Kingston’s mother uses the story of Fa Mu Lan in hopes that Kingston will accept her true identity as a woman. During training, Fa Mu Lan asked the old woman if she can stop menstruating and she said no. The author says, “‘No. You don’t stop shitting and pissing,’ she said. ‘It’s the same with the blood. Let it run.’” (31) When the old woman said, “Let it run”, it shows that even if Fa Mu Lan had the option to stop her menstrual days, she shouldn’t and just let it go. Menstruation is normal for women and if she would stop, she would be just like a boy. Being a boy would not be bad, it is just more significant because even if Fa Mu Lan was on her period, it didn’t stop her from fighting. Just like menstruating, being a woman is normal. Without menstruating, women wouldn’t give birth. …show more content…
So the mother is telling the story of Fa Mu Lan so that Kingston can accept the fact that she is a woman and that nothing should get in the way of that. Similarly, during Kingston’s childhood, she wasn’t allowed go shopping with her uncle. “When he heard girls’ voices, he turned on us and roared, ‘No girls!’ and left my sisters and me hanging our coats back up, not looking at one another (47). The uncle refused to go shopping with the woman. When Kingston said, “not looking at one another”, it symbolizes shame. They were ashamed of themselves because they weren’t allowed to go just because they were female. Usually when people can’t look at one another, they feel unworthy and embarrassed. They couldn’t look at each other because maybe it happens consistently and they were used to rejection. The mother told the story of Fa Mu Lan so that Kingston can accept her identity. All throughout Kingston’s childhood, Emigrant villagers and basically everyone treated her with hostility and called her cowbirds and
In “No Name Woman,” the theme of silence starts with the elementary words of the memoir stating you must not tell anyone. This statement is ironic because Kingston is in fact telling everyone, giving voice to Chinese customs and the lives that are foregone. As written in her memoir, she states, “You must not tell anyone,” my mother said, “what I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born.” (Deshazer 308). It is especially notable and ironic that the memoir begins with the phrase “You must not tell anyone.” Her effort in No Name Woman is to write about that which is never said; her unnamed dead aunt, and the outrageous behaviors in her mother’s Chinese village. Kingston was not necessarily silenced direct by a male figure; however, the words said by her mother “You must not tell anyone” is a representation of Kingston father’s authorization voice through her mother’s explanation. Kingston’s effort is also about discovering a voice, as both a Chinese-American
Women did not have any power in Chinese culture. Kingston describes how a man intimidates her aunt by telling her that he will beat and kill her if she tells anyone. It shows men dominance over women because the man is making Kingston’s aunt do anything he wants. In paragraph fifteen, “women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil” (623). It adds to how women in China did not have any voice and were supposed to comply with any thing men said. Women had to be protective mothers. Kingston states, “as a last act of responsibility: She would protect this child as she had protect its father… mothers who love their children take them along” (629). This quote means that women would protect their children and always look out for the best interest for them. Women had to provide food for their family and their gods. In paragraph thirteen, “she plants vegetables gardens rather than lawns; she carries the odd-shaped tomatoes home from the fields and eats food left for the gods” (622). It shows one duty of women in Chinese culture and the role they had to follow.
All of the woman who migrated from China all have a curtain pride for their own mothers and cultures cultures respectively. Major acts of pride go into what these woman do while raising their daughters, as they want to push their daughters for success. “What will I say? What can I tell them about my mother? I don’t know anything. . . .” The aunties are looking at me as if I had become crazy right before their eyes. . . . And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant. . . . They see daughters who grow impatient when their mothers talk in Chinese . . . who will bear grandchildren born without any connecting hope passed from generation to generation.” The other mothers are flabbergasted that June does not know that much about her mother. The mothers also have their own pride in their daughters, and all the daughters have been together, so this phrase from June scares the other mothers of what their own daughters might think about them. In Chinese tradition, respecting your mother is very important, due to June being raised in America, she does not realise what she has just proclaimed as bad until the other mothers react to it.
According to the book, this woman gave birth to a baby which was a symbol of embarrassment and humiliation not only for the villagers but for all the family. Even though this baby did not have any notion of what was going on, she was still a victim of Chinese norms. This baby also became forgotten being that she was not given the opportunity to be alive. Kingston’s aunt decision of killing the baby, had to do greatly with the fact that she was girl. As the book states “it was probably a girl; there is some hope for forgiveness for boys”. Without any doubt, if the baby was given the opportunity to live she would have been mistreated and condemned all her life. She would not have had the opportunity to developed her own identity or raise her “own voice”.
The main tension in the story describes how the mother is depreciating her own daughter by calling her a slut just based on the way she is acting currently: “this is how to hem a dress when you see the hem coming down and so to prevent yourself from looking like the slut I know you are so bent on becoming” (320). The views of both characters create conflict because the young girl is being reprimanded for what she could do in the future and the mother is constantly barking out multiple directions. Also, Kincaid creates tension by seemingly dividing women into two divisions, imperfect and appropriate societally, to show that you must abide by the rules and ideas of society to be a ‘proper’
In the short story “Girl”, by Jamaica Kincaid is told from the perspective of two different people. There is a bonding relationship that is happening between the two people in this short story. The mother seems to be the main character in this essay uses a very strict tone to her daughter. The daughter is being told about how to do things in her life the correct way. The daughter barely speaks during this essay, she is doing more analyzing than arguing with her mother. When the mother gives the daughter advise she was trying to give her words of wisdom. But, at the same time, some of the ideas the mother gave to her child was offensive like “slut”. The mother has different perspectives throughout this essay with a lot of different
Kingston finds herself constantly questioning and studying pieces of her upbringing, figuring out how they impact her even as an adult. Kingston notes that she feels obliged to, “tell what [she] really think[s], whether or not [she loses] her job, or spit[s] out gaucheries all over a party” (205). Here, Kingston is utilizing simple but clear imagery by describing the abrasive bluntness, that is a direct influence of Kingston’s mother, as “gaucheries” that are “spit out.” This trait is one that is common amongst Chinese people of Kingston’s mother’s generation. Kingston then goes on to list possible sources of aspects of her personality, saying, “[she continues] to sort out what’s just [her] childhood, just [her] imagination, just [her] family, just the village, just movies, just living” (205).
In The Woman Warrior, Kingston develops the motif of comparing herself to a swordswoman in order to illustrate how the talk stories of Fa Mu Lan aid her in combating the racism and oppression she faces as a Chinese woman in America through embodying the power of a woman warrior she possesses in her fantasies. Throughout the chapter White Tiger, Kingston explores the mythical story of Fa Mu Lan, placing herself in the role of the woman warrior and explaining her fantasy of living with an old man and woman, who carve the path to her success as a warrior. Later in the chapter, she contrasts Mulan's grievances to her own difficulties as a Chinese-American. Kingston ends the chapter by comparing herself to Mulan through stating,
There is a cultural fascination with manhood which has been perpetuated throughout history through justification that men were ‘stronger’ and less emotional than women as women were weaker and specific jobs were ‘women’s work.’ The justification of manhood and male superiority is seen in culture through ceremonies and celebrations which would still remain even if men menstruated. Steinem also draws attention to the oppression of females in her piece. Females are shamed due to their menstruation and it is an ‘embarrassment’ which has led to females becoming the inferior group who received ‘poorly paid jobs because they were weaker.’ Steinem highlights the fact that male superiority and the subsequent female inferiority, is all based on logic and which is developed in the concept of menstruation and the justification of male superiority if men could menstruate, which is contrary to the reality and how menstruation is used to develop female inferiority and male superiority. Steinem creates a piece that brings the reality of the cultural paradigm to the forefront through the use of an absurd proposal about males
We live in a society where the similarities between female and males are seen at birth. It begins innocently with the toddlers; girls get pink while boys get blue. The gap between boys and girls develops with time and becomes increasingly apparent. There are still gender stereotypes today, but it is not as bad as it was in the past. Jamaica Kincaid’s short story “Girl” perfectly portrays gender stereotypes. It represents gender concepts as cultural constructs in the period it was written. These conceptions are comparable to current stereotypes about gender. The book gives us a list of commands from a mother to a daughter. Men in the society are dominant to the women, and the set of rules is a product of patriarchy whereby the mother and daughter appear as subordinates to the men in their lives. The article makes one aware of the prevailing masculine hierarchy that exists in a family, and how it creates firm gender roles for females in the society.
Girls, young women, and mature mothers. Society has consistently given women strict guidelines, rules and principles on how to be an appropriate member of a man’s society. These rules are set at a young age and enforced thoroughly into adulthood. When not followed accordingly, women often times too many face reprimanding through means of verbal abuse, physical abuse, or social exile. In the midst of all these strict guidelines and social etiquette for girls, a social rebellion started among girls and women and gender roles were broken, however the social rebellion did not and does not affect all girls and women. For instance, in less socially developed places, young girls on the brink of womanhood are still strongly persuaded to be a man’s idea of a “woman”.
Society is often seen to have different biases or perspectives on topics such as the role and perception of women. The short story, “Girl” by Jamaica Kincaid, consists primarily of a catalog of commands and instructions, the purpose of which is to make sure that the mother’s daughter is constantly in check and not getting into any trouble. Jamaica Kincaid utilizes a wide range of techniques such as symbolism and diction in order to showcase the theme of how the depiction of women rely mainly on how they present themselves in the public and how they are so easily described as impure or filthy.
My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech using the kind of English I have never used with her.”(417) Overcoming the barrier between languages she spoke aided Tan in building a bridge between cultures. She changed her language to assimilate into American culture while also keeping familial culture. A piece of heritage that uses a language of intimacy, a different sort of English that relates to family talk. Tan grew up with this language and she still uses it with her mother, husband and in her books. (418) Another method to find identity in a new host society is through appearance. In the essay, “No Name Woman” by Maxine Kingston ideals in appearance were passed from generation to generation. Altering ideals when creating identity is noticed in Kingston’s essay. A long held tradition in many Chinese families is that many generations live under the same roof and this can cause a conflict in ideals. Conflicting ideals between generations is shown as Tan tells how the younger generation hid the identities of their sexual color and their character. Hiding these new identities they hoped to avoid potential conflict with generational ideals. Kingston did not hide her identity, she found herself “walking erect (knees straight, toes pointed forward, not pigeon-toed, which is Chinese-feminine) and speaking in an audible
Women are meant to behave and act proper. Though it may not be quite the same today, however, every once in awhile society still expects women to behave and act a certain way. In the past women were supposed to act like ladies and be the proper quiet housewife. Women were raised to speak, behave, and perform tasks a certain way that society deemed as right and proper. Jamaica Kincaid’s short story “Girl” shows just that. Her story is about a girl who is basically scolded by her mother on how to act and perform daily tasks. Her mother's belief is that a woman's reputation is everything and if her daughter keeps acting the way she does she will lead a promiscuous life. She does not want that for her daughter, or for her daughters reputation to come back to her if it is not a good one. Kincaid utilizes the theme of image and social acceptance are most important for woman through symbolism, repetition, and tone .
In the movie there was a character named Mulan that went to fight in the war in place for her father. In Ancient China, women weren’t allowed to be in the war, making her ineligible for the task. In real life there may have been a person named Mulan, but she probably wasn’t that important, and didn't participate in the war.