Summary Of The Poem The Cat And The Moon

A less theoretical definition of poetry is, “putting the best words in the best possible order.” A poet may incorporate the theory as follows. The poet may astutely choose words possibly with a double meaning in order to indirectly convey a message, evoke emotions, or to slander. Then, the poet may unconventionally place such words and phrases perhaps out of expected order for the sake of creating a “word picture,” emphasizing the speaker’s feelings, or offering tangibility to the poem. By implementing this idea onto poetic works, the poet will have auspiciously written a superb poem. This theory may be applied to a few of Catullus’s poems specifically “Carmen 5”, “Carmen 8”, and “Carmen 85.” Catullus’s meticulous choice of words and arrangement highlight the central focus of the poem, obliquely criticize traditional Roman law, manipulate the audience’s attitude, transmit the speaker’s emotions, paint “word pictures,” and offer symbolic meaning consequently producing a successful poem.

In the first stanza, the author argues that the cat may have died from curiosity, but that it may have been a chosen death. “Or else curious to see what death was like, having no cause to go on licking paws, or fathering litter on litter of kittens, predictably.” (lines, 2-5) Basically, the author is

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

The storyteller begins the story by stating from an early age he has had an obsession with animals. Poe states, “This peculiarity of character grew with my growth, and, in my manhood, I derived from it one of my principal sources of pleasure.” (Poe) This statement is evidence of the insanity the narrator experienced at a very young age. He goes on to explain that he and his wife have many domesticated animals, including Pluto, a large beautiful black cat. He describes the mutual fondness between him and the cat. This relationship between him and the cat, is strange. For years they have a growing friendship, until he started drinking alcohol in excess. The narrator goes on to explain how one night after getting completely intoxicated, the cat panicked and bit him. This causes the author to become angry and in a psychotic fit of rage, he takes a knife and cuts out one of the cat’s eyes. After this encounter, the cat fears him, and tries to avoid him at all cost. In the beginning, the storyteller is regretful and feels remorseful for the cruelty. But soon we see the narrator’s insanity expressed when Poe states, “But this feeling soon gave place

The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the

William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.

To begin, in the poem “Introduction to Poetry” by Billy Collins he wants his readers to appreciate each poem as a piece of art. He wants his readers to look at the poem and get absorbed into the emotion of the poem instead of only wondering what the poem means. He uses personification in this quote “tie the poem to a chair with rope/ and torture a confession out of it” to express what we do to poems (356). We the readers should instead pay attention to the rhyme and style of the word. We should stop worrying about the meaning of the poem. This is similar to another author style in “Poem” by William Carlos Williams he uses a cat to movements in the “jamcloset” to show his readers that we should be like the cat. The cat takes its time to get around the “jamcloset” which is what the readers should do with poetry we must take our time to look at it and appreciate each word, line and stanza.

Ted Kooser, the thirteenth Poet Laureate of the United States and Pulitzer Prize winner, is known for his honest and accessible writing. Kooser’s poem “A Spiral Notebook” was published in 2004, in the book Good Poems for Hard Times, depicting a spiral notebook as something that represents more than its appearance. Through the use of imagery, diction, and structure, Ted Kooser reveals the reality of a spiral notebook to be a canvas of possibilities and goes deeper to portray the increasing complexities in life as we age.

This poem is also about Art, and the Irish people's response to it. It is structured around the contrast between the Yeats' dream to write for the Irish people, and the reality.

Edgar Allen Poe was one of the most influential and important writers of the nineteenth century. He was the first writer to try to make a living only writing. One of Poe’s most popular short stories, “The Black Cat”, is considered horror fiction or gothic fiction which Poe is known for in his books and short stories because it was a popular genre during his days. In Poe’s short story, “The Black Cat”, Poe uses a horror fiction genre, a mentally deranged and evil narrator/character, and symbolism of death to make a thrilling story with tons of suspense, drama, and gruesome detail.

Both Sun and Moon play significant roles in this old poem, in a symbolic and supernatural way, in order to reinforce the mood that Samuel Taylor Coleridge has attempted to create in his use of old legends and superstitions. The role that the sun and moon play in this tale of cursed sailors is an old one, retold over and over the years that Coleridge adapted for his own.

For Pluto, however, I still retained sufficient regard to restrain me from maltreating him”. He abused all the other animals and even his wife but he never hurt Pluto. The first black cat is symbolic of the narrator’s evil heart. It shows favouritism and obsession with black cats from the start this story, later after he had murdered Pluto, he still went out and realised when he saw the second cat that it is what he was looking for. “What added, no doubt, to my hatred of the beast, was the discovery, on the morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes.”. The second black cat is symbolic of the narrator’s guilt. This fact about the cat made him hate more simply because he felt guilty of what he had done to Pluto. His guilt and religious torment gives us an insight to his insanity.

When reading a short story many people take the details given to be the unconditional truth. This is probably why so many of these people are confused or repulsed by a story like “The Black Cat.” Throughout the story, the narrator makes numerous contradictions. These contradictions, combined with his actions make me doubt the legitimacy and truth of what he says.

     “The Stolen Child”, a poem by W.B. Yeats, can be analyzed on several levels. The poem is about a group of faeries that lure a child away from his home “to the waters and the wild”(chorus). On a more primary level the reader can see connections made between the faery world and freedom as well as a societal return to innocence. On a deeper and second level the reader can infer Yeats’ desire to see a unified Ireland of simpler times. The poem uses vivid imagery to establish both levels and leaves room for open interpretation especially with the contradictory last stanza.

In the short story, both cats follow the narrator around the house; however, their motives seem to be different. The first cat, Pluto is loved by the narrator. According to the narrator, Pluto was “my favorite pet and playmate”, and it seems the cat reciprocated the love and would follow the narrator throughout the house (Poe). Pluto wanted to be with the narrator so much that the narrator had difficulty leaving the house and making sure the cat did not follow him outdoors. Their companionship lasted for several years, with the narrator being the one to solely feed Pluto and Pluto wanting to be by his side. Until one day, the narrator’s personality changed, and he killed Pluto and gets the second cat out of his feelings of remorse. The second cat was loathed by the narrator, but just as Pluto, the second cat wanted to be near the narrator. Likewise, the second cat would follow the narrator’s footsteps throughout the house, which would irritate the narrator profusely. The irritation seemed to encourage the cat to be around him even more and included the cat sitting under the chair, jumping onto the narrator’s lap and cuddling with him. The cat seemed to enjoy making the narrator angry and the narrator would wake at night and find the cat lying on his chest and as he states, “find the hot breath of the thing upon my face (Poe).” Since the second cat wanted to be near the narrator even though the narrator despised him, enhanced the belief that it was the second life of Pluto wanting the narrator to remember what he had once done, but that was not the only similarity.