprofits and the Problem of Representation,” published in the printed book Popular Literacy: Studies in Cultural Practices and Poetics, in 2001, she insists that representations of poverty in the media, only reveal of a small percentile of everyone impoverished, which makes them counterproductive. Opening with a brief anecdote about donation appeals made by nonprofit organizations, George directs her article towards the organizations themselves offering a suggestion to maximize the impact of their work. That suggestion is that representing poverty in a wider light, helping to display the more complex ways individuals are considered to be in poverty. The examples that George provides, become a pillar for her thesis that these current representations of poverty, while emotionally capturing, work against themselves.

Words provoke preconceived ideas and images in the mind, when it comes to a situation like poverty these preconceived notions can have undesirable and unintended consequences. Diana George examines the semantics and the imagery of the word poverty in her article titled “Changing the Face of Poverty; Nonprofits and the Problem of Representation. While also addressing the issue of the perception poverty and what someone in poverty truly looks like (676). Prof. George is arguing that organizations like Habitat for Humanity, which are created to help people in poverty actually perpetuate the wrong image of what someone in poverty looks like (678). Most organizations created to help those in need, especially those in the US tend to portray poverty as what is seen and thought of as living conditions in Third World countries (683). In reality, poverty is all around each and every one of us in this country on a daily basis, and people might not always recognize it for what it is (681,682). Furthermore, the majority of people living in poverty in the United States do not live like or look like someone living in a Third World country. But in reality they are still living in poverty nonetheless (682,683). Organizations that portray people living in poverty here in the US as totally devastated and completely impoverished are doing a disservice to the people they are attempting to help. Consequently, by doing this they are giving a limiting idea of what someone living in poverty

Poverty in the United States today has many faces. There’s the pleading face of a middle-aged man on a city street holding up a sign that says “Hungry, Need Help.” There’s the anxious face of a young child in a schoolroom somewhere, whose only real meal today will be a free school lunch. There’s the sad face of a single mother who doesn’t have enough money to buy clothes for her children. And there’s the frustrated face of a young man working at a minimum-wage job who can't afford to pay his rent.

What is your perception of the poor and less fortunate in society? Would you say that you have a low perception of them or do you regard them in the highest? Would you do your social duty to reach out to the poor and impoverished to assist them, or help assist, in establishing programs that would aid in leading them to a brighter future? These are the questions that I ask of myself as I read, “Seeing and Making Culture: Representing the Poor,” by bell hooks. My paper examines the perception that pop culture, society, and media have of the poor, as well as, the expectations and responsibilities of society to ensure a response to

In ‘Seeing and Making Culture: Representing the Poor’ by Bell Hooks, issues involving the poor and the rich in the society are brought to light. Hooks addresses issues such as how the poor are viewed in the community, common assumptions about the poor, and how the poor are represented in the media. In her analysis, it is evident that those living in poverty are grossly misrepresented. This misrepresentation affects these people’s daily lives.

In this essay “What is Poverty?”, Jo Goodwin Parker starts of with a rhetorical question “You ask me what is poverty”, this is the opening line of the essay and it encapsulates the essay ́s purpose. Through the use of the writer ́s language she also captivates the reader with the idea of poverty and what it is by making it very concrete and real. The writer wants the reader to understand what poverty is so that they can feel like they need to help not only the writer but p!eople who struggle in that situation. !