Summary Of How To Tame A Wild Tongue By Gloria Anzaldúa

Gloria Anzaldúa was a Texas-born, lesbian, Latina, feminist, that wrote about many of her personal experiences and views of the diverse background she grew up in. Growing up a certain culture at home and being in a country with a different culture, brings along a lot of self-identifying issues. Gloria Anzaldúa uses various strategies and languages to write this powerful piece by code-switching, quoting others, diction, and rhetorical questions. Anzaldúa’s “How to Tame a Wild Tongue” speaks about the social issues that Latinos face involving identity, language, and sexism.

Gloria Anzaldua, the author of “How to Tame a Wild Tongue,” expresses a very strong tie that she has to her native language. Anzaldua grew up in the United States, but spoke mostly Spanish. She did not speak the normal form of Spanish though; she spoke Chicano Spanish, a language very close to her heart. The text focuses on the idea of her losing her home accent, or tongue, to conform to the environment she is growing up in. From a very young age, Anzaldua knows that she is not treated the same as everyone else is treated. She knows that she is second to others, and her language is far from second to others as well. Anzaldua stays true to her language by identifying herself with her language and keeping

In “How to Tame a Wild Tongue” by Gloria Anzaldua, she speaks from personal experiences she grows up with while living as a Chicana in the United States. Throughout her life she was subjected to being oppressed because of her native language. From a very young age she felt as if she was not allowed to express and acknowledge herself while speaking Spanish. Anzaldua believes that “If you want to really hurt me, talk bad about my language. Ethnic identity is twin skin to linguistic identity – I am my language”. What I get from this quote is if a person is really looking forward to tearing me down, speak poorly of my roots or culture since that is a part of my identity. Since both are all I know, it would be extremely offensive. In “How to

In her passage, Anzaldua claims that language is an identity. She stresses the importance of how people who speak Chicano Spanish are viewed as inferior due to it not being a real language. Anzaldua reveals that “repeated attacks on [their] native tongue diminish[es] [their] sense of self” (532). Being criticized by the language one speaks causes a low self-esteem and a misconstruction of identity. It can lead a person to stop or hide the usage of their language thus suppressing one’s self. She highlights the discrimination of Chicanos, so people are aware of it therefore encouraging tolerance and social justice. Anzaldua argues that “until [she is] free to write bilingually and to switch codes without having to always translate. . .[her] tongue will be illegitimate” (533). This shows how truly she

People who are different are consequently viewed differently. It is human nature to judge others by the stereotypes that have been ingrained into our minds for however long. Stereotypes, however, may not encompass the whole story. Sometimes, you are only getting the discriminatory side of the story--a single story. Amy Tan’s “Mother Tongue” focuses on the discrimination towards broken English compared to Standard English and the stereotypes that evolved from such discrimination. Similarly, Chimamanda Ngozi Adichie’s “The Danger of a Single Story” presents the idea that the “single story” is the reason for biased stereotypes that, more often than not, are untrue. Tan’s life in America was seemingly difficult due to the fact that her life and education were dependent on the language barrier between English and her “mother tongue”--the latter being seen as inferior and embarrassing. She initially felt that her mother’s fragmented English was something to be ashamed of since that was the “single story” that her peers have been spoonfed their whole lives. Adichie, however, denies these views by explaining that such stereotypes are incomplete and do not relay the person at hand’s true identity. In both “Mother Tongue” and “The Danger of a Single Story,” the speakers express how a person’s native language influences their identity through rhetorical devices such as ethos, diction, and metaphors.

In “How To (lower case to) Tame Your Wild Tongue”, Anzaldua’s project is to explain how one's language can be negatively associated by others with your value as a person. Her goal is to not only show the harsh judgment that can come with language differences (comma) but to explain the emotional effects of that judgement as well. “How To Tame Your Wild Tongue” is an argument being presented from a narrative stand point. In this writing Anzaldua defends her argument by discussing different means of linguistic terrorism that she has personally experienced throughout her life as a Chicana. Anzaluda was born in Texas into a family of immigrants from Mexico. The Spanish she spoke was a combination of both English and Spanish as they were not Spanish

In the United States early history, Native Americans, Africans and Europeans were marginalized by White People, and categorized as the minorities because they were seen as the inferior race. For nearly three centuries, the criteria for membership in these groups were similar, comprising a person's appearance, their social circle (how they lived), and their known non-White ancestry. History played a major part, as persons with known slave ancestors were assumed to be African (or, in later usage, black), regardless of whether they also had European ancestry. Most often these minorities face significant discrimination in various forms whether through voting, law policy, unequal pay, or even implicit racism, minorities of all kinds have been and still are being put down today. The book Between the World and Me is a letter to Ta-Nehisi Coates’s fifteen-year-old son, Samori. He weaves his personal, historical, and intellectual development into his ruminations on how to live in a black body in America. Not only does Coates give his personal experience in how he experience in first hand discrimination, racism, marginalization but he also gives vivid images on how he lived multiple worlds and how those experiences changed him. In “How to Tame a Wild Tongue”, Gloria Anzaldua exposes her feelings about social and cultural difficulties that Mexican immigrants face when being raised in the United States. She establishes comparisons among English, Spanish and their variations on how

There are numerous bilingual and multicultural individuals on the planet today. For some, decisions of which language they utilize, and how they utilize it, relate to what social or social group they have a place with. Amy Tan, a Chinese American writer, depicts this well in her short exposition “Mother Tongue”. Tan experienced childhood in two unfathomably unique universes utilizing diverse English’s. The primary world, which comprises of her nearby family, she talks what we may call “broken” or “constrained” English. The second world, which is her business and expert world, tan talks and composes culminate standard and scholastic English.

Activist, Gloria Anzaldua’s narrative excerpt “How to Tame a Wild Tongue” She goes into depth of ethnic identity, while knocking down walls of linguistic and identity down. How one would identify themselves while broadcasting the struggles any person with culture has felt. She uses ethos, pathos, and logos alongside all five senses. Making the reader feel as though they witness the struggles she went through if not witness then actually experienced. Anzaldua’s thesis is that language is a part of one’s identity. It is what makes a person who they and connects them to their roots. People shouldn't let others try to tame their tongue or cut off their native language; because once they do and are given that power they can disconnect the person from their culture and roots.

For being the Chicanos means you are the “other.” You are inferior to the dominant discourse by speaking a different language.In the essay,” How to Tame a Wild Tongue,” Anzaldua explains how the Chicanos are referred as a marginalized groups because their cultural language is found different and also inferior to the English dominant discourse. As a result, the Chicanos people then felt uncomfortable of speaking their language to other people, as they thought they were making low expectations of them by speaking an unfamiliar language; therefore, they start speaking the English discourse as a neutral language to communicate without feeling embarrassed. However, Anzaldua is against the idea of the Chicanos people by speaking the English

Language is an essential part of a person; through language, you will find a person’s culture and nationality. In “How to Tame a Wild Tongue”, Gloria Anzaldua, demonstrates her stance of language and how she proudly admits that language, to her, is an identity that makes her feel whole . She also expresses hardship growing up because some people are not willing to accept her for who she is and forcefully attempts to make her change.

In the essay, “Mother Tongue”, Amy Tan lays out examples of noticing the different Englishes in her life and how she incorporates them into her writing. She also breaks down the different versions of English that have taken root in her life. Tan notes that she includes all the Englishes of her life in her book, The Joy Luck Club. Tan, the daughter of immigrants, learned to navigate between the “perfect” English of her professional life and the “broken” English of her youth. The author’s main claim of there being no perfect way of speaking English is one that can be easily recognized because Tan gives clear examples of the diverse versions of English in her life, she pinpoints moments in which she sees the differences and discovers how to accept and acclimate these differences to her life and career.

In her essay’s, “How To Tame A Wild Tounge”, Gloria Anzaldua discusses her experience in finding her identity as a Hispanic. At the beginning of her essay’s she open it with her unpleasant experience with a dentist that almost lost his temper, it is because Anzaldua obstinate. So, aggressive and attacking tone seen on her essay. Besides that, she tells us that “she is being pressured and oppressed by the

Many people in the United States have a sense of comfort with their own culture and language to the point where they will not abandon those things in order to pick up a new language and lifestyle. In the article named, “Why and When We Speak Spanish in Public,” written by Myriam Marquez, she explains how her family continues to use the Spanish in public in the United States, even though they have lived in the United States for over 40 years. Marquez explains, “For me and most of the bilingual people I know, it’s a matter of respect for our parents and comfort in our cultural roots” (542). People are simply not going to change who they are and where they come from just so they can conform to the normal population of the United States. For the most part, people who come the United States are happy that the country has not implemented a national language law because the people who come here can

Anzaldua takes great pride in her language, “So if you want to really hurt me, talk badly about my language. Ethnic diversity is twin skin to linguistic identity – I am my language” (p89). She states that her language is a part of herself so when you insult Chicano it’s like a strike to the heart of Anzaldua. Anzaldua goes on to explains that although Chicanos all over the US speak different dialects of Chicano Spanish, they are still all Chicanos. Just because the language varies a little does not diminish its authenticity. People who speak a variation on a language should not be ashamed because they speak a little differently. “There is the quiet of the Indian about us. We know how to survive. When other races have given up their tongue we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture. but more we count the blows, we count the days the weeks the years the centuries the aeons until the white laws and commerce and customs will rot in the deserts they’ve created” (p93). She strongly urges Los Chicanos to not give up their culture and endure. She believes that the will of their culture will outlast any obstacle they encounter and demands that they not give in to the temptation to conform.