Summary Of Roselily

Perhaps the most important event in the story occurs when Sykes brings home a huge six-foot living snake. Fear once again overcomes Delia and she pleads, “Syke! Syke, mah Gawd! You take dat rattlesnake ‘way from heah! You gottuh. Oh, Jesus, have mussy” (360). Sykes, on the other hand, stands in amusement almost as if he loves to see Delia psychologically abused. His cockiness unravels as he acts like he is invincible and like anyone and anything should and will comply with him. In regards to the enormous snake, Sykes boasts, “…He wouldn’t bite me cause Ah knows how tuh handel ‘im” (360). He makes sure to instill fear into Delia by telling her to be careful because the snake would have no problem coming after her. Hurston also has Sykes portray his own death. In this same scene, Sykes’ reply to

Missie May was slowly regaining the position she once held in the relationship. In "Sweat," the power dynamics started off a bit differently. Sykes seem to have all the power in the household, as he did come and go as he pleased and beat Delia considerably. Hurston begins "Sweat" by illustrating Sykes' dominance over Delia. Delia is in a submissive position on her knees while Sykes is towering over with a whip. Delia is frightened because she believes the whip to be a snake. The whip is described as "something long, round, limp, and black"(Sweat 1491) which creates the illusion of a penis. Delia's feeling for the one-eyed snake, the whip, equates to her sexual desires to Sykes. But throughout the story, time and time again, Delia attempts to grasp some power. When her house becomes threatened, she stands up to Sykes. This is such a surprise to him that he doesn't beat her as he usually would, he instead leaves. The story does leave one wondering how much power Sykes really has in the town. He parades around town with his mistress. He beats on his wife and tries to woo every woman he sees. These are all points brought up by the townspeople themselves as they complain about him. They even talk about killing the man, but they continur to remain at a distance and watch everything he does. Can one really argue that Sykes isn't powerful in a town that allows him to do whatever he wants? But this power is, indeed,

     As she lies on her bed, Delia gains a moment of comfort, and a getaway from her great disdain. She is able to create a spiritual barrier from the mistreatments she receives from her unscrupulous husband. The bed is her Eden, her only resource for relaxation and a content being. Even the hamper in the bedroom is the only group of clothing that is considered neat and tidy, representing the cleanliness of the room. Everywhere else in the house, Sykes would step on and trample over the clothing Delia had to clean. He had no respect for his wife and her work. The bedroom used to be the only place that hadn’t been defiled by Sykes, until he slept with Bertha in it. Knowing of this travesty brings Delia over the edge.

Sykes personality is totally different than Delia’s. Sykes Jones is physically and emotionally cruel to Delia. He is immoral and unfaithful; furthermore he takes the money that is earned from Delia's tough labor and squanders it away on his mistress, Bertha. Whereas Sykes may be strong in body, he does not have any belief in God. Sykes in a sense can be compared to the devil because like the devil he drained Delia of her beauty, joy and happiness that she once possessed. This point is brought up in the story when Joe Clarke and the village men are talking about Delia and Sykes ” …But dey squeeze an’ grind an’ wring every drop uh pleasure dat’s in ‘em out” (443). According to Davis Masson, who wrote, Essays Biographical and Critical “All sadness and melancholy come from the devil” (86). Once their marriage starts to fall apart, Sykes uses Delia’s anxiety of snakes against her. Andre’ Ménez, who wrote The Subtle Beast, states, “Being sometimes poisonous, hidden in the shadows; slowly and mutely guiding, snakes have often been deemed powerful and shifty, evil creatures whose major aim was to frustrate the natural and proper development of life” (9).

Depending on who is speaking at the time, the tone of “Sweat” seems either one of anger and frustration, one of hope and determination, or one of sadness and despair. When Sykes speaks the tone is angry and evil because almost everything that comes out of his mouth is negative. In comparison, When Delia speaks the tone rings more of peace, hope, and determination. When the narrator chimes in the tone seems sad because he/she informs the reader of the upsetting truths about Delia’s marriage and the many hardships she has had to face throughout the story.

Above all the evilness from Sykes, Delia’s strength lies in her religion and her humility towards her husband, in the end, victorious over his brutal strength and attitude. In the beginning of the story, Delia was very tolerant of her husband’s pranks and malicious threats. Being strong towards her religion, she would still attend church every Sunday and pray every night before she goes to bed. Towards the end of the story, Delia’s tolerance towards Syke’s actions begins to change and she becomes more aggressive towards him. She starts talking back to him and draws an iron skillet and strikes a defensive pose, which Sykes is in shock, coming from her. Also towards the end of the story, Sykes lets loose a poisonous snake knowing Delia is afraid of them. Delia then sees the snake in her basket and leaves it loose for Sykes. At the end, thanks to karma, the snake bites Sykes on the neck and Delia refused to help while he is dying.

In Alice Walker’s Roselily, our main character (Roselily) is a mother of three residing in Mississippi. She questions her actions to marry a man of a different religion, but knows that the marriage will give her a (limited) sense of freedom, and will give her children an opportunity to lead better lives. The story’s central idea reveals that sometimes the love and concern for others can lead to the sacrifice of one’s own happiness.

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

The authors of both stories wrote their stories, either accidentally or on purpose, with the undertones of feminism, hoping to expose the unequal treatment and expectations of females to males. Both stories challenged the stereotypical roles of females, and in both, the females ended up being the one in power of their own destinies and overcame the rule of their dominant male counterpart.

In reading the story it is easy to see that Sykes becomes somewhat jealous of Delia. At first, he did all that he could to win Delia’s heart and keep it. As said by Walter Thomas, one of the minor characters in the story, “he useter be so skeered uh losin’ huh, she could make him do some parts of a husband’s duty” (Hurston 4). Yet somehow, Sykes falls out of love with Delia early in their marriage and that’s when his oppression over her began. He not only wears her down by beating her and ultimately changing her appearance, he also abuses her mentally. He resented not only the fact that Delia was the only one of the two that was financially stable within the household, but he mostly resented her job and the reality that she was comfortable with washing clothes for the “white folks”. Time and time again he tried everything in his power to make sure she didn’t finish her days work as a wash woman. For example he shows his disgust with her job when he comes home in the beginning of the story an sees his wife working, “he stepped roughly upon the whitest pile of things, kicking them helter-skelter as he crossed the room” (Hurston). He blatantly disrespects her and sends the message that no matter what he

Although this angers Delia to hear, she simply reminds Sykes that she spends all of her time supporting them, and has done nothing but work, sweat, and pray for the fifteen years that she had been married to him. Delia eventually tells Sykes “Dat’s de reason Ah got mah letter from de church an’ moved mah membership to tuh Woodbridge – so Ah don’t haftuh take no sacrament wid yuh” (Hurston 569). Before she falls asleep that night, she reflects on the events of the evening, and finds some peace through her faith that Sykes would eventually get what is coming to him when she says aloud “Oh well, whatever goes over the Devil’s back, is got to come under his belly” (Hurston 565). It is also important to note that rather than give Sykes exactly what he has coming to him, Delia’s beliefs, both moral and religious, prevent her from taking action because she trusts that eventually God will take care of Sykes for the wrong he has done. We can see a bit of foreshadowing as to the fate of Sykes in the story when he assures everyone he is a snake charmer and can charm the deadly diamondback and says “Ah’m a snake charmer an’ knows how to handle ‘em. Shux, dat ain’t nothin’” (Hurston 568).

This annotated bibliography is designed to give the readers comprehensive understand of how the theme of feminism is manifested in William Faulkner short story A Rose for Emily. The information gathered about the story was mainly taken from scholarly journals and credible internet sources. The information gathered on the primary text gives and in-depth and critical look on the topic feminism. Through ongoing secondary research literary critics have a wide interpretations of the primary sources. In relation to the topic feminism, literary critics say that feminism can be seen in the story. Issues that literary critics emphases on are the reason behind the feminism theme. Some say it is because of the author personality, while others say it is just the writer expressing what he sees around him during the time that the story was written. These interpretation by literary critics have influenced me not only to look at the words in story but also to look at the author. Further research on the author would be useful, which will give me a full understand of who he is and what was going on when the story was written.

Weeks later Delia comes home to find Sykes already there, standing in the doorway. As she attempts to walk through the door,

The snake in the story symbolizes evil which portrays domestic violence. Sykes tried getting rid of Delia so he could go and be with Bertha, his mistress. He knew how afraid Delia was of snakes so he decided to bring one home. “Then, moved by both horror and terror, she sprang back toward the door. There lay the snake in the basket!” (Hurston 8). He really wanted the snake to bite Delia so he could get rid of her. Leaving the snake in the basket where he knew was the easiest place for it to bite her. Sykes knew that the snake would bite her. He was pure evil. The snake however did not bite Delia but it bit Sykes. “He crept an inch or two toward

The symbolism that is apparent in this story is the snake. Delia is terrified of snakes and her husband Sykes loves to tease her about her fear of snakes (Hurston, 1926). In the beginning of the story, while Delia is sorting clothes Sykes throws his big bull whip on her and she is terrified until she notices what it is (Hurston, 1926). Irony is shown in the story because even though Sykes brings the rattlesnake home to scare Delia off, it ends up killing him in the end (Hurston, 1926). The reader can also see the literary element of figurative language being used when Delia gets fed up with Sykes having the rattlesnake at their house and she begins to let him know how fed up she is of him: “Yo’ ole black hide don’t look lak nothin’ tuh me, but uh passle uh wrinkled up rubber, wid yo’ big ole yeahs flappin’ on each side lak uh paih uh buzzard wings (Hurston, 1926, para.49). Although the above example may be hard to read, it is a great example of similes being used in this short story.