Summary Of The Hitchhiking Game

In the book, The Westing Game by Ellen Raskin, the conclusion is what summarized the plot of the book. Knowing this, one might agree the way the ending was written was very effective. The owner of the Westing Paper Products Company, Sam Westing, was murdered. Sixteen people are called to Sunset Towers to participate in the reading of the will. Little did they know that the will was only going to unleash the monster in them all. The will of Sam Westing went on to say that one of the sixteen people in the room was a murderer, the same murderer that ended his life. Everyone would be paired into teams. Clues were spread out among the pairs-of-two and the game began. 200 million dollars was offered to the person who uncovered the secrets to

The lovers are in love with themselves being in love. They love each other, but are more preoccupied with being seen as lovers. They often feign mild hatred. She is extremely aware of being watched and plays with the audience for sympathy in their plight and ccasionally flirts with spectators.

knows that she is starving for true love and exploits that weakness to achieve his goal.

Love is a key emotion that is brought about in the story. It is first depicted with Sylvia’s feelings for the hunter. On the contrary, she seems to have an equal love for the forest. Both of these feelings of love are strong, however, she can choose only one. Sylvia’s initial love for the hunter is shown here: “What a spirit of adventure, what wild ambition! What fancied triumph and delight and glory for the later morning when she could make known the secret! It was almost too great for the childish heart to bear” (391). Sylvia is quite eager to impress the hunter, and prove herself worthy to him. Her love of the hunter is simply infatuation, whereas her love of the forest is real. She becomes infatuated with the hunter after she hears his kind voice: "I have been hunting for some birds," the stranger said kindly, "and I have lost my way, and need a friend very much. Don't be afraid," he added gallantly. "Speak up and tell me what your name is, and whether you think I can spend the night at your house, and go out gunning

I started to believe that the narrator has the mind of a man; perhaps she yearns for the chase. She searches for boys who are more than willing to be a quickie and she uses them for a good time. When she gets what she wants it's to late and the emotional damage has already been done. Our narrator reverts back to her female role and relies on emotions rather than logic; it is apparent that in having these quick relationships she is only hurting herself.

Like him trying to get the girl to like him shows he’s only in to younger girls than him. Which helps to prove his thoughts and feelings for girls. An example is “He was sorry he felt as he did about her, for his sexual interest in female children” (201). This quote tells about he’s sorry for feeling a certain way for a female child. He couldn’t control himself sexually. “Seducing pubescent girls, as he had done “eight or nine” times in the last several years” (201). It’s not the first time he has done it and he’s been doing it for the past several years. Which shows he has no respect for younger girls and has hard time controlling himself

We know that the narrator doesn’t come from very much money, which means for him to take what little money he is given and plan to spend it on this girl, he is truly obsessed. A child in his right mind would save the money he is given, to get the things he needs or even wants for himself. His infatuation with her makes him feel as though he has to do anything he could to please her, even giving her all he had. Through an epiphany at the end he realizes that he was romanticizing his relationship with Manegen’s sister far too much. He was willing to give up the little money he has in order to please a girl he hardly knows in order to simply entertain a fantasy. When the

The main character, Cleofilas at the beginning of the story had a painted picture that all romances are just like the ones she saw on her television from back home. However unfortunately not so long after their marriage began, she came to the conclusion that it is not how she had always imagined. One of the subjects the author, Cisneros, wanted to bring attention to the idea of how when the male in the relationship is the bread-winner,

being caught by the party he is driven by his search to experience the truth, beauty and love that he

characters in the play, he is trying to use her as a way of making

In life, each person has to follow rules at some point. The rules can relate to school, home, religion, etc. Our society follows rules everyday to make their life better. Throughout the short story, “Rule of the Game”, the author, Amy Tan describes the title using life experiences of the protagonist, Waverly Jong. This story is about a young girl, Waverly who lives in Chinatown, San Francisco and is passionate about chess. While exploring the world of chess, Waverly learns that in life she will have to follow rules made by others to achieve success. Waverly follows rules while playing chess and her mother creates rules for her to succeed.

“Later that night when Thomas roller over and lurched into her, she would open her eyes and think of the place that was hers” this proves the point that she cannot even express herself sexually because she does not feel as if she has control in the situation.  Her mind wanders elsewhere, in a place where she is her own master, instead of what is reality. Additionally, the main character’s husband shows some selfish tendencies in the fact that he may not notice his wife’s discontentment with his affection.  However, this may also present the lack of communication between man and wife and therefore may cause a sense of isolation from her husband.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

the play and keeps her within his own game, as if he was playing with

He idolizes her as if she were the Virgin Mary: "her figure defined by the half- opened door . . . The light from the lamp opposite our door caught the white curve of her neck, lit up her hair that rested there, and falling, lit up the hand upon the railing." Yet even this image is sensual with the halo of light accentuating "the white curve of her neck." The language makes obvious that his attraction is physical rather than spiritual: "Her dress swung as she moved her body and the soft rope of her hair tossed from side to side." His desire for her is strong and undeniable: "her name was like a summons to all my foolish blood"; "my body was like a harp and her words and ges­tures were like fingers running upon the wires." But in order to justify his love, to make it socially acceptable, he deludes himself into thinking that his love is pure. He is being hypocritical, although at this point he does not know it.