Summary Of The Passing Of Age By Gwen Harwood

One of the most difficult, yet rewarding roles is that of a parent. The relationship between and parent and child is so complex and important that a parents relationship with her/his child can affect the relationship that the child has with his/her friends and lovers. A child will watch their parents and use them as role models and in turn project what the child has learned into all of the relationship that he child will have. The way a parent interacts with his/her child has a huge impact on the child’s social and emotional development. Such cases of parent and child relationships are presented in Theodore Roethke’s “My Papa’s Waltz” and Sylvia Plath’s “Daddy”. While Roethke and Plath both write about a dynamic between a child-father relationship that seems unhealthy and abusive, Plath writes about a complex and tense child-father relationship in which the child hates her father, whereas Roethke writes about a complex and more relaxed child-father relationship in which the son loves his father. Through the use of tone, rhyme, meter, and imagery, both poems illustrate different child-father relationships in which each child has a different set of feelings toward their father.

Harwood introduces the idea of maturity, responsibility and grief in her poems 'Father and Child'. The "Barn Owl" poem is situated around her childhood whereas "Nightfall" is situated around her adulthood, through different settings comes different themes, focuses and lessons. Within the first stanza of "Barn Owl", authority is challenged with the child wanting to prove to her sleeping father that she is not an 'obedient gentle angel.' The child is obviously bitter towards her father, regarding him as 'old no-sayer' which alludes to the controlling, vengeful God of the Old Testament. She thinks that her father is now robbed of his power because he is asleep and is unaware of her plans. With Harwood contesting against authority at such an

Childhood is portrayed as a time of safety that is often looked back upon with nostalgia from an adult perspective. Monosyllabic words are used to show the simplicity of childhood life, for example in the line “the thing I could not grasp or name”. The ‘spring violets’ are ‘in their loamy bed’ and are no longer frail and melancholy, and the memory takes place on a ‘hot afternoon’ in contrast to the ‘cold dusk’ that represents the present. Childhood is represented as a joyful, vivacious time in one’s life, and the value of a stable family life is conveyed. The unexpected integration of Australian vernacular in the line ‘it will soon be night, you goose’, adds a sense of freedom and relaxation to the otherwise formal discourse and more rigid structure of the poem, once again reflects the simplicity and innocence that is associated with childhood. The use of

Opportunities for an individual to develop understanding of themselves stem from the experiences attained on their journey through life. The elements which contribute to life are explored throughout Gwen Harwood’s poems, At Mornington and Mother Who Gave Me Life, where the recollection of various events are presented as influences on the individual’s perception of the continuity of life. Both poems examine the connections between people and death in relation to personal connections with the persona’s father or mother. By encompassing aspects of human nature and life’s journey, Harwood addresses memories and relationships which contribute to one’s awareness of life.

Thomas Hardy is an intriguing and enigmatic poet whose poetic themes deviate from war, nature and heroism to love, the transience of life and the death of the soul. Though penned some eighty years ago, the poetry of Thomas Hardy remains remarkably accessible and identifiable to a modern reader. While some critic's claim that his poetic writing is archaise. His language elegant but awkward and his work difficult to comprehend, I enjoyed the poetry of Hardy for its diversity of themes, its earthly realism and his descriptive and metaphorical language. I identified and empathised with his poetry of love and loss, change and decay. Whether he is describing the transience of life and the onslaught of time "Down their carved names the raindrop

Some discoveries may be the result of significant experiences that one undergoes. In moving on from these experiences, the discoveries can be provoked and have the ability to open the eyes of individuals. Gwen Harwood’s “Father and Child” explores the growth and maturation of a child. Harwood shows the juxtaposition between innocence and maturity and the way that discovering this deepens the perception one has of the world. The

Whether you realise it or not, the act of representation is a constant and significant aspect of our lives. It defines and influences our perceptions of things in either a positive or negative way. One poem that I particularly admire from Harwood’s collection is ‘The violets’ , as it recognises the inevitable act of evolving without our childhood memories. The art of growing up and moving forward is only fully accomplished when we recognise and accept the experiences and explorations of our childhood. Harwood’s poetic style reflects her conservative, traditional and religious upbringing, as well as her interests in literature, philosophy and music. As one of Australia’s finest poets, and it is an honour to introduce Harwood’s latest poem anthology.

Three poems written by Harwood that emphasise the idea of memory’s importance and its ability to alter and determine perceptions are ‘Father and Child’, ‘The Violets’ and ‘At Mornington’. Each of these poems reminisces on pivotal experiences that modify one’s assessment

Harwood explore ideas concerning childhood innocence and experience through her poems, reflecting her deep interest in philosophy and the human experience. As a young contemporary reader, Harwood’s emphasis on the importance of childhood memories is particularly resonant, evoking the audience to reflect upon their own naïve recollections. This is also supported by the critic Hoddinott who stated that within Harwood’s body of work, “dreams of childhood have a particular power…perception of the truth with fear of the unknown” is also evident in “The Violets” where the importance of memories is explored as a reflection on an individual’s growth from naivety to experience. Harwood uses the rhetoric “Where’s morning gone?” in recognition of the carelessness exhibited in childhood

It is a truth universally acknowledged that everything that lives gradually grows older with time passing on as they near the close of their life. To many, this creates a veritable fear of leaving this earth behind with unfinished business as the travel to the unknown, but expected. In “The Love Song of J. Alfred Prufrock”, the poet T. S. Eliot weaves a tale about the passing of time through the strategically placed questions in the poem, the use of figurative language, and the shifts in the mood of this famed poem.

Gwen Harwood’s poetry endures to engage readers through its poetic treatment of loss and consolation. Gwen Harwood’s seemingly ironic simultaneous examination of the personal and the universal is regarded as holding sufficient textual integrity that it has come to resonate with a broad audience and a number of critical perspectives. This is clearly evident within her poems ‘At Mornington’ and ‘A Valediction’, these specific texts have a main focus on motif that once innocence is lost it cannot be reclaimed, and it is only through appreciating the value of what we have lost that we can experience comfort and achieve growth.

If society was asked what defines “coming of age,” what would it say? Some would say people come of age when they act more mature, think grown up thoughts, or do certain actions. This quote by someone unknown helps form an explanation of what coming of age is: “Maturity doesn’t mean age; it means sensitivity, manners, and how you react.” In the literature piece “The First Part Last,” the author Angela Johnson writes about two teenagers, Bobby and Nia, who struggle with the difficulties of teen pregnancy. Throughout the book, they both face many hardships that put their relationship, patience, and responsibility to the test. With the help of a red balloon, a basketball, and family pictures in a doctor’s office, Bobby comes of age after paying attention to these symbols and signs throughout the novel.

In Galway Kinnell’s poem “After Making Love We Hear Footsteps” Kinnell writes about the love between a parent and child.

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.

Robert Herrick’s “To the Virgins, to Make Much of Time” depicts life as a fleeting moment in which people must not take advantage of. His observations of nature with references to “tomorrow” and “not losing your prime” indicate his strong belief in living every day as if it were his last. While there have been numerous poems pertaining to living life to the fullest, Herrick captures this message with such delicacy and precision, it sets it apart from every other one of his pieces. This poem is a carefully constructed poem expressing essentially a simple sentiment. It says what it wants with extraordinary technical proficiency, yet without sacrificing the centrality of its message.