Summary Of Mus�e Des Beaux Arts

Auden’s poem is a criticism of human perceptions and how we use them to detect, or suppress human suffering. In the first half of the poem Auden “compares versions of indifference by portraying youth and age, animals, and humans” (Shmoop, 2014). In the first few lines of the poem, Auden comments on the perceptions of the “Old Masters” and how they were never wrong in their discernment of suffering. He then compares the old masters perceptions to the perceptions of children and animals and how they are unaware of,

In this poem, the Indian Agent creates irony when he claims that he always understands the Indians. An example would be when the Indian Agent calls the old man lazy due to the fact that he doesn’t fix the fence. In reality, the old man appreciates the fence as it is because it has fallen in such a way that it reminds him of a sentence written in an old language. From this, we learn that it’s important for people in a position of authority to try their best to understand others before they exercise power over them. When a person attempts to make someone do something that is against their values, it can make them feel misunderstood and cause them to become resentful. Another example of how the Indian Agent creates irony is when he “steps all thru the milkweed and /

Ascher’s “On Compassion” offer readers a brief encounter with New York City’s citizens as they confront the less fortunate members of society- the homeless. She describes a young mother walking down the street with her baby in a stroller who becomes agitated upon seeing a homeless man walking

"Irony is a device that protects him (the artist) from the pain of his experience so that he may use it objectively in his art(Susquehanna. "New Critical")." In The Glass Menagerie, it is ironic how Tom speaks badly of his father and his leaving home but in the end he leaves home just like his father, the man "in love with long distances (Williams 30)''. The fact that Amanda wants what is best for her children is ironic because she worries so much over it that she doesn't realize what is best for them.

The story “The cask of Amontillado” by Edgar Allan Poe already starts with irony in the first sentence; “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge”. By using irony the author allows readers to have different interpretations of his story; for example Poe’s antagonist characters has the name of Fortunado. He is the one that is murdered in the end, thus demonstrating that he is not as fortunate as his name seems to indicate. Bella Wang and Amelia Tibbett exemplify this by saying, in her analysis of Poe’s story; “Poe gives the victim the name of Fortunato, which may mean "fortunate" in Italian, but adds an extra element of cynical humor to Fortunato 's jovial and unsuspecting character.” (Wang) and also “the word "luckily" also recalls the meaning of Fortunato 's name and is thus entirely unfitting for Fortunato 's fate.” (Wang). Moreover, in her analysis of the text, Amelia Tibbett confirms the fact that the reader has a kind of freedom in interoperating the story; Poe cleverly weaves this story so that he has perfect control over the narrative, all the while allowing the reader some freedom in their own interpretations. (Tibbett).

The use of ironic imagery discharges an emotive, personal tone which in turn persuades the reader to empathise with Hughes as he was "dumbfounded afresh" by Plath.

Astonishingly, 564,708 people are currently homeless in the United States, according to Social Solutions (Social Solutions, 2016). The topic, “Living Poor,” has only become much more apparent in the news and in everyday life. Two essays, On Compassion by Barbara Lazear Ascher and On Dumpster Diving by Lars Eighner, can be evaluated as discussing two different aspects of the homeless situation in America. After close reading, On Compassion more effectively achieves its purpose of defining compassion than On Dumpster Diving, which describes the wasteful nature of mankind.

The author of the story “Lamb to the Slaughter”, Roald Dahl, uses a significant amount of irony throughout the story. Dahl uses irony to make his story more appealing to the reader by keeping them engaged. An example of irony in the story is when Mary is six months pregnant and her husband expresses he is leaving her, so she murders him. The audience would have never seen this coming because the author expresses Mary’s feelings from the beginning of the story by saying, “She loved him for the way he sat loosely in a chair, for the way he came in the door or moved slowly across the room with long strides. She loved the intent, far look in his eyes when they rested on her, the funny shape of the mouth, and especially the way he remained silent about his tiredness, sitting still with himself until the whiskey had taken some of it away.” (Dahl 1-2). When Dahl shares Mary’s feelings, the reader concludes that Mary is an innocent, loving wife that truly loves her husband and would do absolutely anything for him. But when Mary murders him after he decides to leave, situational irony appears. This is an example of situational irony because the reader would never expect Mary to murder her husband, but the exact opposite occurs. Dahl also uses situational irony as an example of language. The language makes the story more intriguing and exciting. The situational irony is used in the story to shock the reader and to create the climax of the plot.

In dramatic Irony, occurs when the readers are aware about what is going to happen, but the characters do not have any clue about what is going on. In “The Black Cat”, the story begins with the main character sentenced to death, but with one story to tell. The Irony here is that he was not aware about how his life was going to change. In the beginning he is describing how happy was his childhood and how much he loved his pets. In the second paragraph of the story the main character describes his personality as a child in the first sentence “From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions” (3). He was a lovely child with an uncertain future. Another irony finds it on the story is how he describes the fidelity and love that the man can own “There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man” (3-4). When the story is progressing he is transforming to a violent man without any act of compassion towards his faithful pet, which actually represented faithfulness. He is represented himself as a child with a lovely personality, but he is not aware that the lovely child was going to transform in an alcoholic man with a violent personality willing to kill mercilessly.

William Golding, the author of Lord of the Flies, used irony to tell his story of a group of young British boys stranded on a deserted island. The readers can clearly spot the irony in the dialogue and Ralph, one of the main character, is also aware of the irony in his situation. The irony in the novel forces the readers to step aside and think about the hidden meanings the author is trying to express.

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

An example of irony is when Gilgamesh meets up with Utnapishtim, everyone is town is aware and knows more than he does about death, including his wife. Another illustration of figurative language that conveys mood is imagery. An example of imagery in the story is when Enkidu is imagining his dream to Gilgamesh and describes details of mountains, fire, the bird (Anzu) and a bull that he saw in his dream. “(In my dream) Anu, Enlil, and Shamash held a council, and Anu spoke to Enlil: 'Because they killed the Bull of Heaven and have also slain Humbaba, the one of them who pulled up the Cedar of the Mountain must die!' Enlil said: ‘Let Enkidu die, but Gilgamesh must not die! ‘

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

Dramatic irony is a valuable tool used by writers in literary works in order to engage the audience in the works and to add a level complexity to the characters. Dramatic irony is understood by the audience, but not the characters. With this particular type of irony, the writer makes the audience more involved and they are able to empathize more with the characters in the works. Although the character may be heavily disliked, dramatic irony can cause the viewer to feel a sense of empathy as though they were in the same situation. With this technique, the character may also seem more real and relatable. And more often than not, when dramatic irony is used, the viewer will be put in a position of helplessness. In A Doll House, Ibsen takes advantage of this technique and utilizes heavy amounts of dramatic irony with his characters, especially Torvald, in order to engross the audience and also to place the audience in a position where they are hopeless, which could

One of the most ironic poems is “War is Kind”. The title is ironic since war is not kind. “Point for them the virtue of slaughter,/Make plain to them the excellence of killing/And a field where a thousand corpses lie” (War is kind 20-22) Virtue is suppose to be this pure, innocent thing. It’s not supposed to be slaughtering something. How is a “a field where a thousand corpses lie” kind nobody would ever want that.