Summary Of ' Temporary Love ' And Angie Chau 's Quiet As They Come

Sexual drives are the basis of human behaviour because the goal of most humans is to find a sexual partner for comfort and reproduction. When the narrator visits his lover’s grave, he reminisces about the times with his lover and is overwhelmed by grief. The narrator longs to be loved as he says, “Then I saw it was getting dark, and a strange, mad wish, the wish of a despairing lover, seized me” (Maupassant 151). The loss of his lover penetrates his mental anguish as it is human nature to desire to be loved. Thus, he is greatly affected by the loss of his sexual partner, as sexual drives often dictate behaviour.

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Consciously, the woman communicates that she yearns for her lover, yearns to engage in sexual intercourse with him. Subconsciously, however, the need to “bear” her partner’s “weight” indicates that there is a burden attached to her expectations surrounding this engagement. This specific word choice takes the passion out of the erotic, so much so that the psychoanalytic interpreter is left to wonder why this woman is actively pursuing something that she clearly does not enjoy. To draw upon the developing thesis, the answer is that she does so in order to avoid acknowledging her repressed sexuality. In this way, the lover is not a ‘lover’ in the romantic sense of the word, but rather a sexual object. He is an objectified prop manipulated in order to fulfill

He incorporates the analytical side and issue between the human interaction to develop diction. In this essay, Berry repeatedly repeats the phrase, “I will love you forever” (para 22) and the words “marriages,friendships, kinships, and neighborhoods” which causes an emphasis on how Berry wants us, the reader to relate and understand the life between both men and women. Berry explains how men and women start to distance themselves from each other in which what they say as in “ I love you” and “Forever” have no meaning. It is easy to say through a text but it is rare to say it in that person's face. Humans have left the old romantic tradition, and now words seem to have no meaning in which we doubt our partner. This leads Berry to identify the structure between the cause and effect between the relationship between men and women. The cause and effect transition when he states “it may explode because of the pressure inside it”( para 17) meaning that there comes a certain point in the relationship where insecurities and question will arise which ties to the stereotype which leads into competition. “What one person can do another person can do just as well or a new person can do better” (para 18) demonstrates the repetition of the word “person” which is used to target and bring the understanding that we are all the same which leads us to become strong individuals, which leads to a sense of competition with one another to turn

In “Sex, Lies and Conversation” Deborah Tannen argues that the problems of men and women in marriage are caused by a misunderstanding rather than lack of communication. Throughout the passage she discusses theses misunderstandings and reveals the solution to the problem.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Relationships can be like a pack of wolves. There is an alpha and an omega, always a type of power structure. Jane Kenyon explores about this in her poem with the different roles the male and female take within in their relationship. She reveals how a power shift come about and the way in which each person in the relationship acts to accommodate it. “Surprise” In her poem “Surprise”, Jane Kenyon uses yonic and phallic symbols, regression, and the double to reveal the power dynamics within the relationship.

People cheat, lie, undermine, and backstab all the time. People fall in and out of love constantly in a rapidly changing world. In Ray Bradbury’s “utopian” future world, marriage is almost the same. When Montag is trying to remember where and when he met Mildred, he can not, ““I don’t know,” she said. He was cold. “Can’t you remember.”” (40 Bradbury). This sudden revelation of his former blindness in his marriage comes from the attainment of knowledge, without knowledge marriage isn’t marriage. Knowledge is the true power in marriage, it keeps people together because when you have the capacity to think you have the ability to feel for another, which is necessary for a healthy relationship. This necessary factor of love is completely absent in this dystopian

Using the interrelated concepts of ego psychology, object relations, and psychosexual theory to analysis the psychodynamic perspective of the Lee’s experiences will establish insight on their behavior. The concepts that are associated with these theories provide a holistic understanding of the psychodynamic perspective through the Lee’s emotions or cognitive reaction to get Lia back from foster care. In addition, the perspective examines Lia’s attachment and relationship with her family, and the internal and external cultural demands they were facing. Therefore, being able to analysis those experiences is why the psychodynamic perspective is important for this

The lack of control women have in a society mainly controlled by men is presented through the author’s effective use of anecdote. In the beginning, when the speaker introduces the audience to her relationship, in which her partner takes lead in day-to-day activities, the audience immediately get an insight into the lack of power women receive with the author’s use of anecdote. The speaker is quick to tell the readers about her“[h]olding the log / while he sawed it. Holding / the strings while he measured” (Atwood lines 1-3). Atwood employs anecdote as the speaker’s explanation of helping her partner out in everyday activities is presented to the reader in forms of an account of an event in the speaker’s life. This forms a greater insight for the reader, as the anecdote creates an understanding of the way the actions in day-to-day activities men and women take when together, women are appointed smaller tasks within a society, which is dominated by men, whereas men are the driving force and do the important parts of the activities. Furthermore, when the speaker describes herself sitting in

Despite revealing the inequality in society for women, Margaret tries to put an end to the inequality between men and women by describing marriages where both partners are mutually respected. For example, she feels that the ideal marriage is “one of mutual esteem, mutual dependence. Their talk is of business, their affection shows itself by practical kindness” (739). Fuller believes that “mutual esteem” and “mutual dependence” lead to a relationship of equality between a man and woman. She also believes that the couple must not only have mutuality but “affection” in order to maintain equality. In addition, she feels marriages of mutuality and mutuality and affection “meet mind to mind, and a mutual trust is excited, which can buckler them against a million” (742). The author uses this passage to show that

The poem, “sex without love” by Sharon Olds portrays the issues in the society today. Casual sex is on the rise and Olds is puzzled how one can have sex without loving the other partner. She states, “How do they do it, the ones who make love without sex?” (Line 1). She, however, describes sex with beautiful imagery of dancers, making it appealing but the eventual feeling of loneliness is inevitable. Olds choice of words, imagery, and symbolism throughout her texts is contrasting; sex without love is possible but is exemplified as a selfish empty act if love is absent.

Watch the classical film Grease and one can understand how relationships function in Western Society. The film tells a story of a boy (Danny) and a girl (Sandy) who falls in love. Through a series of misunderstandings they break up, but still somehow care for each other. Through ballads such as Summer Night’s that are still popular today, the film shows how differently males and females view relationships. Films like Grease are like a mirror, reflecting societal values and how it socializes its members. It makes it clear that in relationships, males are socialized to view relationships as mostly a physical, sexual endeavor, while females view it as a perpetual bond –a deeper connection between the two individuals within a relationship.

Sharon Olds’ poem “Sex Without Love” wonders at the ability for two people to have sex and not involve emotions or pretenses of love. The poem argues that it is better to have sex without love under the premise that love is a false savior for people, and everyone is all alone anyhow. In other words, the claim is that personal interactions do not serve a purpose other than being a distraction, and they will inevitably end. However, the notion that attachment and love are false hopes for people and each person is all alone does not account for the inevitability of human interactions and the underlying importance of relationships. While the poem does not give its definition of being alone, complete isolation is virtually impossible and leads

Married Love was an unprecedented book, which inadvertently redefined female sexuality. Often regarded as the precursor of sex-manuals, Married Love launched Stopes’ enormously successful career as a writer. Published in 1918, Married Love reviewed the intertwining relationship of marriage, sex and contraception, which in Stopes’ view were the fundamental components of a fulfilling and rewarding marriage. Like all discourse, Married Love is heavily embedded within a distinct historical and cultural context. Darwinian theory and the development of eugenics had a phenomenal impact on Stopes. Recognising the equal sexual desire of women would make Married Love greatly influential in the shaping of modern perceptions into female sexuality.