Imagine believing a fantasy only to be faced with a harsh reality. In Pico Iyer’s Essay, Where World Collide, Iyer depicts multiple bustling scenes he witnesses at the Los Angeles International Airport (LAX). Through his interactions, his observations of travelers at the airport, and his own perceptions based on his viewpoint as an immigrant traveling to a land often fantasized about, Iyer makes several assertions about Los Angeles. Through diction, juxtapositions, humor, and anecdotes in his essay, Iyer demonstrates that Los Angeles is not some wonderful fantasy that many believe it to be; but that it is instead representative of the cultural melting pot that is the world. Iyer begins the piece on a rather vague note. He introduces the essay in third person referring to “they”. Although this “they” is not revealed until further paragraphs, through his descriptions of places and concepts related to Los Angeles, such as the Dodgers, Disneyland, or airport shuttles, the reader soon can conclude that this “they” are travelers and they are at no other than LAX. Through his use of third person Iyer helps to show multiple perspectives of how coming to Los Angeles may be. In each of these perspectives he highlights the enthusiasm of these travelers thus helping to strengthen his assertion that to many newcomers, Los Angeles is often a fantasy. He also introduces the concept of Los Angeles being like a dream to immigrants and tourists through his use of diction when referencing Los
“Where Worlds Collide” is an essay by Pico Iyer who talks about the expectations and reality of Los Angeles through the perspectives of travelers from different backgrounds. In “Where Worlds Collide,” Pico Iyer argues that even though Los Angeles is depicted as a vicinity to receive wealth, happiness, and many opportunities- it is actually the antithesis, and instead, many harsh prejudice and unending craziness will occur instead; Iyer argues this by using allusions, anaphoras, and juxtapositions to help convey what he is saying.
Author, Pablo Medina, in his reflective memoir, “Arrival: 1960” illustrates his transition from Cuba to New York as a young boy. Medina describes how his first impressions differed from what he thought he would encounter. He faced new challenges, involving his race, that never occurred back in Cuba. By reflecting on this experience in a first person point of view, Medina depicts the disappointment that he and other immigrants face while adapting to their new world.
“The Arrival,” by Shaun Tan, is a wordless novel that depicts the experience immigrants go through when vacating their home countries to start new in a different country. Readers can see that on the first page there is a collage of headshots from multiple people of different ethnicity and religion. The first image page of the wordless novel helps viewers get a clearer image of what the novel is about. In “The Arrival,” Shaun Tan depicts the hardships and enjoyment that immigrants experience when moving to a new country, since the piece was written in 2006, there seems to be more hardships than enjoyment when coming to the United States, which means the idea of the United States being a melting pot is flawed.
First of all, the setting of this novel contributes to the Rivera family’s overall perception of what it means to be an American. To start this off, the author chooses a small American city where groups of Latino immigrants with their own language and traditions, lived together in the same apartment building. All these immigrants experienced similar problems since they moved from their countries. For example, in the novel after every other chapter the author
Every immigrant has a personal story, pains and joys, fears and victories, and Junot Díaz portrays much of his own story of immigrant life in “Drown”, a collection of 10 short stories. In each of his stories Diaz uses a first-person narrator who is observing others to speak on issues in the Hispanic community. Each story is related, but is a separate picture, each with its own title. The novel does not follow a traditional story arc but rather each story captures a moment in time. Diaz tells of the barrios of the Dominican Republic and the struggling urban communities of New Jersey.
This characterization gives a bigger meaning to the dangerous journey taken by immigrants to cross these socially constructed borders and brings meaning to immigrants as people, and not just as objects. The film shows the landscape of Honduras, people working in the fields, how children learn in school, soccer playing as a pastime and other visual occurrences that expose the viewer to the daily life of a Honduran citizen. The personification of Yohan being from Honduras, being father of three kids, a husband, a son, and a worker in his community, shows that his identity does not just amount to one negative connotation that is perceived out of ignorance and xenophobic principles. With Yohan as a real-life example, it motivates individuals to see that migrants expose themselves to dangers because of their family and goals. Yohan is not just a number or a name, but a person with a dream and a background—which provides a further representation of immigrants as people. This depiction gives immigrants a contextual background, gives them an identity through their “homeland.”
While today Los Angeles is prided on being one of the most diverse cities in the United States, there was (and still is) a tremendous amount of resistance that had to be overcome. Society’s inclination to maintain homogeneity along with the testing of loyalties and allegiance through pressures of war have proven great obstacles in the evolution of what is now a majority-minority city. Nina Revoyr’s Southland gives a historic fictional recount of Los Angeles’ most tested times from perspectives looking in to the past, present, and future. The discovery of unpleasant truths through grave social injustices provide a painful reminder of Los Angeles’ history and consequently a warning for future setbacks. Southland is an emotional testament to the inescapability of discrimination within stratified cities and the unspoken necessity of assimilation that occurs as a result.
The class conflict between the poverty- stricken migrants and the settled, assured business occupied Californians make for a powerful analysis
Throughout life, every individual must face obstacles; some more difficult than others. In the story “The Trip” by Laila Lalami, poem “Exile” by Julia Alvarez, and article “Outlaw: My Life as an Undocumented Immigrant” by Jose Antonio Vargas, there is a main character who has to face many challenges because of the fact that they’re immigrants. In all three texts, it is evident that being an immigrant has many affects on their lives. However, this label and the obstacles that come with it didn’t stop each character from pushing forward.
"Love in L.A.," written by Dagoberto Gilb, is a story full of irony and multiple themes. The story is set in Hollywood during the summer time. Written in third person objective, "Love in L.A." guides the reader along through the story as opposed to an omniscient point of view.
A story is most powerful when it inspires the reader to believe that reading the story is “necessary”. In our textbook, there are three stories that hold true to this idea and follow the “Between Worlds” theme. These stories are, “A Cab Drivers Daughter” by Waheeda Samady, “Three Ways of Meeting Oppression” by Martin Luther King Jr., and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates. In “A Cab Drivers Daughter” a Pediatrician examines her life and the life of her father; she notes all the stereotypes and negativity that surrounds an immigrant driving a cab. This story shines light on the generation gap and cultural beliefs. Secondly, “Three Ways of Meeting Oppression” is the explanation behind the ideology of the
In the story “Four Stations in His Circle”, Austin Clarke reveals the negative influences that immigration can have on people through characterization of the main character, symbols such as the house that Jefferson dreams to buy and the time and place where the story takes place. The author demonstrates how immigration can transform someone to the point that they abandon their old culture, family and friends and remain only with their loneliness and selfishness.
Los Angeles was the first product off the assembly line of American urban planning. Turned on in the late 19th century, the city-making machine was fueled by an immense immigration of people who sought to create a new type of city out of the previously quaint pueblo. They also strove to craft the first major city developed primarily by Americans and outside of European archetypes. As a result, Los Angles is not only incredibly diverse, but also nearly impossible to define. Since it is a product of the American machine, understanding the community of Los Angeles becomes vital to understanding the United States. But to fully comprehend the present Los Angeles, one must look at the process that created it. Specifically, Los Angeles was
Fuentes spent much of his own childhood in other countries, imagining his native country rather than experiencing it for himself. On his return to Mexico, he faced a reality much different to what he had expected from his dreams and preconceptions. At the time, the country was in the midst of ‘El Milagro Mexicano’, in which Mexico was going through a significant period of economic growth and social reforms. As a result, much of the population chose to move to the now industrialised cities in place of rural towns. This historical evidence is evident from the outset of Aura, as even though the population was growing in modern Mexican cities, this also created a feeling of isolation and a loss of community amongst the large crowds.
New York City that is depicted in Taxi Driver seems to be too real to be true. It is a place where violence runs rampant, drugs are cheap, and sex is easy. This world may be all too familiar to many that live in major metropolitan areas. But, in the film there is something interesting, and vibrant about the streets that Travis Bickle drives alone, despite the amount of danger and turmoil that overshadows everything in the nights of the city. In the film “Taxi Driver” director Martin Scorsese and writer Paul Schrader find and express a trial that many people face, the search for belonging and acceptance.