Summary Of The Film 'Real Women Have Curves'

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and a size two which puts a lot of pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short story “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

“You know perfectly well that being the youngest daughter means you have to take care of me until the day I die.” (10). This statement shows how Tita is being oppressed not by mama Elena choice but family tradition. Like Water for Chocolate by Laura Esquivel concentrate into the stories of the women of De La Garza. Tita the main character aim to find love, happiness and independent, and Elena De La Garza the antagonist who will stand in the way of Tita happiness and would do anything in her power to stop Tita to fulfil her goals which is to find true love with Pedro. This mother and daughter relationship was predestined since the day when Tita was brought up into this world, and her father’s sudden death. Mama Elena was the opposite of a loving, caring women she never had a relationship with Tita. While Tita formed a relationship with food that gives her the strength, and love she never experienced before. The women of De La Garza experienced many challenges in this strict societies. All the women expected to follow an oppressive family tradition.

Josefina Lopez writer of the play and co-screenwriter of the movie “Real Women Have Curves” created two important characters, Ana and Carmen, to demonstrate real life issues in the Mexican-American culture. In the movie Carmen becomes the antagonist that constantly torments Ana. Several identities were pushed onto Ana, forcing her have to break through her family’s old-fashioned cultural beliefs as well as her community’s stereotypes. Ana remained resilient regardless of what her mother put her through which led to her own self-love and comfort.

Mean Girls is a comedy, yet accurate portrayal of the body image issues that high school girls face today. This movie is more than just high school clique and popularity; it is critical representation of the boundaries women in our society are not allowed to cross. Societal monstrous expectation of female bodies has led to a problematic matter of self-acceptance. Berreby extends this view in his essay “Rituals and Traditions: It Takes a Tribe” where he mentions the idea of “us” vs. “them” in which he states that society has created the idea that if one does not act in a certain way, they are automatically considered “them”. Furthermore, it is essential to acknowledge that stereotypes found in movies like Mean Girls, although a classic Hollywood movie, provokes a critical view of women and contributes to perpetuate traditional gender stereotypes as it reflects dominant social values.

Today play review is going to be “Real Women Have Curves” by Josefina Lopez. This story is about five women that know each and they have to make 100 dresses by the end of the week because Estela needs money to pay for a lawyer to get her papers because the Glitz Company will pay her for the last two weeks and this week if she gets all 100 dresses in. This story takes time on the first week of September 1987 and place in a house located in East Los Angeles. The context of Immigration Law is part of the story, therefore, it allows them to get her legal papers and it brings them together because they are all afraid of the migration, always forget that they are legal so, whenever they see a van they run back home and hide. Another context to this story is Gender

Being a curvaceous young woman is hard enough. Especially when you’re trying to find love, you’re seeking approval and anticipating a better future for yourself. The film Real Women Have Curves stresses how important higher education is to a Mexican-American teenager and the wrath she endures from her mother because of her weight and aspiration. Mark Twain stated that, “Keep away from those who try to belittle your ambitions. Small people always do that, but the really great make you believe that you too can become great” (http://thinkexist.com/quotation/keepaway_from_those_who_try_to_belittleyour/215215.html). I believe I can personally relate to Real Women Have Curves, the reason being is because I’m a daughter, I’m overweight, and I’m

Throughout the movie Real Women Have Curves, Ana deals with a fairly common issue: body image. Despite being constantly told by her own mother that she is fat and that she’d be pretty if she was skinny, she comes to realization that her body is part of who she is and she should be proud of it, but, really, she is so much more than her weight. She demonstrates confidence in her body and in herself as a person. She sets clear examples of the first two components of the female gaze: (1) Women possess the gaze or do the looking, and (2) Women enjoy and control their own bodies and/or sexuality.

She was born into this tradition without having a say, predestined to be tied to her mother’s side and expected to comply with the established rules. Not only was this tradition unwanted, but it was made difficult when Pedro, Tita’s love, married Rosaura, Tita’s older sister, as the only solution to be closer to her. The only barrier to their love was Mama Elena, Tita’s mother, who was vigilant of their actions. When Gertrudis, Tita’s older sister, rode off with her lover, “Like silent spectators to a movie, Pedro and Tita began to cry watching the stars act out the love that was denied to them,” (56). Not only has this traditioned defined Tita’s identity, but it has limited her choices by defining her social relations and acceptable behavior. In this sense, tradition is inhibiting; she isn’t permitted to act upon her wants and needs. However, it doesn’t always prevent her from doing so. When societies rapidly change, some traditions can bec ome encumbrances and thus must be challenged. Similarly to the Mexican rebels who challenged the federalists and the government establishment they were born into, Tita challenges her mother’s authority for the sake of change and

Following, we learn that Mama Elena has no milk to feed Tita, which makes Nacha, the family cook - her official caretaker as she replaces Mama Elena. This is important to point out because the initial separation of the two main characters is quite evident; there is no mother-daughter bond that should have been established, Mama Elena doesn’t have time to worry about her, “without having to worry about feeding a newborn baby on top of everything else.” (7) We grow to understand why Tita forms other vital bonds with Nacha, and of course the food that surrounds her daily, helping her not only to grow but acts as an outlet for her emotions. “From that day on, Tita’s domain was the kitchen…this explains the sixth sense Tita developed about everything concerning food.” (7) From the beginning, Tita is given barely any freedom, she is given a purpose, she will not marry anyone until Mama Elena is alive, she is to look after her, which becomes a great conflict when the love of her life, Pedro, is to marry her sister, Rosaura, and not her. Mama Elena wants to hear nothing about Tita’s frustration. Mama Elena herself has lost her true love and because of it is insensitive to Tita’s love with Pedro. The reaction of each woman to her predicament helps explain the opposite characters. Mama Elena lets the loss of her young love turn into hatred for anything but tradition, and

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and to be a thin size which puts pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short stories “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

Since Tita was unable to stand up to Mama Elena, she felt helpless, which she then realized how strong her fate for an identity would be nonexistent; however, Tita would not accept that fate. From the day Tita was born and past off to Nacha, the cook, Mama Elena formed resentment towards Tita, while attempting to make Tita obedient through force, cruelty and mistreatment. The physically punished Tita endured, multiple times, by the hands of Mama Elena, forced her to live the life as a servant and a house cook; as well as, arrange the wedding of her love, Pedro, to her sister, Rosaura (26-29). While under Nacha’s care, Mama Elena bounded Tita to the kitchen and constrained her to cook for the family, and if Mama Elena saw signs of Tita disobedience, she would strike Tita in rage. The preparations for Pedro and Rosaura’s wedding was Tita’s responsibility, which Mama Elena placed Tita in charge just to lower her spirits and eliminate any hope she may have within, causing Tita to have a weak moment that triggers her to hallucinate. In the opinion of

The girl distrusts her mother and believes her to be out of touch, while helping her father in "his real work" (468). Surprisingly, the girl's desire to avoid the manifestation of her femininity in womanly tasks, such as cooking and cleaning, influences her into feeling that her mother is "plotting now to get [her] to stay in the house [. . ]. and keep [her] from working for [her] father" (469). The girl chooses to dismiss her mother, thereby dismissing her own future role as a housewife.

From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.