Summary Of The Metamorphosis

Gregor is treated differently than every person in his family and as well as everyone in the world. For example, Gregor is fed trash from the garbage instead of actual food because his sister realizes that Gregor does not want fresh food anymore. He is treated like a vermin in part because he has been treated like one for so long so he starts to feel like an actual bug. His parents did not care about him and they did not give their son the treatment he deserved. Towards the end of the novel

Although Gregor turned into a bug, the real Metamorphosis occurred before the change and with the whole family. Kafka’s novella The Metamorphosis reflects the ideals about industrialization and existentialism during the turn of the century. In the novella, Gregor turns into a bug, and the whole family has to deal with it in different ways. Many characters go through a metamorphosis in the novella. Although the changes may not be physical the changes occurred greatly in Gregor, Mr. Samsa, and Grete.

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

Grete, like her mother, obviously cares very much for Gregor and is also terrified by his new transformation, but unlike her mother, she tries very hard to hide her fear in order to keep feeding and tending to Gregor’s room;

This quote from Gregor’s sister, Grete, is emotionally wrenching because from Gregor’s point of view, the only person who has been kind in taking care of him is now pleading with their father to cast him out leaving him dejectedly alone, with no one left on his side. The author’s wording including “crying” as if Grete is desperate to be rid of Gregor. Grete’s language, which dehumanizes Gregor by referring to him with the pronoun “it” and calling him an “animal” and a “plague”, is incredibly degrading which led me to sympathize with Gregor for being so alone that his one friend is so

Gregor's physical transformation also sparks a streak of cruelty on the part of his family. It is understandable that they be frightened when he first appears, but they continue to lock him in his room without ever trying to communicate with him. The only person who ever goes in his room on a regular basis is his sister and she can barely even tolerate his presence. At one point when Gregor successfully escapes from his prison cell, his father ends up throwing apples at him with the intention of causing injury. "Gregor came to a stop in alarm, there was no point in running on, for his father was determined to bombard him." As Gregor merely sat there on the wall, his own father sunk an apple into his shell. After this event they leave him to whither away and die alone in his room. Gregor did not bring this horrid behavior upon himself by his actions, but instead they result because his different appearance and behavior led his family to think of

While the weeks and months passed Grete and his mother and father struggled to give little any compassion or concern for Gregor as their finances plummeted to the ground. Prior to his metamorphosis Gregor was physically alienated from any semblance of a social life due to his job and financial obligation to his family afterward the transformation and he was deemed a burden to his family that he had provided for countless months he was psychologically isolated from them as well. Notably while Gregor had finally been emancipated from his dreaded job as a salesman, he had become a parasitic to his family without being labeled as a provider they slowly began to turn against him only worsening his mental state and exile.

the family representative of Gregor, in a sense, to a mother who does not understand and a father who is hostile and opposing. The father is physically violent toward his metamorphosed Gregor, pushing him through a door in Part I: "...when from behind his father gave him a strong push which was literally a deliverance and he flew far into the room, bleeding freely" (20). Grete appears to concentrate on protecting Gregor from this antagonistic father and an indecisive mother. In Part II, when Grete leads her mother into Gregor's room for the first time, we see the strange way in which Grete has become both the expert and the caretaker of Gregor's affairs (Nabokov 271). She convinces her mother that it is best to remove all of the furniture from his room. Kafka attributes her actions partly to an adolescent zest: "Another factor which might have been also the enthusiastic temperament of an adolescent girl, which seeks to indulge

‘The Metamorphosis’ by Franz Kafka, the composer of the novel, explores the relations between an outsider and an insider, and Gregor Samsa’s relationship with his family, gradually following up on how Gregor decided to become an insect that he was physically being seen as, although he had been psychologically/ mentally been feeling like an “insect” for a while now. Gregor allowed himself to transition into an insect, as he chose he would let his family affect his personal happiness. Subsequently, he made the choice to become accustomed to the routine of the life he was living, to exclude and suppress himself from all persons and things, and to become fully focused on his job and his duties, despite the fact that he despised it so much. Gregor wanted to believe that he was in full control of his own life and emotions, when he only allowed his family to affect him thoughts and progression, similarly just like Kafka’s did as well as confiding to become an insect

Without the constraints of external forces, is human nature inherently good or evil? In Franz Kafka’s novella, The Metamorphosis, Gregor Samsa’s transformation into a "monstrous vermin” serves as a window into the human psyche. Through lack of obligations, decreased sense of shame, and increased sexual drive, Kafka reveals Gregor’s relationship to the outside world weaken, as his internal instincts grow stronger. Kafka utilizes Gregor’s transformation as a symbol to show the dangerous potential of the human “id”, a term coined by Sigmund Freud, to break down social norms. This psychological venture reveals humanity’s true instincts as animalistic, when not contained through personal and societal pressures.

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

Change is unavoidable and inevitably in every moment of our lives. In every second of our lives, changes appear and disappear, impacting our lives. Humans perceive change differently and it reveals the true nature of our heart. It is due to the dissension of change between humans that determines the differences in our individual perceptions. In the novel, “ Metamorphosis” by Franz Kafka, the word change is taken to a entirely absurd degree as the main protagonist, Gregor Samsa is illogically transformed into a bug. Although Gregor’s thoughts still shown traces of his human self, Gregor’s family is unable to cope with his hideous form and isolates him from their world. Once perceived as the breadwinner of the family, Gregor is now seen

He was the son, the sole breadwinner of the family. Before Gregor’s transformation Grete really had no place in the family. Now since Gregor was unable to help the family Grete became important, needed and most of all appreciated. “He often heard them expressing their appreciation of his sister’s activities, whereas formerly they had frequently scolded her for being a somewhat useless daughter”(99). Now Grete’s parents need her for something. Grete by making herself responsible for Gregor gains a certain power over her parents. This however in not presented to the reader clearly because Gregor is unable to grasp the fact that his sister might have ulterior motives.

This story "The Metamorphosis" is about Gregor, a workaholic, who is changed into an insect and must then deal with his present reality. The hardest part of being an insect for him was the alienation from his family, which eventually leads to his death. In reading the short story "The Metamorphosis," (1971),one can realize how small the difference is between Magical Realism and Fantastic. This literature written by the Austrian, Franz Kafka, is often debated over.