Summary Of For That He Looked Not Upon Her By George Gascoigne

George Gascoigne’s poem “For That He Looked Not upon Her” discusses the misery of love by exploring speaker’s internal conflict between the his romantic desires and his fear of betrayal. After leaving a difficult relationship, the speaker refuses to look his former partner in the eye even though he is still deeply attracted to her. He justifies his action by explaining how his desire for her will only continue to bring him distress. The speaker uses the poem’s form and diction in order to establish a dismal yet cautious tone in the poem. Furthermore, through various instances of imagery, he reveals his fear of being deceived in the future. By employing these literary devices, Gascoigne highlights the theme of human desire and how it consequently leads to the speaker’s emotional suffering.

In George Gascoigne’s “For That He Looked Not upon Her”, the English poet emphasizes in his poem using a variety of intense images and diction to show that he can’t look at the one he loves. He structures his poem to have a rhyme scheme, so he can show readers the emotional experience he had with his problems and express it throughout the poem.

“For That He Looked Not Upon Her” is a sixteenth-century sonnet by George Gascoigne. George Gascoigne uses tone and visual metaphors to analyze the complex attitude of the speaker. The speaker is a male who has a attracted but doubtful attitude towards the female in the poem. The male in the story will not look at the girl because of a previous heartbreak altercation.

In the opening lines of Millay’s poem, it seems as if she is speaking to a lover. The tone of the poem is set in the first line, “in some quite casual way” (1). Throughout the sonnet, one senses a frighteningly casual tone, something very matter of fact, as if these fourteen lines are a passing thought in Millay’s head. The alliteration of “quite casual” supports the plain-spoken tone, giving a feel of simple, everyday speech. Millay imagines that as she is on the subway, she casually glances over and notices on “the back-page of a paper, say / Held by a neighbor” (3-4) her lover is gone and not to return.

Sidney spends the first half of the sonnet framing desire as an unforgiving and incessant evil. He writes, “Band of all evils, cradle of causeless care; Thou web of will, whose end is never wrought” (3-4). Using words like ‘band,’ ‘cradle,’ and ‘web,’ the speaker’s feeling of entanglement within desire is evidenced. Sidney’s use of alliteration furthers this idea

In Sir Philip Sidney’s sonnet, “Thou Blind Man’s Mark,” the speaker describes his personal experience with the vice of desire. Buy expressing the abstract and hazardous nature of desire it becomes evident that the speaker acknowledges both his disdain for the subject and his struggle to overcome it.

In his sonnet, “My Mistress’ eyes are nothing like the sun”, Shakespeare WORK ON THESES STATEMNT. The reoccurring theme throughout the sonnet is the disconnection of the speakers’ lover to the natural phenomena’s. In “Sonnet

The first quatrain of Shakespeare “Sonnet 130” reinforces his idea of real “beauty”. The images of an imperfect body and exceptional hair gives the sonnet a contradictory tone. If snow be white, why then her breasts are dun (line, 3). Shakespeare reveals the imperfection of women through this line. For men breasts characterizes

The speaker’s perspective on the world and love are intertwined. When looking at the world, she sees the earth as a proponent of love, aiding in the battle to defeat all that desires to harm love. In Sonnet XXII, the speaker

Two hundred years had passed between the sonnets of Petrarch and the reign of Queen Elizabeth. As a form and structure for poetic life, the sonnet had grown hard. Fourteen lines of rhymed iambic pentameter remained pregnant with possibilities and vitality, but must the sense turn after the octave and resolve in the sestet? Love remained in some ways inexpressible without this basic verse form, but something wasn’t right. Too many rose red lips and too much snow white skin belonging to unattainable lovers did not communicate the prevailing amorous imagination. The conventions were a little too conventional. The metaphors were gone somewhat stale.

The theme of Shakespeare’s 29th sonnet is how he feels like a social outcast and is depressed. But when he thinks of a certain person’s love, he feels happy, and it takes him

      Sonnet CXVI is one of these evasive sonnets.  It is indeed elusive and if we are lucky enough to catch hold of it, we may find that we do not in fact possess it entirely.  Most interpretations of Sonnet CXVI focus on the constancy of love, which I concede, is indeed an attribute of the sonnet, but is hardly its main point.  Wedged between sonnets that begin "Those lines that I before have writ do lie" (CXV) and "Accuse me thus, that I have scanted all" (CXVII) one has to reconsider the facile premise that this poem is only about love in its highest, ideal form.  In the present paper, I will focus on sonnet CXVI, but not in conjunction to its surrounding sonnets.  Instead I will try to read the sonnet without any inclinations to possessing its meaning and let the sonnet speak for itself.

Instead of the ruggedly handsome protagonist, we have a feminine siren who has ‘defeated’ the poet. And yet the celebration of the woman is more nuanced and meaningful in "From Mrs Tiresias" than in Shakespeare’s sonnet. In Sonnet 20, the male character is glamourised through a problematic femininity. One still centred on passivity and being judged by a male gaze. Whereas in "From Mrs Tiresias" , although the husband is feminised, returning from his walk as a woman, we judge his inability to deal with the reality of being a woman from a female perspective.

The sonnet is composed as an adoration lyric utilizing the conventional love requiem arrange otherwise called 'carpe diem' and is isolated into three stanzas or graceful passages. It's talked by an anonymous man, who doesn't uncover any physical or true to life insights about himself, to an anonymous lady, who is likewise unknown. The excellence of the dialect and the mind-boggling center around the lady's magnificence, the regard demonstrated in that, makes the sonnet very dynamic and interesting.

To write a sonnet sequence then, about life and loves in California is really to form a sub-text which clearly states that the ‘intention’ of the narrative is to present a range of the diverse and possible kinds of loves, which are possible and acceptable in a ‘modern’ metropolis. Seth’s sonnet sequence is compared with Shakespeare’s sonnets in the style and form it takes.