Summary Of The Story 'Where Are You Going, Where Have You Been?'

At home, she kept to herself. She was very ostracized by her mother, for her mother didn’t like the way Connie acted. She was considered a child—a lazy child stuck in her own thoughts. In Connie’s eyes, her mother never had anything good to say about Connie because her June was always doing something right. Whether it’d be paying bills or cleaning up around the house, June was the praised child. By being put down so much it pushed Connie to isolation, which led her to think more of herself and do nothing but daydream. I think playing the role of the child didn’t bother Connie so much because she was the youngest of everyone; however, what seems to bother her more is how her mother views her. What we later see is that when Connie is being threatened by Arnold, she screams for her mother over the undialed phone which shows how terrified Connie is faced with a real-life

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

Where there is desire, there is hope, despair, and struggle. Joyce Carol Oates illustrates animatedly the asphyxiated struggle of desire in her short story “Where Are You Going, Where Have You Been?” The story narrates the life of a young girl, named Connie, and her fated and enigmatic confrontation with a strange man. Feeling trapped in her own home with her own family, Connie, a self-conscious and rebellious teenager, tries to figure out a way to identify herself with the world around her. Her desire of escaping the reality fuels her struggle to enter adulthood. Through the physical form of Arnold Friend, who embodies both the hope and the despair in Connie’s struggle, the author metaphorically portrays a vigorous and psychological pressure that Connie has to endure. The story is scripted to allude to the danger of identifying oneself through sexuality in young girls. To better understanding this cryptic story, it is important to follow the psychological processes and conflict of Connie’s character, which help unveil the allegorical meaning of a young girl’s rite of passage through sex.

Joyce Carol Oates's short story, “Where Are You Going, Where Have You Been?” was written in 1966 and twenty years later was made into a movie entitled Smooth Talk by Joyce Chopra, winner of the 1985 U.S. Film Festival for best dramatic picture. The writing by Oates is loosely based on a true story known as “The Pied Piper of Tucson.” The most significant differences based on the story and movie are the father-daughter relationship with Connie and Chopra’s changing the mother’s attitude toward her. Even with these changes, however, the character of Connie and her creepy stalker Arnold Friend remain the same.

The reader gets to know Connie through what the narrator has to say about her. The narrator states that, “She was fifteen and she had a quick nervous giggling habit of craning her neck to glance into mirrors or checking others people’s faces to make sure her own was all right. . . she knew she was pretty and that was everything.” (316) The reader start to see that Connie might be beautiful and that she thinks she is beautiful. The reader also notice that beauty is a major thing to Connie and that that is all that matters to her. The narrator also states that, “so much land that Connie had never seen before and did not recognize except to know

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

In this essay, I argue that the main theme of “Where Are You Going, Where Have You Been?” is internal conflict. The main character, Connie, struggles with multiple internal conflicts throughout the short story. Some of these internal conflicts include a search for independence, internal judgment, and fantasy versus reality.

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

Not everybody is who they seem to be. Be careful about what you wish for, because it just might come true. In Joyce Carol Oates’ “short story” “Where Are You Going, Where Have You Been?”, a fifteen year old girl named Connie comes face-to-face with a man named Arnold Friend. Oates successfully portrays the similarities between Arnold Friend and the Devil through plot, setting, and characterization.

Not too long after Arnolds first encounter with Connie, Arnold arrives at Connie’s house in his golden convertible, but

“Where Are You Going, Where Have You Been?” a short story written by Joyce Carol Oates, revolves around two main characters — Connie and Arnold Friend. Connie is a 15 year old girl, the protagonist in the story, who disrespects her family, and tries to act more mature than she actually is. Arnold Friend is the mysterious “villain” figure in the story that places Connie in an unpleasant situation that causes her to question the extent of her maturity. Throughout the short story Arnold pushes Connie’s comfort level, and tries to get her to be adventurous by getting in his car for a ride; however, Connie realizes that she cannot get out of this troubling situation on her own. Even though the characters’ overall personas are different, they both show arrogant tendencies, which serve as both of their greatest weaknesses in the short story.

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

In her sorrow for the behavior of her daughter Connie, the mother often expresses a bit more appreciation and consideration for the older sister June. She declares somewhere in the story, ‘’Why don’t you keep your room clean like your sister? How’ve you got your hair fixed-what the hell stinks? Hair spray? You don’t see your sister using that junk’’ (Henderson ). It is well-known that anything in excess is harmful, but Connie does not seem to have been aware of this. Connie’s behavior, far away from doing good to her, exposes her to her sexual predator as an easy prey.

As the story progresses, it is Sunday morning and her family is getting ready to attend a family bar-b-queue. However, Connie insists on not attending and is left alone at home. As she is washing her hair, she hears an unfamiliar car driving up to her house and her heart begins to pound for she does not want the visitor to see her undone. When Arnold Friend, a man she has seen at the restaurant before, but has never spoken to, shows up on her doorstep, she is someone curious as to why he is visiting her. Throughout the scene, he is attempting to persuade Connie into taking a ride with him and his friend Ellie. The more he speaks to her, he reveals to her that he knows many things about her such as her friends, her name, and family and where they are currently at. As the scene develops, Connie no longer has interest in Arnold for she now is scared and is fearful of what his intentions are.

Later on in the story her family is going to a barbeque, but Connie chooses not to go and stays home by herself to listen to music and sunbathe. When she comes in the house she hears a car pull up and it turns out to be Arnold Friend and another boy