From Child to Man: The Short Happy Life of Francis Macomber
Ernest Hemingway was a great American writer and journalist. Hemingway used a number of different foils to give insight into his characters and foreshadow events to come in his writings. In Hemingway’s short story “The Happy Life of Francis Macomber”, a number of critics argue about what exactly he used to tell the story of Francis Macomber growing from a cowardly boy to a courageous man. One thing we can’t argue about is the fact he did such a wonderful job.
Theodore L. Gaillard, Jr. argues in his journal article, “The Critical Menagerie of “The Short Happy Life of Francis Macomber””, that he believes that Hemingway used an “animal menagerie as a standard against which to measure and evaluate his human actors” (Gaillard 31-32). In Gaillard’s journal article. He says the foil Hemingway used in “The Short Happy Life of Francis Macomber”, are the different animals that are mentioned in his short story. Before getting to Africa, Francis Macomber only had experience in spending money, fishing and hunting small animals (Gaillard 32). Francis is described as a rabbit-hare towards the beginning of the story by himself, his wife and Wilson, the hunter. “I bolted like a rabbit” Francis says in “The Short Happy Life of Francis Macomber” (Hemingway 4). Francis uses the rabbit to describe his cowardice when running from the lion he supposed to be hunting. “More specific than this implicitly negative criticism of Macomber is
In Ernest Hemingway’s short story “The Short Happy Life of Francis Macomber,” Hemingway uses the author’s craft of perspective, along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the three main characters. Hemingway develops the characterization of Wilson, Margaret, and Francis by using multiple perspectives as he threads a negative tone throughout the story.
Margot Macomber as the Hemingway Code Hero in “The Short Happy Life of Francis Macomber”
Ernest Hemingway is known for writing novels and short stories with unresolved endings. In his short story, ?The Short Happy Life of Francis Macomber?, he
Women in Hemingway’s stories are portrayed to be heavily sensitive and emotional, and unable to deal with the realities of life. They do not seem to understand how life is not necessarily always going to be a picture perfect world. In “The Short Happy Life of Francis Macomber”, Margot Macomber is shown as a very emotional women in many circumstances, as if she is not able to deal with obstacles that life will throw at her. One instance of this is when the two men are having a discussion about killing the lion. At one point, she is making jokes and seeming perfectly fine, then the next thing she starts to cry. Her husband, Francis, and Wilson even acknowledge this as well. They describe how they “both saw
In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.
Benson, Jackson, J. The Short Stories of Ernest Hemingway Critical Essays. Durham: Duke University Press, 1975. Print.
Between the stories of “The Cask of Amontillado” by Edgar Poe, and “The Short Happy Life of Francis Macomber” by Ernest Hemingway, the authors are able to control these stories through the use of irony, defined as a “contrast or incongruity between expectations for a situation and what is reality. This can be a difference between the surface meaning of something that is said and the underlying meaning” (http://www.literarydevices.com/irony/). Within these short stories, each author has been able to bring the reader into the story by giving them the opportunity to endure the thoughts and feelings of individual characters which include the taste for revenge, and the bitter truth of a marriage. The way irony is placed into the stories has
The beginning of Hemingway’s story paints a picture of the main character as you typical, young, Midwestern collegiate man. His life was seemingly put together. He fit into societies norms, as he was pictured with “his fraternity brothers, all of them wearing exactly the same height and style collar.” This imagery was contrasted to another picture taken at one point during the two years he spent over seas. However, the author starts out describing the second picture something that could be portrayed as beautiful.
Francis Macomber, the main character of the three, is a “…very tall, very well built...he was thirty-five years old kept himself very fit, was good at court games, had a number of big game fishing records, and had just shown himself, very publicly, to be a coward”(Hemingway pg.6). While, Robert Wilson who is “…about middle height with sandy hair, a stubby mustache, a very red face and extremely cold blue eyes…” (Hemingway pg. 6) and a very old gentlemen. This, brings in the last character Margaret Macomber. Margaret Macomber was an “extremely handsome and well-kept woman of the beauty and social position…” (Hemingway pg.5).
“We have nothing to fear, but fear itself.” Known by many, this common phrase has few words, but a intense meaning. In Ernest Hemingway’s short story, “The Short Happy Life of Francis Macomber,” the overcoming of fear is shown throughout the story. Francis Macomber and his wife Margaret Macomber are on an African safari with a man name Robert Wilson. Hemingway portrays Francis Macomber as wealthy and beautiful, yet cowardly. Macomber's wife Margaret also young and beautiful, but seemingly dissatisfied with her husband of eleven years. Robert Wilson is portrayed as a fearless man that has little regard for anyone but himself. The story is focused around Francis Macomber’s cowardly actions and his attempt to become
In Hemingway’s short story, The Short Happy Life of Francis Macomber, we begin with the married couple, Franics and Margaret Macomber, on a safari in Africa with a man named Robert Wilson. Francis is shown to be a coward when he shoots his first lion twice, but is too afraid to finish it off even though it may be suffering. Margaret is very displeased with her husband’s cowardice and shows her contempt by berating him profusely. Francis is awoken from his sleep late at night after a bad dream to find his wife, Margaret, is gone. When she returns to the tent she claims she was out getting “a breath of air” but Francis knew she had just slept with Robert Wilson. Francis
The other male character used often by Hemingway is the coward or the “messy man”. This is the man who follows no code and has no honor or bravery. He is often dominated by a woman, by far the most humiliating condition according to Hemingway. In The Sun Also Rises, Hemingway writes “Cowardess is the worst kind of luck any man could ever have” showing his despicable view towards any man lacking masculine qualities. One of the best examples of the coward is portrayed in “The Short Happy Life of Francis Macomber” by Francis. He is dominated by his wife and looked down upon by manly hunter Wilson. But as the story goes on, Macomber overcomes his cowardliness and becomes the sought after “code” hero for the short while before his death. The hunting expedition serves as an opportunity for Francis to learn the code and reassert his power over his wife. The male characters used by Hemingway in his stories say a lot about his own views of masculinity.
Ernest Hemingway’s short story, “The Short Happy Life of Francis Macomber,” chronicles a rich American couple’s safari hunting trip. Francis Macomber, a seemingly perfect man- handsome, wealthy, and athletic- and his wife, Margot Macomber travel to Africa for a hunting trip. The story opens on an afternoon cocktail hour, after a morning of hunting. Quickly, Margot’s frustration towards her husband emerges. She is embarrassed of his cowardness, and torments him. Richard Wilson, their safari guide, listens to the argument. Wilson is brave and athletic, essentially the qualities Macomber lacks. Earlier that morning, Macomber ran away from a lion, leaving Wilson to mercy kill it. Later, in an effort to win back Margot’s admiration, Macomber successfully gunned down three buffalo. However, an injured one charges, leaving Margot to shoot the buffalo, and Macomber. Hemingway’s use of literary elements enhance and deepen the reader’s understanding of the characters. He develops their actions and motivations through a code hero, symbolism, and allusion.
“The Short, Happy Life of Francis Macomber” also contains the theme of arduous moral situations for the characters. Margot, the wife of Francis, is challenged by the temptation to have relations with their tour guide. Eventually, she commits the crime of adultery, and her husband finds out about her crime and is deeply shaken. “‘Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault’” (Hemingway 13). By the tone of Wilson thoughts, it is inferred that he is not able to find fault in himself and decides to blame it on the most vulnerable person, Francis. In spite of Wilson being the only man to blame for this whole incident, Margot can also take part of the blame. She appears to be a faithful and caring wife, but her actions do not justify this statement.
The other male character used often by Hemingway is the coward or the “messy man”. This is the man who follows no code and has no honor or bravery. He is often dominated by a woman, by far the most humiliating condition according to Hemingway. In The Sun Also Rises, Hemingway writes “Cowardess is the worst kind of luck any man could ever have” showing his despicable view towards any man lacking masculine qualities. One of the best examples of the coward is portrayed in “The Short Happy Life of Francis Macomber” by Francis. He is dominated by his wife and looked down upon by manly hunter Wilson. But as the story goes on, Macomber overcomes his cowardliness and becomes the sought after “code” hero for the short while before his death. The hunting expedition serves as an