Summary Of Liang Heng's Son Of The Revolution

The autobiography, Mao’s Last Dancer written by Li Cunxin, is effective in raising awareness of the injustice the Chinese people experienced during Chairman Mao’s Cultural Revolution and later communist policies in China. When Li’s parents got married in 1946, they were not living in poverty. However, when the Japanese invaded China during WWII and forced all the civilians into communes, Mao then kept these communes and the Li family lost their wealth—they faced injustice and marginalisation. The Chinese population were marginalised by Mao’s use of communist principles and propaganda. They were forced into believing Mao’s views—that the West (Capitalist countries) were filthy and bad, while China was good. Li’s visit to America was an eye-opener.

The cultural revolution is a strange period in Chinese history laced with intense struggle and anguish. The cultural revolution mobilized the all of society to compete for all opposing factions that they belonged to (Ong, 2016). Mao mobilized the young people of society during a background of political turmoil, which helped Mao to mobilize the students in order to enforce his political legitimacy and ideas (Ong, 2016). Mao’s charismatic authority created his personality cult and most defiantly leant a helping hand in mobilizing the red guard movement (Ong, 2016) (Weber, 1946) (Andreas, 2007). No matter which faction of the red guard they belonged to, they all mobilized against their common enemy; the better off, upper class. (Ong, 2016). Multiple ideologies within the youth led red guard movement explain why the movement gained momentum and became incredibly powerful (Walder, 2009).

China has changed in certain ways and remained the same in others from the early Golden Ages to the late 1900s. China has experienced a series of cultural and political transformations, shaping the lives of many Chinese citizens. Culturally, the country’s art and literature hardly changed for almost eight hundred years. Along with their culture, China remained politically the same from the beginning of the Golden Ages all the way until the 1800s. On the other hand, China’s government and society were restructured after new leaders took over. From a monarch to total communism, China’s society had a multitude of new ideas and policies they had to adapt to.

When Jan Wong first arrived in China, she was filled with the complete belief that China’s totalitarianism way of government was the best way of governing, and that no other way would do. While natives smiled behind false expressions, she failed to realize the true extent of the miserable lives under the Maoist regime until she herself experienced the injustices faced by the Chinese citizens. In Red China Blues, author Jan Wong writes of her experiences during her life in China and after, and how her whole journey led to the realization of the harsh reality that Maoism really was. As Wong learned more and more about the truth behind the totalitarian government, her own experiences helped her to transform

"You're a human being, not an animal. You have the right to be loved" (262). "Son of the Revolution" by Liang Heng and Judith Shapiro was a book that showed how inhumane many of the aspects of Chinese life were during the Cultural Revolution. The book followed Liang Heng through many of his childhood memories to his departure from China in his twenties. The book applied a real face to the important movements during the Cultural Revolution, the effects that "the cult of Mao" had on society and Heng, and the way the period affected Heng's personal family life.

China has been a communist country. Despite persistent debate over an extended period of time, the question whether which Chinese government is the most responsive to its people has never been permanently settled. However, I dare to claim that Qing Dynasty was the most open and receptive to its people among several Chinese governments. Some people might contend that Republic of China, Warlords, and Chinese Communist Party were the most responsive to its people. However, a close examination throughout this essay will clearly reveal the fallacious nature of their argument. My line of reasoning will derive its support from the most fundamental sources of human wisdom and history.

This memoir of Ma Bo’s sent shock waves throughout China when it was published and was even first banned by the Communist Government. This passionate story paints a clear picture for what the Great Chinese Cultural Revolution was really like. Many Chinese living today can attest to similar if not identical ordeals as expressed in Ma Bo’s story. The toils of being a young Red Guard in inner China were experienced by many if not millions. The horrors and atrocities were wide spread throughout the country, not just in Inner Mongolia. The experiences illustrated in Blood Red Sunset uniquely belong to Ma Bo’s entire generation of mislead Chinese. As expressed in the books dedication the Cultural Revolution

Liang Heng and Judith Shapiro's "Son of the Revolution" is a comprehensive story of Liang Heng's life on growing up during the chaotic times of the Chinese revolution. The purpose of this novel was to depict the horrors and hardships of life during the revolution period in china during Mao Zedong's reign. In the beginning of the book, the author portrays that news and ideologies always stated that the government was working for the good of the people of the country. However, as the book unfolds the author reveals that the government is actually exploiting the people through misuse of people's trust. The book also provides insights into the Chinese life during the period of 1954-1978. This 24 year period saw major

The apex of Wong’s book is how she displays the emotional overtones in reciting her account of the Tiananmen Square Massacre of 1989. She tells of being holed up in a hotel across the street from the square and actually being able to see the violence between the protesting students and citizens, and the soldiers of the People’s Liberation Army. When she describes bodies falling from gunshot wounds, people being squashed by tanks, and the bullets ricocheting off their hotel walls, it produces multiple senses of horror, sorrow, and absolute terror. She further hammers this point across by displaying two images taken from the scene (245). The first is of a PLA platoon leader who was beaten, set afire, disemboweled, and to add further insult, positioned so that he would serve as an example of what the proletariats were capable of. The second, was of PLA soldiers examining the destruction of Tiananmen Square after they seized the square. Smoke and debris from the protestors are widely prevalent, and the image was even used in a propaganda brochure for the government.

The majority of the book looks deep into Mao’s Cultural Revolution, the main focus was Mao’s campaign was created with the simple means to destroy China’s history of hopes of a free and pure culture that would separate itself from the old Chinese culture which existed before during 1949. We will mainly focus on Liang’s treacherous life, and the obstacles he endured in spite of Mao’s Cultural Revolution, we look at the different events in which led up to the Cultural Revolution and the purpose of Mao’s culture Revolution.

Mao’s Cultural Revolution was an attempt to create a new culture for China. Through education reforms and readjustments, Mao hoped to create a new generation of Chinese people - a generation of mindless Communists. By eliminating intellectuals via the Down to the Countryside movement, Mao hoped to eliminate elements of traditional Chinese culture and create a new form Chinese culture. He knew that dumbing down the masses would give him more power so his regime would be more stable. This dramatic reform affected youth especially as they were targeted by Mao’s propaganda and influence. Drawing from his experiences as an Educated Youth who was sent down to the countryside Down to the Countryside movement, Ah Cheng wrote The King of

“The Party: The Secret World Of China’s Communist Rulers,” by Richard McGregor is a book which provides detailed insight into the Communist Party of China, revealing many of the secret underpinnings of how the party is run, and explores the question of how they have continued to stay in power for so long. While other strong socialist powers, such as the Soviet Union and Eastern Germany, fell at the end of the 20th century, the CPC was able to stay in control and ultimately come out of that period even stronger. In McGregor’s own words “the party picked itself up off the ground, reconstituted its armor and reinforced its flank. Somehow, it has outlasted, outsmarted, outperformed, or simply outlawed its critics, flummoxing the pundits who have predicted its demise at numerous junctures.” Instead of letting its own ideologies weaken its power, the CPC has continually adapted and transformed its policies and goals in order to maintain their stronghold over the nation. Through his impressive list of Chinese scholars and political contacts, McGregor is able to lay out the fundamental workings inside the Chinese government and the impressive actions they’ve taken to remain such a powerful organization.

Zhao Dingxin claims that “The country quickly acquired a level of political freedom and economic affluence that it could not even have dreamed of during Mao’s era” (42). People enjoyed not only a convenient life with color televisions or refrigerators but also the sudden influx of Western culture. However, the rapid growth of Chinese economy also led to inflation, corruption, embezzlement, economic crimes and increased the difference between the rich and the poor. On the other hand, the intensive absorption of Western literature and popular culture trends (such as pop music, movie stars, jeans, brand names or disco dance) created “social fevers” in Chinese society. Having the chance to approach the Democracy ideology, Chinese reexamined the values they had always respected. They questioned the ideality of Socialism and Communism, they wanted to have democracy as other Western countries and they realized the over-domination of the communist state. As it was stated in the March 1989 report of the Central Committee of the Communist Youth League, the youth thought “Marxism is outdated, others that China has the worst record of democracy even among socialist countries” (Zhang 18). They hungered for Capitalism and Westernization and they wanted an absolute change in the way the Chinese state ruled the nation.

Lu Xun’s short story “Diary of a Madman” marks the birth of modernism in Chinese literature and is the earliest literature works written in modern vernacular Chinese during the May Fourth period. Modeled after Nikolay Gogol’s story with similar title, the story condemns the old traditional Confucian values that have long persisted in the Chinese society; portrayed by the madman in the story that sees it as a ‘man-eating’ society. Lu Xun despises the idea of a society who adheres to the tradition blindly and calls for a change of strengthening. Lu Xun is considered as China’s greatest modern writer and many of his works spurred his fellow intellectuals into shaping China during the revolutionary period. As such, Mao Zedong is a lifelong

China has been a communist country since the communist revolution took place in 1949, since then China has been ruled by the dictator Mao Tse-Tung. However the Chinese dictator died in September 1976, he was hailed abroad as one of the worlds’ great leaders. Certainly one of the more impressive aspects of the Chinese communist government, has been the willingness of the people to protest against it (3, pg. 4).