In the article from Ken Macrorie’s book Telling Writing we are introduced to this concept of Engfish. A language or a writing style that is developed as children grow up and are taught how to “write”. School has a way of socializing children, squishing the creative and vibrant minds they possess in an attempt to “standardize” and create “unity”. The imagination of a child knows no bounds in its earliest forms; trees can talk, colors can sing, and the most trivial of tasks can be great adventures. Macrorie states at the end of this article “But there is a way out.” the question becomes, what are those ways. A few suggestion could be free writing or even poetry classes that break the traditions norms of writing, where grammar and punctuation are almost completely meaningless. The focus of most English classes today are the grammar and the technicalities of writing that the meaning and the words are lost. Writing becomes a tedious and boring task when it should full of passion; it is stressful when it should be energizing. Writing just to write, writing long emails to friends, journals, or even letters are all but obsolete. The personal aspect of writing has been removed. Writing is now done out of necessity for the job or a class, the true meaning of expression has been taken away and standardized. Everyone has a strength and a voice, we are each unique and to taught to conform to writing norms create “dead” writing, paper with no voice, no passion, and no desire or hunger for
Reading and writing should be seen as interactive subjects rather than just reading or writing words on paper in ink. John Beans suggests that individuals should look at both reading and writing as conversations. In his article “Reading and Writing as Conversations” Bean states by envisioning yourself having a conversation with the author, referenced individuals, and characters, readers are more likely to better understand the text. Texts are seen as different conversations each text has a connection to another text. Such as if you were referencing a particular article,book,or quote in your text. Many people have a reason for reading different types of text. Some reasons could simply be because the individual wants to, needs to, discover new
Many people have a habit of writing differently and it can be good or bad. In the essay “The Importance of Writing Badly,” Bruce Ballenger encourages students to write spontaneously without any rules or “error-free sentences.” He believes that there are no wrong way to express how a person feel. It may not be the correct way to write it but it still allows a person to write continuously. Ballenger allows students to write badly because he is more interested in encouraged thinking.
Writing is examined in the first chapter of “Writing about Writing”, a textbook by Elizabeth Wardle and Doug Downs. Not only does it examine articulate writing, but specifically the threshold Concepts of writing: “ideas that change the way you think, write, and understand a subject,” (Wardle, Downs 2011). Terms are used to educate readers, these terms are essential for the writer to better understand how to write, and for the reader to better understand composition. Three terms seem to do this; construct, contingency, and rhetoric.
Basic literacy is the ability to read and write, my literacy skills began to develop while I was a small child. It all started with the bedtime stories my mother would read to be. It wasn’t until I got to school that it developed even more as teachers began to teach me how to read and write. I feel that in order to be successful you need to learn how to read and right, that’s why I took pride in learning it. I’m glad that I learned that at a very early age. I notice that to get a good grade on my writings I had to write how my teachers wanted me to write things. In the long run it did pay off because I got good grades on my papers. Obviously you can see that I had to
Writing is a powerful tool for communication and connection. As an extension and expression of the mind, writing is as much about the mental processes of the author as it is about the final marks laid to paper. As we write, we hold in mind our own thoughts on the work, anticipate the reader’s thoughts, and think both in concrete and abstract ways in order to accomplish the task at hand. Whether an academic research paper, a novel, or text message to friends, writing seeks to engage, persuade, or impress concepts upon an audience. Like language and other art forms in general, the practice of writing is ever-evolving and is subject to cultural and contextual influence, expectations, and conventions. Each writer holds a theory
In her article “I Stand Here Writing”, Nancy Sommers examines the writing process and formulating ideas for writing in a more empirical manner. She states that before she found her creative zeal/ niche her writing was often undisciplined, unmethodical, and sloppy. Sommers reveals that in college she was less known for her writing and more for her long hair and misapplication of phrases. She found her true inspiration while writing her Senior Thesis on Emerson’s “Eloquence.” Throughout the entire essay, Sommers provides the reader with advice about writing. A key point that she mentions is, “If I could teach my students about writing it would be to see themselves as sources, as places from which ideas originate, to see themselves as Emerson’s transparent eyeball, all that they have read and experienced-the-dictionaries of their lives circulating through them.”
The article “The Writing Revolution” by Peg Tyre is a piece which aims to address the problems in school systems often associated with the way in which writing is taught to students. Tyre’s article conveys the different arguments presented in the course of teaching writing to students, which have been shown to be on opposite sides of the creative and analytical spectrum. These different perspectives of how to build the foundation of writing for the children of America as well as other countries are backed similarly on both sides, though the debate still continues. “The Writing Revolution” instead of focusing on all aspects of writing, highlights the effectiveness of analytical fundamentals over that of creative writing in helping to
In Dan Berrett’s article, “Students Come to College Thinking They’ve Mastered Writing,” the idea of freshman thinking they are or must be a refined writer is discussed. Students may think this way coming into college, but their teachers do not. While students might feel satisfied and think that they are prepared with their writing skills, professors found that these students did not necessarily meet the expected level (Berrett 1). Many students reported that they would normally write around 25 hours every week. They said that most of those hours of writing was for more formal purposes like passages to make changes in society (Berrett 1). It was found that one reason the new students might feel this way is that their assumptions about writing differed greatly from those of faculty members and their expectations. One big thing that students will not get for a while, is that good writing is not just listed as a bunch of steps one is to follow that automatically make one’s writing good. Good writing requires one to be in different mental states; it requires the understanding of how to write for different audiences and different reasons (Berrett 2). Berrett includes in the article that writing is not just universal and that in order to do very well, writers must use different forms of writing specifically for their purpose (2). It seems as though students think that, before they even take a class, they are supposed to know everything about writing; in reality, they are supposed to learn new skills and enhance others (Berrett 2). Berrett says that many believe the schools these students previously attended with their test focus might cause these feelings about writing (2). Berrett ends his article by saying that students these days do not think that informal writing actually counts as writing, and that students should practice writing for informal purposes because it can help them (2). Even if they feel like it, students are not fully prepared to write in all contexts when they arrive at college.
Writing varies from a text message to a novel. Writers often have a difficult task in creating a piece of work that truly identifies the meaning of good writing. Every good writer usually starts with the basics such as genre, audience, rhetorical situation, and reflection of the piece. Throughout this semester, we have gone through all of these key terms in great detail with each new assignment that has come our way. In doing this, not only as students but also as writers, we have come to create our own theory of writing. Every writer has a different theory of writing though most are very similar. Now, at this point in the semester after doing countless journals, in-class exercises, and final assignments, I think I have figured out my own
When I was reading Writing is Easy by Steve Martin, I was thinking if writing was actually that easy. Then I finished the article and realized that writing will never be easy. Mr. Martin examples on how to make writing easier make no sense. His tip to getting over writers block gets the writer nowhere. He says “got to an already published novel and find a sentence that you absolutely adore. Copy it down into your manuscript” (Martin). What he is saying is plagiarism. If I was to use this method to overcome writer block I would be thrown out of college. I still believe that writer block is real because even the greatest authors struggle with writers block.
The Importance of Writing Badly was written by Bruce Ballenger. His intended audience are students who are victims of strict English teachers as well as the strict English teachers, themselves. In his essay, Ballenger portrays that students are more focused on being grammatically correct than the message in their essays. This is because of teachers who grade strictly on grammar errors and punctuation. Ballenger says, “A colleague of mine, an Ivy League graduate, is among the self-appointed grammar police, complaining often about the dumb mistakes his students make in their papers. I don’t remember him ever talking about what his students are trying to say in those papers.” (Page 74). Bruce Ballenger has effectively argued and persuaded his intended audience with his use of ethos, pathos, and logos.
In literary education, from childhood to maturity, individuals are taught how to write not to improve themselves as critical thinkers, but to fulfill the requirements given to them in a prompt. Whether to analyze or argue, this form of writing has led to a cease of literary improvement in students today, making many question the effectiveness of writing classes. Mike Bunns, in his article “To Read like a Writer”, explores this topic and stresses the necessity for young readers to critically examine the author’s choices in order to improve their own pieces of work. Bunns effectively argues to his audience of college students that improved comprehension comes from focusing on the rhetorical choices authors decide to make in their compositions by tying personal narratives with repetitive questioning throughout his article.
The article The Writing Revolution by Peg Tyre is a piece which aims to address the problems in school systems often associated with the way in which writing is taught to students. Tyre’s article conveys the different arguments presented in the course of teaching writing to students, which have shown to be on opposite sides of the creative and analytical spectrum. These different perspectives of how to build the foundation of writing for the children of America as well as other countries are backed similarly by many sides, though the debate still continues. The Writing Revolution instead of focusing on all aspects of writing, highlights the effectiveness of analytical fundamentals over that of creative writing in helping to revolutionize schools and school systems.
So Andrea Lunsford argues that the activities did not lead to “ a new illiteracy”. The activities like for example, texting and emailing seemed to help develop a variety of writing styles like tones and formats along with many abilities. I believe Lunsford uses great examples to explain how the students adjust their writing styles to suit their occasion/ situation. For example, “Next up: words stolen from before the power went out Whadda-ya-know, I am back in Dhaka from the villages of Mymensingh”. This is an informal message that the student wrote using slang and special effects. Another example is when writing professional, “in June of 2003, I traveled to Dhaka, Bangladesh for 9 weeks to intern for Grameen Bank. Grameen Bank is a micro credit
In today’s society one would not be able to communicate effectively with the world if writing was not involved. People all around the world send emails, texts, and letter to numerous amounts of individuals each second. Talking on the phone is slowly becoming a thing of the past while the writing side of technology is taking over. The meaning of writing is changing in society. Writing used to be specifically for academics or the occasional letter to a loved one. As time has passed writing has taken more forms and more meanings. In the world we live in now writing is classified as texting, emailing, instant messaging, and even comments or tweets on social media. Although writing has these multiple new forms, it still holds its academic side strongly. Everything with meaning in turn affects a person’s day to day life. Writing has the effect of making one more intellectual. Writing has become a bridge between communication and the cultures and people of today’s society. It gives way for different options in stating sentences or phrases. (Olson). Each affect should change with age. As a person grows older, their writing styles should mature and take on a more professional aspect.