Summary Of Gabrielle Roy's The Road Past Altamont

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

Early in their lives, two young sisters, Ruth and Lucille, experience loss and abandonment from the men in the family. Their grandfather had died in a train derailment into Lake Fingerbone before they were born, and their father leaves them while they are very young. Then their mother commits suicide, but not before dropping the girls off on their grandmother’s porch. Moreover, then, “she sailed in Bernice’s Ford from the top of a cliff named Whiskey Rock into the blackest depth of the lake (23), again into Lake Fingerbone. After only a few months their grandmother dies leaving the girls to the remainder of the family, a collection of eccentric females. The girls deal with all of this by relying on each other. Soon, their great Aunt’s,

A literal interpretation of the grandmother portrays an elderly southern woman attempting to maintain the proper and genteel values of the South. The grandmother places great importance on her appearance and the opinions of others. This importance is revealed at the beginning of their journey when the story compares the grandmother, a reflection of the past, to the daughter-in-law, a reflection of the present:

An unconventional relationship between a grandfather and granddaughter linked with murder, deep strung emotions and change, only briefly describes the different happenings of the book The Third Life of Grange Copeland, by Alice Walker. The novel reads like a soap opera moving from one violent dysfunctional generation of a family to the next. The book comes to show the development of a relationship between Grange Copeland and his granddaughter, Ruth. Through the growth of their relationship it can be seen that people have the ability to change and that they can break free from social constraints. The relationship that Grange and Ruth has is multi-faceted and both of them learn and benefit from

Rayona and her mother Christine grew up in different worlds but they are very similar in many ways. Christine faced various problems as a young child that are now being passed down to Rayona and she is now seeing how they are being affected by them. The novel “A Yellow Raft in Blue Water” walks us through Rayona’s coming of age story and the three perspectives that it is being told in, Rayona’s, Christine’s, and Ida’s. Although Rayona and Christine are very different, they both seem to be facing similar problems; they end up helping one another find their self identity and both are finally able to appreciate and understand one another.

As a young woman, Denver is lonely and terrified. She knows that, "her mother had secrets -- things she wouldn't tell; things she halfway told" (38). These secrets, she understands, are

The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.

When Alma and her family move to America, they begin their new life in a place that is strange and confusing, one that is unaccommodating, and causes Alma’s misery and guilt to almost overwhelm her. After the Rivera’s first day in America, they find their appartment and try to go to sleep. Arturo and her daughter Maribel fall asleep right away, but Alma lays awake in bed, wondering to herself if they ”had... done the right thing, coming here?” (6). In the morning, they wake up, confused, “bewildered, and disorientated, glancing at one another, darting [their] gazes from wall to wall. And then we remembered. Delaware. Over three thousand kilometers from our home in Pátzuco. Three thousand kilometers and a world away” (6). Alma and Arturo left their home, not because they wanted to come to America, but because they wanted to be able to help their daughter, Maribel. She had an accident that caused a traumatic brain injury, and Alma feels that the accident is her fault, and has been consumed with grief ever since. Although the Riveras came to America to help Maribel, Alma still wonders to herself if it was the

In the words of Sigmund Freud, “The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.” The legendary psychologist saw dreams as an avenue to study one’s underlying motives for action. Similarly, in literature one finds striking significance from the illusions of protagonists that often predict the nature of one’s psyche. Two such examples present themselves in Blanche, from Tennessee Williams’ A Streetcar Named Desire, and the grandmother, from Flannery O’Connor’s A Good Man is Hard to Find. The former tale follows a lady without a home who finds herself reliant on her belligerent and bestial brother-in-law. The latter traces a family’s road trip South and their encounter with a wanted fugitive. Both Blanche and the grandmother find themselves tethered to their idealistic and often times hypocritical fantasies which signify their underlying mental instability and foreshadow their eventual ruinations. Williams and O’Connor examine their protagonists’ delusions through gender, clothing, and nostalgia.

Alma travels to America, in search of a speedier recovery for her daughter, Maribel who suffered an extreme brain injury after she fell three stories from a ladder. Maribel accident makes Alma often feel guilty, since she believes that if she payed more attention to her, Maribel would not have fallen from the ladder. Her family leaves the comfort of Mexico and goes to the United States for higher quality medical care. Alma knows that her family had ¨bundled up our old life and left it behind, then hurdled into a new one with only a few of our things, each other and hope¨ (Henriquez 6). Focusing on her daughter's health, Alma reluctantly leaves her hometown in Mexico to move to Delaware. Alma has ¨bundled up¨ her old life, to attempt to focus on her new one. She is leaving her life behind to grow in her new one in America. The family is ready to build a new life in America. Alma doesn´t want to focus on her mistakes in the past, she only believes in hope to guide her in her journey in

In this short story, Louisa’s internal independence plays a major role in who she is as a woman. Mary E. Wilkins Freeman describes Louisa as an introvert because she is someone who enjoys being alone. She spends fourteen years of her life being isolated at home, waiting for her fiancé to come back from his job in Australia. During those years, she learns how to be by herself through the hard times and the pleasant ones “Louisa’s feet had turned into a path, smooth maybe under a calm, serene sky, but so strait and unswerving that it could only meet a check at her grave, and so narrow that there was no room for any one at her side” (Freeman 66). This demonstrates how she is so use to not having anyone by her side. This is why she creates her own path through all the dark times she had to face on her own. In many ways this can foreshadow the ending of the short story. This shows how she always counted on herself and

After riding along a little further, the family is involved in a car accident. The main reason that the family is involved in the car accident is due to the grandmother. The grandmother remembers a mansion that she visits as a young girl. She is eager to go, because she wants the children to see how she grew up. This further states how the grandmother social class, because she lived in a mansion. During the time of the grandmother’s life, only plantation owners and their family lived in mansions. This also stressed the social class of the grandmother, because you can tell from this that the

Christine Hoflehner is a tired and drained person who constantly feels hopeless. She is twenty-eight years old who lives in Austria. She lives her daily life hoping she can find some sort of reassurance although she lacks confidence and continues to bring herself down. Christine worries too much about how people think of her. On her sudden trip to Vienna she had no clue on why she was going there. As she believes it would manifest some sort of escape from herself, from the person she criticizes herself to be. She wanted to feel herself again instead of being surrounded by negativity that brings unhappiness to her life.

Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.

Alienation can be dangerous especially when it comes to the minds of individuals. Alienation starts from different things that happen to people in life and sometimes it can lead a person to live in their own fantasy world. In “A Streetcar Named Desire”, Tennessee Williams shows that the difference between real life and fantasy; and that it can lead one to a life of alienation. Blanche uses fantasy to deal with her loneliness which leads her to a life of promiscuity and alcoholism; through this she alienates herself.