Summary Of Lusus Naturae

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In “The Birthmark”, a short story by Nathanial Hawthorne, the use of the archetypal conflict Nature vs. Science, the character of Damsel in Distress, and the symbol of the Incurable Wound show how easily beauty is overlooked in the endeavor for perfection.

In a time never given, a young girl suffers from Porphyria, and goes through a journey of self-discovery and acceptance in the short story, Lusus Naturae by Margaret Atwood. The reader never learns the narrator's name, and she is only known as Lusus Naturae, which translates into freak of nature. Diagnosed by a foreign doctor, the young girl seems to be forever cursed and becomes a burden to her family and shame to her village. Throughout the story, Atwood uses different forms of figurative language-such as symbolism and irony- and the first person narrative to portray the theme of how self-discovery can be an independent, and lifelong journey.

During a time never directly stated, a young girl suffers from Porphyria and goes through a journey of self-discovery and acceptance in the short story, “Lusus Naturae” by Margaret Atwood. The reader never learns the narrator's name, and she is only known as Lusus Naturae, or “freak of nature” (Atwood p.263). Diagnosed by a foreign doctor, the young girl seems to be forever cursed and becomes a burden to her family and shame to her village. The narrator guides the reader along her life and adventures after the falsifying of her death, and the peregrination of being alone and acceptance of her fate. Throughout it, Atwood uses different elements of figurative language-including symbolism and irony- and the first-person narrative. A theme of how self-discovery can be an independent, and lifelong journey can be inferred because of these.

From this moment on, every acceptable quality she has will mean absolutely nothing to her. As long as she has her big nose and her two thick legs, that is all she will see herself as wholly. This leads her to thinking about permanently removing her unwanted flaws. She believes that if she removes her flaws, she will finally be accepted by society. In both stories, the reader interprets that both the woman and the young girl have specific qualities that someone in their lives has pointed out as flaws. The opinions of these certain people obviously matter to both of them, so they eventually decide that they want their flaws removed for good.

In this essay, I will be while answering the questions from prompt one, “How and why does the protagonist's attitude toward her own situation change over the course of the story? How and why does she paradoxically become more alive and powerful after she “dies”?”, to complete Journal Assignment One. I will be discussing the short story by Margaret Atwood, titled “Lusus Naturae”.

In “The Birth-Mark” by Nathaniel Hawthorne and in Margaret Atwood’s “Lusus Naturae”, the theme of mortality and the theme of man vs. society are very apparent. Characters in both stories are ostracized by their family members because of their natural appearance. In “The Birth-Mark, Aylmer, views his wife Georgiana’s birthmark as a immense flaw in her beauty. He sees it as human imperfection and he tries to remove it and lower her self-esteem. In “Lusus Naturae”, the protagonist in the story (who is coincidently never named) is part of a family who does not accept her because of how her physical appearance looks like. The family's interpretation of the horrible ugly characters is what creates the struggle for the characters. Both stories suggest that degrading someone because of their physical appearance is unethical because most of the time they

Although she may be considered insane at the end of the story, I believe the narrator's freedom is a development of the sense of self-identity and a chance for her to begin to recreate a life of her own.

Women in today’s world use many scientific measures to look young, beautiful, and perfect. Some women even undergo surgeries to perfect their bodies. True natural beauty comes from within one’s self and not what is on the outside. While critics argue that Hawthorne’s “The Birth Mark,” “Dr. Heidegger’s Experiment,” and “Rappaccinni’s Daughter” stand as an overt commentary on nature vs. science, Hawthorne actually uses these works to explore personal familial connections.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Too often in this world does man attempt to perfect nature. Tampering with this sort of element most commonly leads to a disaster to come extent. Because man is never satisfied, he is constantly vying for perfection, regardless of the outcome. Such is the case in Nathaniel Hawthorne's short story, 'The Birthmark.' Aylmer's persistent attempt to perfect nature is the cause of Georgiana's demise and the affirmation that when man tampers with such a powerful component terrible things may occur.

In Angela Carter’s The Bloody Chamber, the theme of transformation appears throughout the short story cycle. The hero/heroine’s virginity acts as a source of strength that protects them from harm. Their lack of fear also saves them from death. Virginity acts as power of potentia, either literally or symbolically and results in a release of an observed transformative power. The bloody chamber serves a different symbolic purpose of transformation for Beauty in “The Courtship of Mr Lyon”, the heroine in “The Tiger’s Bride” and the Countess in “The Lady of the House of Love”. Each of these characters will embark on a journey that questions their selfhood in circumstances that are presented to them and ultimately each will go through a

begins to realize her self that she does not have to continue living her life in

Edith Wharton’s House of Mirth chronicles the tale of Lily Bart, a young socialite stuck at the crossroads of rejection her society to pursue her ambitions or relenting to societal expectations placed on her. In literature, naturalism, a philosophy that frequently overlaps with the theory of Social Darwinism, applies “scientific principles of objective observation to the study of human behavior and characters within the context of their surroundings” (“American Literary Naturalism” Twentieth-Century). In short, naturalistic novels explore the interactions between humans and their environment as the human tries to navigate it. House of Mirth is a naturalistic novel in that it explores Lily’s attempt to survive in her own cruel environment.

Do you fit into the standards of society? What do you see when you look in the mirror? Do you really know who you are? Margaret Atwood puts these questions at our feet in her short stories “Scarlet Ibis”, which is a work that shows a wealthy family on vacation and Christine, the mother and wife, thinks she is being looked at under a microscope by everyone around her and “Lusus Naturae”, which portrays a young girl that seemingly has a disease, Porphyria, but she could also be a vampire, she is kept at arms length with her family and others, only to be kept in seclusion, she is described as a “freak of nature”. What both of these stories have in common is societies expectations and views on what is “normal” and how the self- degrading reflections the characters see make them criticize and internalize who they are in catastrophic ways. Atwood masterfully uses characterization and symbolism to show the destructive standards that society has and those who stand on the outside attribute their lack of acceptance and identity on who they are and not to the outside world.