Summary Of The Book 'Unwinds At The Graveyard'

In the article “Driving to the Funeral” the author Anna Quindlen addresses the issue of the age to begin driving. She believes that the age 16 is far too young teenagers to begin driving. Driving at a too young of an age is one big reason that the way majority of teenagers die is because of automobile accidents. There isn’t enough limitations on young drivers, causing safety concerns. Parents shouldn’t allow their children to drive at such a young age, just because they want their kids to have “freedom and responsibility”.

When we have strong love for others, we take risks, we go against our beliefs, we put ourselves in danger, and we let our loved ones go. Without love, there would be none of that. In this book, The Dead and the Gone, written by Susan Beth Pfeffer, a comet smashes the moon closer to earth and it creates all sorts of problems. Alex, a teenage boy with two sisters, starts a long journey of survival and risks. This story is so realistic, at times was hard to read. You start to ask yourself these tough questions, like what you would do in a specific situation. Through out the whole story, love is definitely a recurring theme. It shows you how well love can hold a family is distress together.

The short story, “Ashes,” by Susan Beth Pfeffer is about a girl, Ashes, who has divorced parents. She is torn between her parents when she is given the opportunity to help her dad, but the twist is she has to steal from her mom to do this. A lesson that is learned from “Ashes” is that someone who normally teaches you to do good may also teach you to do something bad.

When a mentor gives you lemons, you make the lemonade. In the book The Graveyard Book by Neil Gaiman, the person most important in Bod Owens’s life is his mentor, Silas. Bod Owens did not have the average teenage life; he was raised by two dead parents who live in a graveyard, and was not allowed to leave the graveyard unless his parents gave him permission. The lady on the Grey is the symbol of death that mentors Silas, which gives her and Silas a similar “job” in their afterlife.

* A church gathering (including dockworkers) is held to find out who murdered Joey. Terry is sent by Johnny to rat them out.

By Micheal Patrick MacDonald. (Ballentine Books under The Random House Publishing Corporation, 1999, 266pp. $14.00)

Now, there’s probably been that one time in your life that you hoped for the best, but the outcome wasn’t the way you wanted it to turn out. Roland, one of the characters in Neal Shusterman’s Unwind, had the same intentions. In fact, Shusterman creates a setting that gets the characters to see what actually were Roland’s intentions. In Chapter 24, the characters are preparing for dinner as Risa goes to wash-up, in the bathroom, which gives Roland the opportunity to go for what he wants. A possible theme for this chapter could be, “Plans don’t always go they way you want them to,”or for life in general LIFE doesn’t always go they way you want it.”

‘The Grave’ by Katherine Anne Porter is a story that illustrates the initiation of a child from innocence to experience. The underlying theme behind the central idea of innocence to experience is the cycle of life and death and rebirth. This theme is illustrated in the young protagonist, Miranda, and her epiphany on the concept of the cycle of life and rebirth. The dominant tone in ‘The Grave’ is melancholic, and that tone is created through the language elements of symbolism, diction, and imagery. The story’s tone is also supported by the fiction element character.

The book, Lament For a Son, written by Nicholas Wolterstorff talks about his pain and grief after losing his 25-year-old son (Joy, 2009). His son died while on a mountain-climbing expedition. Dr. Wolterstorff has several books published during his career as a philosophical theology professor in Yale Divinity. However, he wrote Lament for a Son with a different journal style since it is a personal thing for him. The book is similar to a journal as he narrates the events that happened before and after his son’s death. The emotions expressed in the book are common among people who lose close relatives. What matters is how a person handles the issue. Kubler-Ross invented the five stages of grief; denial, anger, bargaining, depression and acceptancethat explain the escalation of grief when stricken by bad news (Axelrod, 2004). The paper looks into the book and its relation to the five stages of grief.

Knowledge is the information in which we perceive to be the truth of the world around us. However, all knowledge is susceptible to change depending of the bias of the character. Gabriel García Márquez demonstrates this issue in the novel Chronicle of a Death Foretold by exploiting the understanding of knowledge through fabula and syuzhet.

The Graveyard Book by Neil Gaiman has proven to fit within the Gothic definition of Harmon’s, Handbook to Literature. Gaiman’s novel has elements of “magic, mystery, and chivalry,” (Harmon 220). There were ghosts who would reveal themselves on one special night and a baby who is granted the ability to see and interact with ghosts. In chapter 2, one of the ghosts that live in the graveyard explains some of the special abilities that the child is granted, unlike other living humans. He explains, “While you are here, you can see in the darkness. You can walk some of the ways that the living should not travel. The eyes of the living will slip from you,” (Gaiman 38). These special abilities give him a sense of safety while he is in the graveyard.

Medieval China, as seen in the Stories from a Ming Collection, was characterized by distinct separations between men and women’s abilities, typical old fashioned family structure, and a desire to advance their social status. Throughout all the stories in this book, it dives deep into different aspects of how men and women are treated, how families were structured and how that affects their lives, as well as the values these people held. A very common trend in the stories was how different men and women were treated and the limitations they may or may not had.

In Chronicle of a Death Foretold, Gabriel Marquez employs the motif of flowers within the novel to illustrate the role of women within a Latin American society; the cultural and symbolic implications of this associate flowers with purity, victimization, gender barriers, and deceit. In doing so, Marquez creates a microcosm of Latin America, exposing the core of Columbian culture and society with all its aspects such as ethnicity, and social norms and conventions that led to a series of insecurities and poverty in the community, and its affect on the role of women. The cultural context of this novel must first be considered before examining the symbolic importance of flowers.

Fictional novels, in this case, The Graveyard Book, can teach us about ourselves. A fictional novel is imaginary and is not necessarily based true facts. The Graveyard Book was published in 2008 by Neil Gaiman. This book is about a normal boy named Nobody Owens but is known to his friends as Bod. Bod is raised in the graveyard by educated ghosts, a solitary guardian who is neither living nor dead and is under attack by the Man Jack. Two ideas that have been demonstrated throughout the novel is that life is full of endless possibilities and relationships are a key part of our identity. This novel teaches us about ourselves and the experiences that we have with our relationships with other people in our life with

"My personal impression is that he died without understanding his death" (Marquez 101). The above statement is stated by the narrator in Marquez's text. The novel, Chronicle of a Death Foretold tells the story of the narrator's return in a small Colombian town in the 1950's to resolve the details of the murder of his close friend, Santiago Nasar, who is a handsome and wealthy man, who is dead due to Anglea’s lies. Angela Viscario is a beautiful girl, who is not a virgin. She lies about Santiago taking her virginity, due to this false statement, her twin brothers Pedro and Pablo Viscario decide to kill him to restore the family's honor. In the book Chronicle of a Death Foretold by Gabriel Garcia Marquez, Santiago Nasar is a victim of murder