Summary Of Ophelia In Shakespeare's Hamlet

In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

The play Hamlet, by William Shakespeare, looks at the issue of madness and how it effects the characters of the play. Madness can be looked at from very different perspectives, such as strong and uncontrollable emotions, a person’s desires, and also a persons mental stability. Throughout the play, the audience is questioning the sanity of the main character, Hamlet, as he goes on his quest for revenge. The people around him also show signs of madness, such as Ophelia and Claudius, but in different forms. Existentialist philosopher Friedrich Nietzche says, “There is always some madness in love. But there is also some reason in madness.” What Nietzche is saying is that when you are in love with someone or something, there is always a little

Denmark is in a state of chaos shown by the opening death of the true

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

Shakespeare places many interesting characters in his plays. Claudius, Polonius, Marcellus, and Reynaldo are a few from his play The Tragedy of Hamlet, Prince of Denmark. However, Ophelia appears to be the most innocent all throughout the play. This character has either indirectly or directly affected the lives of every main characters in the script. Ophelia’s character is portrayed as obedient, maidenly, and a mad young girl.

     From the beginning of the play, in Act I Scene iii, Laertes and Polonius are trying to convince her that Hamlet does not love her and only is interested in her so he can sleep with her. Laertes says "Perhaps he loves you now, ...... His greatness weighed, his will is not his own." He is telling Ophelia that she is likely to have her heart broken because of Hamlet's high birth. He may not be able to choose who he marries, so although he

Hamlet knows that she is helping her dad, Polonius, spy on him. He accuses Ophelia, and all women, of being a “breeder of sinners” (Shmoop Editorial Team 1). Hamlet orders Ophelia to a nunnery, but she cannot call him out on it because she is not supposed to know what the word means. This is not the only criticism that Hamlet calls out to Ophelia. He says that if Ophelia is to marry a man, she will turn her husband into a monster because she will cheat on him (Shmoop Editorial Team 1). Hamlet: “If thou dost marry, I’ll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, farewell. Or, if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell” (3.1.130-134).

   The main plot of Shakespeare's Hamlet centers around Prince Hamlet's desire to repay King Claudius for his evil deeds. Around this central action revolve the stories concerning the minor characters of Polonius and Ophelia. Though they do not motivate Hamlet's actions towards the King, these characters act as forces upon Hamlet himself, trying to spur him to do things he does not want to do. Both Polonius and Ophelia try, unsuccessfully, to manipulate Hamlet into a place of inferiority.

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.

   Michael Pennington in “Ophelia: Madness Her Only Safe Haven,” elucidates the character of Ophelia in Shakespeare’s tragedy, Hamlet:

To begin with, Ophelia is a character from the Shakespeare classic Hamlet. She is perceived as a young woman who is kind hearted and obedient towards the male characters within the story. These characteristics cause her to be seen as the victim of the male characters who revolve around the story of Hamlet.

When Polonius and Claudius decide to test Hamlet’s madness through Ophelia, he confesses he once loved her; only to immediately contradict himself claiming her never loved her. Fuelled by his detestation of sinful mankind and his low opinion of women in general as a result of his mother’s incest, he furthermore repeatedly orders Ophelia to “Go [her] ways to a nunnery”. More crudeness on Hamlet’s behalf is shown during the play-in-play, when he tortures Ophelia with a series of rude sexual comments.

Love is different for each and every individual. It is so powerful that people cry, suffer pain, or even risk their lives to save it. But there are other kinds of love: elusive love, tortured love, or even the love that you feel for someone but cannot embrace it for fear of other, larger events. It is that kind of love that seems to be the most prevalent in William Shakespeare’s Hamlet, especially when it comes to Hamlet’s relationship with Ophelia, the daughter of King Claudius’s advisor, the ever forgetful and meddling Polonius. The love that Hamlet claimed he had for Ophelia was not only fabricated, but unhealthy, which untimely led to her death.