Summary Of The Egyptian Love PoemMy God, My Lotus

[Seven whole days] Seventh Stanza “Seven whole days” is an Egyptian love poem that was written in Ca.1300-1100 B.C.A. This poem is written in first person style, which refers to the narrator telling his point of view of what he feels and wants the reader to know and conclude. This Egyptian love poem is also referred as a lyric, which is a short 45 line or fewer poems that gives a unified impression using verbal music, emotion, imagery, and first person subjective views. As I read and analyze this 20 line love poem, I draw conclusions that, our narrator clearly has interest and expresses feeling about a beloved one that he hasn’t seen in seven whole days; our narrator is either distraught or depressed; and he merely could have a mental illness.

When analyzing ancient Egyptian love songs, what I firstly noted was that the concept of love was not stereotyped in being predominantly a masculine or a feminine concept. Both men and woman expressed their emotions of both pain and joy throughout (Fowler 1994:30). However, some contrast does exist in a few songs in that girls are portrayed as being more assertive, more dominant and taken more initiative than boys (Fowler 1994:40). This is clear as boys are never portrayed in addressing their loved one in the second person, rather in the third person and also, does not initiate action but rather sits and waits for action to come his way (Fowler 1994:62). Thus, these love songs provide us with an insight into the manner which couples behaved, and were viewed by others when in love. This view and understanding of love I believe is a direct reflection of the ancient Egyptian society where woman were seen as being sexually untrustworthy and men the slave to this sexual nature of woman.

Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a

Cultured and socially structured, Ancient Egypt was a civilization highly advanced for its time. The Nile River provided the gift of fresh water allowing the surrounding land to be settled. Its yearly predictable flooding created fertile soil for farming. This was the perfect environment in which Egyptian society would prosper. Egypt was equipped with all the amenities of a modern society including people who married, had children, practiced religion, and even had festivals with food, beer, music and dancing. All that is known about ancient Egypt is a result of the hieroglyphic carvings of the Great Pyramid walls and on tombs of dead. Originally from the Book of The Dead, “The Chapter Of Changing Into Ptah” was and remains a significant

Romance has been around for as long as human beings have been alive. The concept or romance changes through time and culture. In the Egyptian and Chinese ancient love poems, civilizations that seem distant from each other end up sharing similar concepts of romance. To them, a romance develops in steps which incorporate seeing their beloved from afar, trying to get to them, and alas having them. A closer look at both poems "My god, my Lotus…" and "Fishhawk", can show how two cultures characterize the steps it takes in order to acquire romance.

Love is one of the most indescribable concepts that exist in one’s life experiences. Some argue that love is one of the most important things to have in life, which can shape and mold one’s interpretation of the world. Others may claim that love is an illusion, which serves as a distraction preventing individuals from being enlightened. The interpretation of love could be ambiguous, but the important thing is that love is very powerful and can severely affect an individual’s behavior, expectations in life, and sole responsibilities. Many writers have written about the power of love. Some of these works include, “The Love Suicides at Amijima”, “Death Constant Beyond Love”, and “Gilgamesh”. The most distinctive and comprehensive story involving

One of the overarching themes that spanned over the many books we read over the semester, was the nature of love and the search for meaning. Love is an inherent aspect of humanity, and while it is an often inexplicable and complex sentiment, it is intrinsically connected with mankind's search for meaning in life. Love often leads a person in directions that they do not expect, and this is obvious in the very different applications of love in different books. However, one common idea about the relationship between love, suffering, and wisdom, can be argued for based off the ancient texts that we read. In The Epic of Gilgamesh, Antigone, and The Tale of Genji, love is used as a vehicle for wisdom through suffering and loss.

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ “EPÙÓ” and Anne Stevenson’s “Eros”, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea.

In the sculpture, Yuny and His Wife, Renenutet, the artist conveys a strong, affectionate marriage between two important social figures in New Kingdom Egypt. This relationship is visually conveyed by multiple factors in the visual properties of this sculpture. To provide a quick description of the piece which is dated to ca. 1294–1279 B.C.E., Yuny, a chief royal scribe, is portrayed sitting next to his wife, Renenutet, a temple-ritual singer for the god Amun-Re on a bench. The sculpture was made out of limestone and originally painted. It’s 33 1/4” in height and 21 7/16” in width. Yuny and Renenutet are both depicted in elegant clothing with equally elegant wigs. Renenutet is shown wearing a long, tight-fitting dress that comes down to her ankles ending just where her bare feet start. A large, elaborate necklace takes up the majority of her chest. Her left hand sits in her lap as she holds a menat that drapes down in front of her legs and her right hand is wrapped around the lower back of Yuny. Yuny is shown wearing a long pleated skirt with hieroglyphs down the center of it. He also wears a sophisticated top going up to his neckline with the sleeves stopping at his elbows where it flares out with elaborate pleating. Unlike Renenutet, Yuny wears sandals and his forearms and hands are broken off but it’s suggested that they originally laid by his sides.

Moreover, the poems share the same theme, love, but they are thought of differently. In “Pamphillia to Amphilanthus” or Poem A, love is shown as a joke and not serious. Whereas in “I… and Your Eyes” or Poem B, love is shown as admirable and motivational. In Poem A, the theme of love is not positive. However, in Poem B, love is amazing and

The ancient Egyptians are known for their fondness for animals, and the cat was a favorite household companion. Cats were common in ancient Egyptian art that depicted domestic scenes since they were greatly appreciated as killers of rodents, snakes, scorpions, ect. Typically homes with cats had less sickness, and fewer deaths. But beyond these roles, cats were cherished as pets and even worshipped. The ancient Egyptians revered and worshipped many animals, just as other ancient civilizations did, but none were worshipped as reverently as the cat. This essay will carefully analyze the Egyptian relief

Art, literature, and government all developed immensely during the middle kingdom in Egypt. In addition, these flourished during that time period and had a huge impact on the culture. They depicted the people’s beliefs in Egypt. Egyptian women’s jewelry also played a similar role to these in the Middle Kingdom. Jewelry, could act as protection for the wearers. On the other hand, it could be represented as wealth, luck, or have a sentimental meaning behind it. For example, the fish pendant is a piece of a necklace that would fall under these categories. In conclusion, jewelry provides an explanation of women’s role in society in Ancient Egypt, their beliefs and the advancement in producing jewelry.

I will see what the artworks mean to me, and I will make my own interpretations as to why their art is this way. Moreover, I expect look at many of their varying art forms and see how the use of animals differs between them. This is because I believe different kinds of art are able to impact people in different ways, and have an implication that is unlike the other. I plan to analyze the assorted characteristics and traits of the various art forms the ancient Egyptians practiced to see similarities and differences, and consider in what way this influences the meaning of the works.

The presence of love and power in intimate relationships is prominent in both the Inanna and the Symposium. Both texts contain examples of intimate relationships that lead to significant effects on the power of those in the relationship. The Inanna and the Symposium both illustrate that love is the greatest possible catalyst for the attainment of power. Love provides individuals with attributes that in turn increase their power. This is illustrated through the courtship of Dumuzi and Inanna and through the speeches regarding love and the apprentice relationships that are found in the Symposium.