Summary Of The Three Musketeers

Theatre is a collaboration of various forms of fine art which utilizes live performances presenting before the audience on a stage at a specific place within a scheduled time (Dugdale 10). The message is communicated through a combination of various channels like songs, speech gestures or dances. Stagecraft skills are combined with elements of art to make the performance more physical and near to real life experience. Theatre is categorized broadly into drama, musical theatre, comedy, tragedy and improvisation. Any form of these accepts integration of various production modes and collective reception to influence the artwork being presented. As a result of this cooperation of items in the theatre

"A Philosophy of Theater « " East of Mina. N.p., n.d. Web. 19 Jan. 2011.

For decades people found theatre one of the most enjoyable form of entertainment all across the world. With every play comes a cost. A value which somebody's story is told. Obviously it can be comic drama or despairing,. Each second of these plays are genuinely delightful and exceptional. Where the performing artists show a totally distinctive side of characters to the group of onlookers where they demonstrate to them something new and pleasurable. And behind the theatre and its plays is one person who keeps it all in check and that is the director. The director is like the heart of a person. You don’t see the heart but you know if it’s doing its job correctly

During the 19th century, theater adopted a realistic viewpoint by romanticism but also a rise in modern nationalism to give people a sense of belonging in a community or culture (Carlson 2014: 21). In the 20th century, realism in theater was challenged and plays were now easier to attend due to the improvements of communication and the ability to reach other areas of the world by travel (Carlson 2014: 23-24). Theater is another addition to the world of art that is continuously evolving and adapting to the world and cultures influencing its

The Paris people suffered from famine for a long time, while the king was wallowed in luxuries and pleasures. Distribution of rotten food has given rise to the riot of Paris people. One of the most successful moments was when the angry people threw a rotten apple at him, he cut half of it and caught the other half with the rapier and tasted a bit. Then he promised to report to the king about this situation so that the riot was calmed down. His words and emotion were so sincere that obtaining the trust of crowds. It was when the king robbed the fiancee of Athos’s son and caused his son’s death after sending him to the war that the three musketeers including Atho decided to defeat the king. Then they rescued the man in the iron mask, the twin brother of king, to support them. Quite a part of the plot was talked about how they planed to confront the king. So the duel was of great importance in this film as

Theatre today as in ancient Greek times is a popular form of entertainment. Today’s theatres share many similarities with the Greek predecessors however they are also very different. There are in fact many differences for example; layout, special effects, seating arrangement, the importance of drama and religion, setting, location and architectural features.

For instance, after our visit to the Ford’s Theater I came to realize the former division of theater by social strata is obsolete. During Shakespeare’s era theatre companies were awarded status and privilege based on patronage from wealthy landholders or the royal family. In contrast, today, we are not subject to theater because our socioeconomic status. Theater seats are no longer exclusively reserved for the bourgeois or monarchs. Access to intellectual performances is no longer off-limits. Time brings change; similar to the more accessible theater for subordinate social caste, change in the subjects and topics is only a natural consequence. In Rome, the well-regulated and pervasive castes of roman society showed obvious in the arts and most notably in theater. While, theater for the intellectual was reserved for those in the higher classes, the partitioning between the patricians and plebeians brought about different styles and

“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”

There is no theatre without an audience. The audience is as much a part of the playmaking experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing,

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

The first paragraph of chapter one describes to us readers what theatre is. The word originates from Greece, and means “seeing place.” The author then describes the difference between the “hardware” definition and the “software” definition. Hardware describes the building where the play is taking place, where films are shown, and where wars and surgeries happen. The software definition describes the cast, owners, managers, and technicians. The author gives the example of the Guthrie Theatre saying “we are referring not merely to a building in Minneapolis, but also to the stage artists and administrators who work that building and to the body of plays produced there” (page 7).

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

The history of theatre in the 18th, 19th, and 20th centuries is one of the increasing commercialization of the art, accompanied by technological innovations, the introduction of serious critical review, expansion of the subject matters portrayed to include ordinary people, and an emphasis on more natural forms of acting. Theatre, which had been dominated by the church for centuries, and then by the tastes of monarchs for more than 200 years, became accessible to merchants, industrialists, and the less privileged and then the masses.

On reading Christopher B. Balme’s The theatrical public sphere, the concept of theatre’s role in the Public Sphere is explored. Balme traces the origins

In the novel The Three Musketeers by Alexandre Dumas, King Louis XIII and Cardinal Richelieu are in authority in France, each struggling to gain absolute power. As a result conflicts emerge that will lead to the progress of France. France was constantly in external conflicts with England and in internal conflicts with the Huguenots that provoked war against the Catholics and even the King, but never against the Cardinal (Dumas, 1). Queen Anne’s romance to the Duke of Buckingham, who at the time was an enemy of France, was not unknown to the Cardinal, like nothing else that escaped him from knowing it. The story’s protagonist, D’Artagnan faces the most dangerous spy of the Cardinal, Lady de Winter. This lady is the one entrusted with the