Summary Of Marxist Reading Of Octavia Butler's Dawn

Should Octavia E. Butler’s “Bloodchild” be classified as a slave story? The author claims that “Bloodchild” is not a tale of slavery, but rather a love story and a coming-of-age tale. Does “Bloochild” conform to the conventions of the slave stories, love stories, or coming-of-age tales with which you are familiar? What other classifications—in terms of literary genre, form, or mode—apply to “Bloodchild”?

Marxist literary criticism as defined by Peter Barry approaches a literary text through terms introduced in Karl Marx’ and Friedrich Engels’ Communist economic theory. Their jointly written text titled The Communist Manifesto called for a society with “state ownership on industry… rather than private ownership”. The social theory later became known as Marxism. As stated in Barry’s text, “The aim of Marxism is to bring about a classless society, based on the common ownership of the means of production, distribution, and exchange” (156). One of the theory’s main aspects looks to the “exploitation of one social class by another. The result leaves one class alienated.” Central to Marxism is a belief in its ability to change the material world, which it theorizes. According to Marxist theorists, only through conflicts between the bourgeoisie and the proletariat, can the status quo positively change (157).

Octavia Butler’s Dawn explores a world of the unknown after humans nearly destroy their kind along with Earth, causing an extraterrestrial species to intervene. The protagonist, Lilith, finds herself in a predicament as she is captured and locked in solidarity for a long. The extraterrestrial species that intervenes, Oankali, strip her of her clothes, mysteriously cut her and then tell her it is her role to mother a group of humans and prepare them for a return to Earth. In the novel Lilith is conflicted, she knows she has no control of her body and that humans have been “enslaved” by the Oankali but begins to trust and connect with them, especially Nikanj. Through the relationship of Lilith and Nikanj side by side with Humans and the Oankali, Octavia Butler explores the monstrous aspects of people and acts within the cultures.

Butler’s work majorly discuss problems of race, gender and power relations along with self-determination that she transfers from the human society within communities of the aliens, as well as vampires. On the contrary this essay, would present the in depth evaluation of separate forms as well as reasons about oppression, towards that protagonist within Fledgling has been exposed. On the contrary, this would show in which manner protagonist has been empowered along with therefore, showing resistance, change as well as future of equality (Stewart).

In Octavia Butler’s Dawn the idea of gender is deconstructed and reformed from the typical human’s definition. Often people do not consider the role of gender in society today. Usually the first thing one notices when meeting someone new is their gender or their presumed gender. However, there becomes a problem when the person whose gender we perceived identifies as a different gender. Butler forces the reader to examine how they judge and perceive gender. While the ooloi are actually “its” their personalities seem to imply a certain gender. The transgender community often brings up this issue because these assumptions of gender based on our judgments of what defines a male and what defines a female can skew how a transgender person is treated and addressed. In Chapter One of Gender Through the Prism of Difference by Anne Fausto-Sterling, the idea of expanding the number of genders based on one’s biological differences is examined through the five sexes theory. By now the concept of gender being defined solely by one’s biology has mostly been left in the past but the question remains of how do we truly define gender? How does being outside of the social norms that Michael Warner talks about cause us to feel shame when discussing our gender and our perceptions of gender? In this essay, I will argue that preconceived notions of gender create shame when a person’s own perception of their gender does not fit the social norms. This stigma around the limited and strict definitions

Authors of fiction often write about the human condition as a way to connect with a broad range of readers. Unlike factual textbooks, fiction gives characters feeling and emotion, allowing us to see the story behind the basic details. In many cases, readers gain a new perspective on a period of time by examining a fiction novel. In Kindred, by Octavia Butler, the near death experiences of Rufus Weylin transports a 20th century African American woman named Dana to the ante bellum South to experience exactly what it’s like to be a slave. Through her day-to-day life on the Weylin plantation, the reader begins to understand just how complex slavery is and how it affects both the slaves and the plantation owners; thus, giving new

In this paper, I will analyze the Marxist connections between Angela’s Ashes and a quote by Fyodor Dostoevsky. The memoir written by Frank McCourt, focuses on social class and economic issues endured by his family in America and Ireland. While analyzing McCourt’s memoir, I will pay attention to Marxist concepts including: alienation, religion, and revolution.

What he seems to be saying in this extraordinary novel is not only that the 1911 revolution has come to a dead end, but also (and more important) that, given man’s nature, Marxist solutions are facing the same blank wall. He proposes an existentialist way out, but his sense of courage is greater than his suggested submission to man’s apparent destiny. (Adams)

Mr. Butler represents capitalistic society taking advantage of the common people: Mr. Haskins and his family. After Mr. Haskins had worked towards purchasing the farm from Mr. Butler, he is met with resistance in the form of an unexpected price increase, to which he rebuts, “But you’ve done nothing to make it so. You hain’t added a cent. I put it all there myself, expectin’ to buy” (Garland 761). Garland, as if to emphasize the element of naturalism, writes, “Butler laughed” and has Butler respond to Mr. Haskins, “The law will sing another tune” (Garland 761).

Patricia Hill Collins’ piece, Defining Black Feminist Thought, sets out to do exactly that: to determine what Black Feminism is, who is a Black Feminist, and who can become a Black Feminist. While not always specifically stated, her argument and analysis arises from the historical context of the role of Black women in feminist and activist spaces, as well as the social reality of differing lived experiences of African American women from traditional white female feminists. Created in 1990, Collins’ work is well situated in the time period of Third Wave Feminist thinking, incorporating strong themes of the need for intersectionality and altering opinions within feminism, as well as proposing that multiple versions of feminism can be

In The Awakening, Kate Chopin creates a protagonist that clearly demonstrates a feminist. The protagonist, Edna Pontellier seeks more from life than what she is living and starts to refuse the standards of the society she lives in. Edna has many moments of awakening resulting in creating a new person for herself. She starts to see the life of freedom and individuality she wants to live. The Awakening encourages feminism as a way for women to obtain freedom and choose individuality over conformity. Chopin creates a feminist story that shows a transformation from an obedient “mother-woman” to a woman who is willing to sacrifice her old life to become independent and make an identity for herself.

The literary element of Marxist feminism focuses on the idea in which women are oppressed through capitalism and private property. Starting from the Harlem Renaissance the Hurston’s work focuses on issues presenting on the turmoil of African-Americans from American literature in the nineteenth century on. Zora Neal Hurston’s work entitled “Sweat” is a prime example of how culture is affected by its cultures standards of economic “base”. The story was published in 1926 during a time of trial and error considering the obstacles that faced many female authors at the time. Hurston’s story “Sweat” overlaps with her novel “Their Eyes are Watching God” which also supports the idea that culture

Johannes Hans Bertens identifies a description of Marxism in his work “Literary Theory: The Basics”, by inferring the idea of choice within our world is in fact an illusion and that we are much more limited by circumstance than we care to admit. He further eludes that, as we disillusion ourselves with false potential, then we ourselves are alienated from the world in which we live. This is evident within the novel when Nick states, “life is much more successfully looked at from a single window, after all”. The metaphor suggests naivety and arrogance within society, reminiscent of Bertens feelings, whilst further raising light to the fact that much of the

Reading a text through a Marxist lens can expose one to another layer of depth not initially seen by the average reader. Marxism is a methodology used to analyze class conflicts, especially in capitalism. In Marxist thought, the upper class, the bourgeoisie, is oppressing and using the working class, the proletariat, for their own profit. This strife between the classes will eventually lead to a revolution, bringing a socialist or communist economy. In Khaled Hosseini’s The Kite Runner, the main character, Amir, struggles with the issue of class, specifically when dealing with the son of his father’s servant, Hassan. Throughout the novel Marxist ideology can be applied but it’s especially relevant in Amir’s perception of Hassan and their

Being a single woman with a family to support in the 1930’s was not an easy job. Especially when society had so many chips stacked against them. Tillie Olsen’s “I stand Here Ironing” is a short story that addresses feminine social disorders and inequalities as well as economic disadvantages that people of lower circumstances have to overcome to survive. In the short story it is basically an autobiography of Tillie Olsen’s life told by the narrator (Emily’s mother). Throughout the story the narrator is reflecting the way she brought up her daughter during a depression and feminist era. She feels very regretful reflecting 19 years late because of the decisions she was forced to make because of the absence of Emily’s father. This story can be seen in a feminist perspective as well as a Marxist perspective; even though they are very different from one another both perspectives help interpret Tillie Olsen’s short story. The Marxist perspective helps illuminate Tillie Olsen’s “I stand Here Ironing” when the narrator explains how the capital system negatively affected Emily and her Family. In a feminist perspective the narrator describes her different encounters with men that abandoned her; causing her to have to take on a male dominated role. Because of the societal characteristic she had to take on it caused her to turn away from her daughter in order to survive.