Summary Of ' The Ruminant Animal ' Essay

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

Hughes uses powerful imagery as he describes the most ostracized groups in American society from which this voice derives: the poor white man “fooled and pushed apart”, the black man “bearing slavery’s scars”, the red man “driven from his land”, and the immigrant “clutching” onto hope. He uses stirring metaphors, “slavery’s scars”, to relay the image of suffering experienced by these forgotten

Citizen, written by Claudia Rankine in 2014, narrates testimonies of systematic racism and every day micro aggressions through poems, essays, scripts and images. Rankine documents the racist encounters through the second person point of view for the reader to feel and understand the effects racism has on the body and mind. This paper will examine hypervisibility and invisibility of the black body embedded in the novel because of decades of racism. Rankine emphasizes the sensory emotions and feelings of the black body as a response to America’s reluctance to recognize and empathize with black men and women.

In the case of post-civil rights movement America, Derrick Bell’s satirical piece “The Space Traders” illuminates the lingering barriers of racism that continued to dictate the United States even after a period of social justice. When presented with a choice between benefitting whites or blacks the prevailing tradition of racism and other biases made clear that despite promises of reform, “black lives are expendable”(Bell). In Bell’s hypothetical situation, the unchanged nature of racial preference exposed the immorality that was allowed to interfere in the fate of an entire social group without their consent. The inability to dissolve the continual segregation of the American people by color proves the unshakeable nature of bias that maintained the deciding hierarchy of one life receiving precedent over another. In this instance, the priority was defined by skin color while in Jonathan Swift’s scenario it was defined by wealth and societal statue. Swift’s “A Modest Proposal” seeks to expose the severe lack of reverence that the Irish held in regards to the value of human life. Distraught with overpopulation and a destructive lower class system that drowned itself in poverty and destitution, children were dehumanized into existing as only edible figures of flesh and bones. Society required all of its members to be “sound and useful” yet the irrevocable poverty of the lower class made these savages useless and deplorable (Swift). Devoid of any other redeeming quality, the penniless were to be exploited for their existence as a breeding pool in order to be served on royal tables and provide for the pleasures of the rich. This disgusting disregard for human life illustrated the moral ignorance of the elevated classes as they would rather stomach their problems, quite literally, instead of addressing them humanely in an effort to improve all members of society, not

In Michelle Alexander’s The New Jim Crow, Alexander explains how racism in the U.S. has been “redesigned” in order to be written off as nearly nonexistent (Alexander, 2). Alexander goes on to

Between the World and Me has been called a book about race, but the author argues that race itself is a flawed, if anything, nothing more than a pretext for racism. Early in the book he writes, “Race, is the child of racism, not the father.” The idea of race has been so important in the history of America and in the self-identification of its people and racial designations have literally marked the difference between life and death in some instances. How does discrediting the idea of race as an immutable, unchangeable fact changes the way we look at our history? Ourselves? In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and the current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the

Although the Civil Rights Act of 1964 ended legal Jim Crow, the perpetuation of prejudice, institutional racism, and discrimination towards African Americans continued. The tolling effects of this social paradox on the African American community are manifested within the works of Ann Petry, an African American writer whose short stories reflect her own perspective on the results of discrimination. The short stories, The New Mirror and In Darkness and Confusion conjunctively display the negative psychological consequences linked to racism, such as loss of personal identity, social reflectiveness, insecurity, anxiety/paranoia, weakened family bonds, and violent outbreaks.

Expectations were met with severe disappointment for most blacks in America following the Civil War. Rather than gifting African-Americans with the freedom they dreamt about and fought hard for, the Emancipation led to an achievement of an ambiguous status in society, which created a larger problem of race that W.E.B Du Bois discusses in The Souls of Black Folk. In order to introduce this problem, Du Bois employs the use of a metaphor that compares the post-war life of Blacks in America to being stuck within a Veil as most held distorted images of self and self-worth. His use of the Veil metaphor emphasizes the severity of the “Negro Problem” in an attempt to convince white Americans that, in order for real progress of American industry and culture to take place, the problem must be solved.

Over fifty years ago, a Texan named John Howard Griffin embarked on a revolutionary journey—to darken the color of his skin and experience racism in the Deep South firsthand. While considered extremely controversial at the time, the experiences recorded by Griffin in his book, Black like Me, are still discussed today. The book has continued to inform readers about oppressive prejudice in America, and aided them in realizing that bias, while hidden, is still prevalent today. It has inspired a new generation to work towards equality, while warning them of the dangers of racial supremacy. Readers are exposed to the fact that many deny the existence of racism by convincing themselves that the small

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

“American History” asks us to search for something that we can’t see, and, in context of the poem, what we cannot see is the animosity towards black Americans. In this poem, Harper confronts this regressive notion of black Americans with his usage of punctuation and ability

Citizen, written by Claudia Rankine in 2014, narrates testimonies of systematic racism and every day micro aggressions through poems, essays, scripts and images. Rankine documents the racist encounters through the second person point of view for the reader to feel and understand the effects racism has on the body and mind. This paper will examine hypervisibility and invisibility of the black body embedded in the novel because of decades of racism. Rankine emphasizes the sensory emotions and feelings of the black body as a response to America’s reluctance to recognize and empathize with black men and women.

In “On the Pulse of Morning”, Angelou uses visual imagery and symbolism to argue that people must learn from the past to eliminate racial injustice in society today. The vivid descriptions found in the poem evoke feelings of injustice through the emotionally painful pictures that they paint. Americans as a whole are described in the poem to have “crouched too long in / The bruising darkness, [...] / Face down in ignorance” (“On the Pulse of Morning” 15-18). The speaker of the poem insinuates that “humans have been hiding, [...] afraid of what they might learn” from history (“On the Pulse of Morning”, 1998, 3: 276). The bestial visual of a person “crouching” takes away the humanity of the subjects, and the description of “bruising darkness” calls to mind the dark times of slavery over a hundred years prior. The image evokes a feeling that Americans have made terrible mistakes in the past that have not yet been corrected. They have committed terrible, animalistic acts in the blackened cover of history. These people refuse to look up and accept what has been done. The shadows of slavery and the pain caused by it are still ubiquitous in modern society, and if humans do not stop hiding from the truth, they cannot right the wrongs that have been committed. In order for the ignorance to end, people must accept the continuing prevalence of injustice. Not only does Angelou use detailed descriptions, but her use of symbolism allows the reader to see the injustice in society through

During the 1930’s, Racism was at a major play; mostly in Southern states. In the short story, Welty gives many examples of metaphors and symbols showing that racism was a major impact during this time. For example, “Big

Note: This essay intends to explain the differences in first and third person narratives, highlighting examples within the two stories “Let them call it Jazz” and “A sense of shame”, both of which deal with racism and its subcultures in a first and third person perspective, respectively. The arguments presented are limited to that of first and third person perspectives only.