Summary Of Kenneth Slessor's North Country

A composer can create images dependant on the form of the language of texts to shape a responders understanding of the ideas and themes prompted by people and their experiences. The German film, ‘Run Lola Run’ written and directed by Tom Tykwer, focuses on the experiences of the protagonist Lola to explore the themes of the inevitable force of time, and the issue of freewill verses determinism. Similarly, Dorothea Mackellar, in her poem ‘My Country’, relies on her experiences of the Australian landscape to convey her love and passion for the country using the language of the distinctive visual.

The memories in the poem maintain a cohesiveness and continuity of experience through repeated motifs such as the violets and the ‘whistling’. Memories also give us a recovered sense of life, as shown through the final line of the poem ‘faint scent of violets drifts in air’. This example of sensory imagery also creates a rhythmic drifting sense linked closely to the “stone-curlews call from Kedron Brook”. It echoes images of the speaker’s mind drifting into reflection and aurally creates transience between the present and the past.

Have you ever been to an accustomed setting only to realize it's not as well known to you as you thought it was? For example, you go to a close friend or relative house and it’s far too familiar but you can’t remember where the dishes are stored, where the T.V remote is always kept or even a situation where you don’t remember the family acting a particular way from previous times you were there. This is what occurs in the two short stories “The Return” by Ngugi wa Thiong’o and “A Marker on the Side of the Boat” by Bao Ninh. In these two short stories both of the protagonists, Kamau (“The Return”) and Kien (“A Marker on the Side of the Boat”), both return to a familiar place only to realize it is not what they remembered and has become

People and the landscape are inextricably linked and consequently each play a role in shaping the other. The texts we have studied show the implications for the individuals present based on their treatment of the landscape, highlighting the connection between the two. Both Judith Wright in her poems “Brother and Sisters” and “The Hawthorne Hedge” as well as Michael Wilding in his short story “As Boys to Wanton Flies” showcase the emotional ties between the individuals and the landscape. Both composers, through their chosen text demonstrate how the individuals are connected, influenced and shaped by the landscape showing that they are not merely inhabitants but are a part of their chosen landscape. This has been done to highlight the involvement

In my opinion, I think that the author is successful in creating an interesting piece about memory due to how well he was able to organize his content. For example, the author starts by explaining his own childhood memory at the lake that took place many years ago; then, as the story progress, he is tentative to point out to the readers what has changed in the lake over the years; what

During this essay written by Walker Percy, it is clear that his overall opinion of experiencing new things is in the eye of the beholder and/or the hands of those around them and their social status. Percy uses many examples in his writing including that of an explorer, tourist, and local all seeing things for the first time either literally or in a new different light. In this essay, I will play on both sides of regaining experiences, seeing things on a different level then before or the first time. Regaining experiences is a valid argument brought up by Percy as it is achievable. While criticizing each side of the argument, I will also answer questions as to the validity of Percy's argument,

In some of Harwood’s poems, the persona demonstrates that memory can be used as a powerful conduit into the past and such a pilgrimage is one of the many faces of human experience. In Harwood’s poem “At Mornington” the persona is Harwood herself and the poem begins softly with an account of Harwood’s first encounter with the sea. Her memories are triggered by a reunion with an old friend which suggests that her tone of voice throughout the passage is reflective and contemplative. The repetition of the waves and water symbolises the passing of time and the flow of memories, which link the past with the present. The persona of the poem initially believes that she can “walk on water” and that “it was only a matter of balance”; signifying the naive belief that she is capable of such defiance of natural law. This is later juxtaposed with the child who witnesses the pumpkins growing “in [an] airy defiance of nature” and describes it as being a “parable of myself”. Harwood uses these juxtapositions to symbolically convey that although she is unable to

“Once More By the Lake” is an informative short story featuring a man who seems to feel as though he is losing his identity. As a parent, he doesn’t realize that as time passes by his family’s orientation is changing and, as a result, seems to lose himself in time as his surroundings and his son’s actions remind him of himself. Nonetheless, throughout the story, the author uses great detail to put the main character’s feelings on display by using experiences and emotions that are relatable to the reader. The childlike mannerisms and impressive attention to detail exhibited in the essay show how the narrator sees himself and showcases the author’s use of imagery. Revisiting his childhood lakehouse brought past memories to the surface which, over time, shows the main character’s emotional ties to the lake. In fact, in the story, the narrator says, “It was the arrival of this fly that convinced me beyond a doubt that everything was as it always had been, that the years were a mirage and there had been no years” (White 2). Throughout the story, White challenges the reader's mind by describing his situation to the reader and unintentionally drawing from them the conclusion that life as one knows it is destined to change at any given time, including one’s

1. The thesis of this essay in the author's words is "Travel is how we put a voice to the Other and step a little beyond our second hand images of the alien." In other words, the author is trying to tell us that travelling is necessary in order for us to not hold prejudices and experience the lifestyle of other cultures.

The North may sound beautiful from afar but once you hear about this unique adventure into the North you may think twice about how beautiful it really is. Luis Alberto Urrea, the author of Into the Beautiful North shares a unique story about a group of girls who travel into America on a very important journey. This story begins in small town in Mexico known as Tres Camarones, where there are very little men to be found. There is a young girl named Nayeli who works with a man named Tacho that owns a restaurant within this town. She has two best friends named Yolo and Vampi who also live in Tres Camarones. One night Nayeli is inspired to go on a quest into the north to bring her father and other men back to their town. Nayeli gathers her two best friends and Tacho together and convinces them to go with her on this quest. On this adventure into the north they come across many difficult situations; they are caught crossing the border, attacked multiple times by strangers and separated throughout the story. Eventually Nayeli crosses the States and discovers her father despite the troubles she faces. Although the girls and Tacho run into many problems, they were able to gather men on their way through America. Urrea shares this story and creates a relationship with his audience through imagery and diversity. The author constructs this novel on Mexican magic realism, this novel should be read by a high school aged audience and older because of the real life subject told in a way

It is presumed that journeys are uplifting experiences, with the implication that new knowledge and greater insight allow travelers to gain wisdom and solidify a coherent view of the world. Yet, experiences through journeys can result in new knowledge clashing with preconceived beliefs, potentially disabling the traveler’s epistemology. Furthermore, a traveler cannot ignore this conflicting knowledge and return to his prior self at the conclusion of his journey. These themes are explored in Robert Gray’s poems

There are the tourists—those who seek temporary relaxation, or famous sights. There are the travelers—those who wander, without aim, for the love of moving. There are the explorers—those seeking adventure, the thrill of unearthing things rarely seen.

Into the beautiful North, by Luis Alberto Urea, is telling a story of a nineteen year old girl called Nayeli who is encourage by the movie “The Magnificent Seven” to go to the United States with her three best friends. Their mission was to cross the border and recruit seven men to save their town, Tres Camarones, from the bandidos. But she also wanted to bring her dad back home. He and the rest of the men of Tres Camarones went to the United States looking for jobs to sustain their family. The author wants to show how undeveloped Mexican towns such as Tres camarones can cause poverty, lidding to one of the biggest topic now days which is immigration. Immigration is a cruel and hard path caused by

The United States before the civil war was basically split into two regions, the North and the South. These two regions had very different cultures, economics, and climates which led to different lifestyles and perspectives. Problems caused by the differences between the North and the South eventually led the nation into a great civil war- the bloodiest war in American history.

In Nature & Landscape: An Introduction to Environmental Aesthetics, Allen Carlson proposes that scientific knowledge can enhance our aesthetic appreciation of the natural world. He draws a connection between technical know-how used in the context of natural landscapes and art history or criticism in the context of conventional art forms. In either case, the viewer would find relatively more meaningful experiences of aesthetic appreciation than if one looked at a painting or landscape without any prior knowledge about it. Carlson endorses this point within his larger Natural Environmental Model, which asserts that though the environment is not entirely of our creation, it does not mean that we have to approach it without any prior understanding.