Summary Of The Devil's Highway And Coon Tree

The Devil’s Highway by Luis Alberto Urrea traces the journeys of twenty-six men traveling across the border through one of the most treacherous deserts known to man “The Devil’s Highway.” The author’s purpose was to let the world be aware of the events going on all around, with the simple modes of persuasion (pathos, ethos, and logos) Urrea makes you consider what worlds, political and economic, have we created that push humans into impossible journeys? What borders have we imposed, both geopolitical and cultural, that separate human beings so completely?

Have you ever wonder why they built borders? Or who built them? Or who prevents and controls illegals from crossing, and what they do to accomplish them from crossing? In the book, The Devils Highway, by Luis Alberto Urrea defines the effects the desert has to offer for the immigrant’s entrance. The Devils High Way is a measureless desert past Mexico and Sonora, which is one of the most isolated and driest deserts in the U.S. This is a desert which few

In his essay Bajadas, Francisco Cantu explores the physical and emotional landscapes that shift during his time as a United States border control agent. He candidly writes about his experiences, using imagery to describe the physical landscape of New Mexico in a way that mirrors his own emotional landscape and answers the question that he grapples with most. Cantu writes, “There are days when I feel I am becoming good at what I do. And then I wonder, what does it mean to be good at this? I wonder sometimes how I might explain certain things…” (7). This important question is what drives Bajadas; it is what compels Cantu to write so vulnerably. Through a journal-like structure, Cantu details what his job requires of him and the way he treats

In the stories “Canyons” written by Gary Paulsen and “Treasure of Lemon Brown” written by Walter Dean Myers the authors use figurative language to develop the scene and characters in a creative way and more interesting way for the reader. In both of these stories the authors uses purposeful, descriptive writing techniques in the stories which help paint a perfect picture to the readers. Even though these stories are made up they quickly become real to the readers because of the high levels of detail given by the

was a new route and this was only the second time that Mendez had taken it.

With the fast-paced globalization together with the heightening political economic issues of the world, it has brought forth the illegal immigrants to cross the Sonoran Desert of Southern Arizona, or as the anthropologist, Jason De León describes it, The Land of the Open Graves. However, there is more to unauthorized immigration than what meets the eye. Scratching the surface of the case of undocumented migrants reveals that it rooted from the intensifying global inequality and crisis of the world. Accordingly, the author’s decision to vividly depict the brutality beyond words the undocumented migrants had suffered while crossing the borders allows the readers to see the bigger picture behind illegal immigration, preventing further unnecessary deaths of the innocents.

Throughout Jason DeLeon’s The Land of Open Graves: Living and Dying on the Migrant Trail, it is clear that DeLeon adopts a style of ethnography that is inherently different from Evens-Pritchard’s The Nuer. DeLeon represents a key shift in anthropological theory and ethnographic writing that helps to construct a rich, raw and authentic account of undocumented migrants and their journey across the US/ Mexico border. Throughout this ethnography, DeLeon argues that the United States’ border policies are ineffective in deterring migrants, but instead provide an opportunity to hide behind the hybrid collectif of the Sonoran Desert which creates a level of inhumanity that is indescribable. DeLeon draws on the four fields of anthropology, including

While going through a hard time of her husband being gone and he grandmother passing away, Lilia wanted so bad to cross into America to have her family together. An old friend of Lilia’s from school offered to help get her and her child across to America. Seeing that she trusted the man she decided to allow him to help her. Lilia and her baby had to go with different coyotes. She went to the house of the man that was to be her coyote; he took Lilia to a woman coyote that would bring the child across. After leaving her baby with the woman, Lilia and her coyotes started their journey in a truck. She was to ride on the back that was covered with the man that was not driving; along the journey, the coyote raped her. They arrived at a river, which she had to swim across. Once across the water, she had to wait in a junk yard in the back of a car for someone to show up and call for her. She was taken to a house, where she would get her new identification, a new life. This is where she awaited for her child and her husband. While she was waiting she had to cut and dye her hair, she also watched a man being murdered. Day’s passes and her child never arrived, but Hector did. Hector was grateful to see his wife, but very upset that his child had not arrived. Hector, Lilia, and Miguel tried to figure out how to find the child, but had no luck. Hector asked his boss and his wife to help but they also had no

As one is put through times of strife and struggle, an individual begins to lose their sense of human moral and switch into survival mode. Their main focus is their own survival, not of another's. In the post-apocalyptic novel, The Road by Cormac McCarthy, a father and son travel along the road towards the coast, while battling to survive the harsh weather and scarce food supply, as well as avoid any threats that could do them harm. Throughout their journey along the road, the father and son are exposed to the horrid remnants of humanity. As a result, the father and son constantly refer to themselves as “the good guys” and that they “carry the fire”, meaning they carry the last existing spark of humanity within themselves. By the acts of compassion

and Mexican governments and awareness campaigns carried out between 2013-2014 successfully sent the message to residents of the primary sending countries in Central America. However, Central American men, women and children continue to travel north into the migrant trail and across Mexico. The analysis of The Beast Riding the Rails and Dodging Narcos on the Migrant Trail by Oscar Martinez offers concrete, systematic evidence of the relative weight crime victimization plays in the migration decision. The Beast allows us to understand why these individuals continue to make the trip when seemingly fully aware o the dangers involved and supports to suggest that no matter what the dangers of migration may be in the future it is preferably to a present-day life of crime and violence endured in the Northern Triangle. Having such knowledge of what motivates Central Americans to consider migration and understanding the influence of this prior knowledge in their decision for immigration along with an understanding of how preceding U.S. and Mexican efforts to deter immigration grants the United States government to understand immigration patterns and a possible solution for mass migration crisis. The current migration dilemma and book proposes the possibility of a different attempt on behalf of the United States government to deter migration from the Northern

In Pat Mora’s poem, La Migra, she talks about a game being played. The title of the poem is the game, but, it is not a game. She gives descriptions on the border patrol officer and the Mexican woman he is looking for. She lists them separately and describes their strengths and weaknesses on how to beat one another in this game. While us readers do not get a definite answer on who wins this “game” we get a good sense as to who has the upper hand. By introducing the Mexican maid second, the way she responds to the officer’s remarks, she outsmarts him at his own game. This can be drawn to a conclusion in which she wins the “game” and gets away. Pat Mora uses the perspective of the officer, immigrant, and the image of running from the officer as a game to receive the audience’s attention. As readers of the poem, La Migra, we can use the theme and relate it to today’s feud about police brutality and injustices.

The deaths in the border between Mexico and the United states have been increasing rapidly in the past decade. The fatalities have doubled since 1998 due to the increase of borders patrol and border militarization. The result is the redistribution of the migratory flow to more dangerous and remote areas such as southern Arizona. Even though the number of immigrants who try to cross the border has decreased, the number of fatalities continues to increase. Immigrants will not stop coming unless the situation in their countries changes and with a more protected border, they will look for more remote areas to try to cross. We are experiencing the largest numbers of fatalities in the border between Mexico and the United States. The increase

The Devil's Highway by Luis Alberto Urrea is undeniably a book that is absolutely worth reading. It recounts a nightmarish tale through a desperate landscape and the tales of struggle of 26 real men who risked everything in search of a better life. The Devil's Highway is a real geographic destination; it refers to the Arizona desert on the Mexican border. Some assert that in order to survive this particular region, one would need two gallons of water per day, as the temperatures can be higher than 100 degrees. In fact, some say the Devil's Highway is so hot that dead bodies naturally mummify when left by the side of the road (8m.com). This demonstrates one of the main reasons that the book is so worthwhile to read: it tells the story of human survival against a hostile environment. In many ways this has been the fundamental story of human beings from the beginning. Human beings have continually fought to overcome adverse or difficult environments as an aspect of human survival. Nature and the elements even if nature manifests simply by an inhospitable temperature can be one of the most formidable threats to a human being because human beings cannot control nature; they can only react to it as best as they can. Thus, one can easily argue that people will never tire of reading this story because of its dominance to the human condition.

The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.

The Road takes place in post-apocalyptic America after an unknown disaster occurs. The novel centers around a boy and his father, both of whom are never given names. In an analepse, the reader learns that the mother of the boy kills herself with “a flake of obsidian” as she fears that she would be raped and murdered (McCarthy 30). “[The man] hadn’t kept a calendar for years” and the reader is left unsure what year or month it is (McCarthy 2). The man is sure, however, that winter is approaching and it would be best for him and the boy to travel south where it is warmer. They have nothing but a pistol, their clothes, and a cart with food they scavenged for. The world is barren with “dust and ash everywhere” (McCarthy 3). The story chronicles the man and boy’s journey to the south while they look for food, supplies, and shelter. The pair must fend off “bad guys” during their journey as well (McCarthy 39). When one of these “bad guys” puts his knife at the boy’s throat, the man is left with no other option than to shoot the “bad guy” leaving a “hole in his forehead” (McCarthy 34). Another gruesome event occurs when the man and boy are looking for food in a house they found. While walking down a cellar’s stairs, they smell an “ungodly stench” (McCarthy 56). In the cellar, there are “naked people” who are whispering “help us” and a maimed man on a mattress with his “legs gone to the hip and the stumps of them blackened and burnt” (McCarthy 56). These people are being kept to be eaten eventually and the man and his son