Summary Of The Secret Life Of Salvador Dali

What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is

Oil on wood panel, “Honey is Sweeter than Blood” was one of the first studies and attempts by Salvador Dali to move from Cubism to Surrealism. (Pixtot, A. “Presentation of the latest”, 1). The painting has a disturbing meaning of portraying the female body in a state of decay, connected to the present prostitution in Paris at the time. The symmetrical perspective is simple but effective, by using the naked female body as a center of focus. Color is on a high hue rich in blues and limited to a high contrast chiaroscuro skin tones over the background washed out skies. Psychological obsessions and struggle with preoccupations of decadence, death, sexual obscenities and immoralities were present in his works.

Many different ideas and explanations were made but the most controversial idea was that the melting clocks were somehow connected with Einstein's theory of relativity but in my own personal opinion I interpret this artwork as a way of Salvador to try to capture the time and existence in one place and one occasion because of a pressing need of his own nature that motivates him to do so as artist.(3)

The museum I chose to visit was the Dali Museum mainly because I have been wanting to check it out since I first moved down here to Florida three years ago. My sister has always been a huge Salvador Dali fan and even has a tattoo of his painting titled “The Elephants” on her side. I am looking forward to experiencing more of his paintings other than his most popular works of art. I am also hoping this experience will give me a greater appreciation for him as an artist by seeing the diversity of his works. What I am least looking forward to is trying to find one work of art that really stands out to me enough to write this paper about. I am sure I am going to find multiple pieces of art that I will love.

The painting depicts a young woman in a pink dress sitting down. The background is very dark but three things can be made out by the viewer. Starting with the ground plane of the painting, an orange carpet can be seen covering the entire floor. It is patterned and contains yellows, greens and blues. The cool toned colours are darker in hue than the warm toned. Secondly, there appears to be a cabinet or a desk lining the wall behind her. The wood of the cabinetry is carved with detailed designs and is made of a dark stained wood. Despite the dark background a single red rose can be seen on top of the cabinetry. The rose looks freshly picked and shows no signs of withering in its petals. It is painted in a muted red colour that allows it to stand out on

There is also a mirror placed on the table allowing the viewers to link with space beyond the frame. Also in the far back right of the painting you can see a young man talking to an elderly. The artist created an very old or old-fashioned look by using opposing colors, red and green. “The second half of the fifteenth century in northern Europe saw an expansion of genre

His hand is positioned on the bottom left of the frame with the fingers and palm situated towards the middle left side. The shoulders positioned in the top third cut through representing a horizon. The direction of the fingers makes your eye travel around the painting, the tie the slices through the middle of the shirt, the cuff of the shirt cuts across to stop your eye falling out of the frame, the lightness balancing all the darkness. The mouth dominates the image and drags you eye back to the

The illusionistic brushwork denotes the bulky drapery folds that are wrapped around the body.3 Behind his head is a large golden circle that could either qualify as a large halo or a sunset in the distance. His left foot is slightly lifted and is resting on the base of the writing desk which highlights that this artwork is three

     Let us see how the Hallucinogenic Toreador came about. Dali had doubtless talent, which was drawn apoun systematic confusion. For many, trying to make sense of this painting was distinctly unhelpful. Dali made the dates and titles of his work as he had the tales he told about his life. Studies of this painting never came complete. The tones of light in the painting are perfectly placed on each object to show form and three dimensions of light, and contour. Females are lined up facing different directions. Three of the statue like females show only light which makes the chest and belly look like the bottom of a males face. Everything on the painting is made to show Salvador’s family and some depict the face of

shows the concept of time as anything but persistent. The painting is presented in what can be assumed to be the landscape of a dream. In the middle of the landscape is a figure that resembles a person who is sleeping, further showing that the painting’s setting is within a dream. As he falls asleep, time has, (quite literally) melted away, as shown by the clock within the paintings that have melted away. On the left hand corner, we’re shown what seems to have been another clock that has turned into a pile of ants, which shows Dalí’s definitive surrealist style. These clocks show that time isn’t of any significance. Within this land, time slips away, and life moves forward. Dalí depicts time here as limitless. While we allow ourselves to be ruled by time, he shows that once we let that guard down (as we do when we are asleep), time becomes nothing but an illusion.

In the center of the painting is Plato on the left and Aristotle on the right. These two are showing the two parts within philosophy, Timaeus and Ethics. The other philosophers on the sides are ‘corresponding to the separate schools of thought within the two major divisions, each carrying on the philosophical arguments for which they were famous (Fleming, 304). Plato: (428-c. 347 BC) was a Greek philosopher and one of the most creative and influential thinkers in Western philosophy. Plato founded the Academy in Athens, the institution often described as the first European

Dali’s painting appears to be representative of mainly the subconscious mind because many of the elements in the painting express objects or ideas that are highly characteristic of memories, dreams, or even socially unacceptable elements. More importantly, The Museum of Modern Art explains that a year before this painting was made Dali began to undergo his “paranoiac-critical method” which stimulated

After looking beyond the focal point, to the left of that clock and even a little bit closer is a pocket watch. This watch is in a contrasting orange color. This is the only orange used in the painting. The placing of the pocket watch is strategic, as it too is on the shelf with the most recent memory, but the line and angle of the shelf automatically pulls your eye to it. The pocket watch is closed and highly decorated with black. Although, the viewer cannot make out what the clock is decorated in, it seems to convey that this clock is very important to the scene. The onlooker might even see this as a memory that has not been opened yet. Something grand will take place in this time line portrayed by this painting.

The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the

This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this