Summary Of The Poem 'Potsu'

Metaphors are used to present hidden similarities between two concepts to help understand a more distinct description of a setting, conflict and other entities in a story. “Rainsford stood blinking in the river of flaring gold light” (64). The metaphor “… the river of flaring gold light” implies that the river is reflecting a glow, like a flare of gold light. The quote helps present part of the setting and helps the reader imagine a

Personification is used to show what nonhuman objects or things are doing. Connell uses it to tell his readers what a boat’s wake is really representing. He writes, “...the wash from the speeding yacht slapped him in the face” (Connell 19). He wanted to portray that Rainsford was not able to speak or shout at the boat to get anyone's attention.

Another technique this poem takes use of is alliteration. The alliteration used helps to express the themes importance through repletion of sound devices. A specific example of alliteration

However, a poem could be written without personification and still be great. In this poem the speaker states, “season when the young buttercups and daisies climb up on the mulched bodies of their forebears to wave their flags in the parade” (1096). This stanza is personification because it talks about the buttercups and daisies climbing up. This line of the poem also reminds the reader of soldiers marching in a parade.

The second stanza is almost like the first in the fact that it appeals to the same senses. It talks about the actions and the feelings of the child. It describes how the child would wake and wait for his father to call him. The second stanza also describes the mood of the house in the line, "fearing the chronic angers of that house." Perhaps that line is

W.H. Auden and Bruce Dawe, in their respective poems ‘Stop All The Clocks’ and ‘Suburban Lovers’, depict two different reactions to love. Auden’s use of an A, A, B, B, rhyme scheme creates rhythm through each of his 4 stanaz. Contrastingly, Dawe uses syllabic rhythm such as “on the fleet diesel that interprets them, like music on a roller-piano as they move, over the rhythmic rails”. Dawe also uses alliteration to create this similar pattern such as “breeze blowing”, “cliff of kissing” and “sandstone sustaining”. Both of these techniques create tone within each poem allowing the reader to reflect the mood of each poem. Auden’s rhyme scheme portrays a tone of sadness and grief in its simple structure and Dawe reflecting a tone of joy and longing

Throughout the poem the tone and harmony is showing many different moods including shyness, anger and calmness. An example of shyness is at the start of the poem “softy, silently it swishes”, an example of anger is in the middle of the poem “it thumps, it sprays it rips at shores, its ozone spray”, and finally at the end of the poem calmness is shown, “it spends its strength, it sings, it sighs. The wave recedes”. One aspect of the poem I find intriguing is the alliteration and personification. For example, “it sighs, it sings, it seeks”.

It again reinforces the thematic concern of the overall theme. The tone does not change throughout the poem suggesting the constant constraint the poet felt. This is created by words such as "rage", "smouldering" and "furious". Which again highlights the irritation the poet herself felt due to the lack of freedom on the poetic inspirations. Therefore, the tone creates a sense of "life as bleak".

Form is an essential component of any poem; it can make certain words stand out, and can convey the author’s meaning even more. In Claude McKay’s “Subway Wind”, his repetition of assonance and consonance throughout the poem brings about a word flow that makes the poem read much more smoothly. In addition to using these devices, McKay’s careful use of ten syllables per line brings about a distinct structure and form to the piece.

The poem progresses from mourning of the deceased to praising of his achievements and fate to die before his glory withered. Therefore, the tone shifts from somber and quiet to upbeat and positive. Such shift of tone is achieved by Housman’s use of sounds. In first two stanzas, Housman describes the funeral procession as he remembers the time when the young athlete was proudly brought home after he won a race. Then, he solaces the mourners by reminding them it is better that the athlete “slip betimes away from fields where glory does not stay” (lines 9 and 10) because the laurel “withers quicker than the rose” (line 12). The soft “s” sound stands out especially in second and third stanza and it creates a sense of calm and quiet tone and evokes an image of townspeople mourning the death of their “hero”; Consonance of “s” sounds is present in words “shoulder, set, threshold, townsman, stiller, smart, slip, betimes, fields, does, stay, grows, withers, and rose.” In addition to consonance, soft sound alliteration in “road all runners” (line 5) helps to create a quiet tone. As the poem progresses into praising of the young athlete in stanzas four through seven, the consonance of hard “c”, “t”, and “f” sound become prominent. Readers can immediately detect

Furthermore, this poem heavily uses a mixture of literal and figurative imagery. One of my favourite examples of imagery in this poem was “hands reaching out / fists raising up / banners unfurling / megaphones booming” (Jetñil-Kijiner 62-65). This quote allows the reader to imagine the protests and the movements that people are trying to do in order to save the planet. That was a case of extremely powerful and inspiring literal imagery as it shows people’s fight for change. This is an example of people who are fighting to save the planet for not only the current generation but for future generations as well. There are also several examples of figurative imagery, the most prominent is personification. An example of personification is “they say [the lagoon] will gnaw at the shoreline / chew at the roots of your breadfruit trees / gulp down rows of your seawalls / and crunch your island’s shattered bones” (12-15). In this example, it is talking about the repercussions of climate change and what the future will look like if people do not change. The use of personification helps the reader understand the awful things that can

The tone Gray builds throughout the poem is one of darkness.  Since there is no direct action and plot during the course of the text, the tone it bears is generally passive, although it changes towards the end.  The tone is characterized by the pessimistic and dark foreshadowing that echoes throughout the poem.  Reappearing reference to war and the brutality of battle further aid the development of the gloomy tone.  As the poem progresses, the tone changes.  This becomes evident in the last three stanzas, when the loom is finished and “the work is done”.  After the achievement of this task the mellow tone shifts towards excitement and motivation. Stanza 14 shows this change in tone utilizing two back to back exclamations or demands that hastily call for immediate action to spread the fate.

The sound of poetry is the most important element than anything else involved with poetry. The sounds of poetry are basically a foundation of desire. It is how the syllables are arranged in a pleasant-sounding pattern to satisfy and please desires even if they have a small meaning or no meaning to them. A poem that is filled with sound but little meaning can be “The Word Plum” by Helen Chasin. It is a poem that uses the sound devices of alliteration and onomatopoeia to bring the plum to life. Using alliteration and onomatopoeia it gives the plum a sound, a savory sound, it’s almost like you can taste and touch the plum in the palm of your hand and the sounds are just rolling off the tongue with every “delicious” bite of “luxury”. In the first line there is just a brief description of how delicious the plum is, but wait there is more. Then Chasin uses alliteration in (line 2) with the two words “pout and push” because they begin with p’s, they’re verbs, four letters, and are not capitalized. Chasin also uses onomatopoeia with the second line, same words “pout and push” to give a new sound of delicious from the first line, and to explain why the plum is so delightful. Once more, she uses alliteration in the third line using “self-love and savoring”; creating that delightful sound of juices from the plum.

Some personification examples from the poem are, “My head knocks against the stars. My feet are on the hilltops. My finger-tips are in the valleys and shores of universal life” (1-4). The truth is not an actual

doesn't rhyme, it can have alliteration to make it more rhythmic. Alliteration is another way