Summary Of Valmiki 's ' Ramayana '

Set in a patriarchal society, females are represented as passive and submissive. Women are reinforced and constructed to believe that they should be submissive and silent: ‘In the fairy tales, passivity is the most valued and honoured attribute a woman can possess in life’ (Nanda, 248). Women with good heart are innocent, beautiful and usually, saved by princes. Beauty is associated with intelligence, kindness and morality. On the other hand, women who don’t possess the good qualities are portrayed as ugly, evil, ambitious and usually dies in the end. They possessed repulsive traits like powerful, pride and vanity. These fairy tales constructed images of oppressed women and subjects under the patriarchal society. On the contrary, men are represented

The role of women in Hinduism is also a very contentious topic in the world today. Although women are gaining some freedom in society in India, it is known that females have a history of being oppressed in India. Women of the Hindu faith in particular have been viewed as the minority sex as Hinduism is predominantly a male dominated religion. As Hinduism has no set sacred text Hindus are free to follow whatever text they want and each text or set of teachings have different views about women. For the purpose of this essay, I will be discussing the view of women according to the Vedas. As young children girls are under the protection of their fathers and when they get married they are under the protection of their husbands. The Vedas, which

The concept of beauty is shown to be highly valued in the story and the society that the story is set in. For example, Beauty chooses to marry the third and final man because he is a handsome scholar. Beauty is tricked into being pushed down a well because of beauty. “’Sister, come and look into the well. We will see which of us is the more beautiful’” (Lin Lan 129). They do not compare who is most skillful or who is the most intelligent; they value beauty so much that the concept is the only thing they decide to be compared on. The scholar, Beauty’s husband, is shown to also cherish beauty. He is horrified to see Pock Face instead of his beautiful wife and reacts very dramatically. “’Goodness! How changed you are! Surely you are not Beauty. My wife was never such a monster. Good Heavens!’” (Lin Lan 129). These examples serve as indicators of how much the characters, and therefore the story, are so intensely focused on the concept of physical

Mahasweta Devi’s short story, “Giribala,” is about the life of Giribala, a girl of Talsana village located in India. Born into a caste in a time when it was still customary to pay a bride-price, Giri is sold to Aulchand by her father. From this point on, we see a series of unfortunate, tragic events that take place in Giri’s life as a result of the circumstances surrounding Giri’s life. There are many issues in Giri’s life in India that Devi highlights to readers. First, the economic instability of the village leads to an extremely poor quality of life for the lower, working classes. Next, the cruel role of women determined by men in society is to either satisfy the sexual desires of men or to reproduce offspring who can work or be sold off to marriages. There are also other social norms and beliefs which discriminate against women that will be discussed.

Ramayana, translated by William Buck, is an ancient Indian epic telling the story of a prince named Rama who fights against his adversary, Ravana. Although there are many important female characters throughout the book, they are often seen as subordinate to their male counterparts where intelligence and strength are concerned. One character who proves this stereotype wrong is Sita, Rama’s wife, who often shows that she has the capacity of being just as powerful as the men of the story. By being more mindful than most people around her, Sita defies the expectations that many characters have placed on her. Sita lets the reader see another side of women’s power and shows us the strength that women could have. The reason that Sita proves to be powerful is that she seems to have an understanding of the deeper meaning of her life; precisely the quality that men don’t expect her to have.

The original The Ramayana is a great epic that has stood the test of time, and has been influential yet controversial throughout history. R.K Narayan’s version has been the same; his composition of stories adds another layer to the already plentiful themes, leaving the reader satisfied with his brilliant description and insight. Through Narayan’s constant comparison that parallels Rama to a perfect specimen, he is demonstrating a “Straw Man” argument. Its effect illuminates Rama’s flaws rather than his seemingly perfect composure. Narayan consciously chooses moments at Rama’s darkest hours to transform him into the relatable human figure he was meant to become.

The Ramayana is an Ancient Indian epic poem that follows the story of a young prince named Rama who is a mortal incarnation of the Hindu god Vishnu. The plot follows a narrative that starts from his first time outside the royal palace, through his banishment from the kingdom and his quest to save his beloved wife Sita from Ravana, the evil King of Lanka, all the way to his coronation as King of Ayodhya, the kingdom from which he was originally banished. Throughout the whole narrative, there is one factor that remains constant, the role of women in the culture. The acceptance, or rejection of these cultural values by the women directly corresponds with how their character is perceived by the reader and how their role directly influences the

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

In today’s society men are expected to have only wife and not multiple and it is also the same for a woman and if that is broken then it is considered cheating which is a unacceptable thing. That was not the case in the Ramayana. In our current time men and women rule. An example of this is the ruler of England Queen Elizabeth II is the current leader of England and is a female. Also America had a women run for president and even though she didn’t win there is out to be a time soon that a female will become the next president for the United States. This would of never been heard of in the time of the Ramayana. For war and battle it is acceptable for a women to be enrolled into the army with men now. There are quite a bit of women

People often said that daughters were “someone else’s treasure” and that the sooner you parted ways with them the “better off” everyone was (Sheth 9). As a result of this male dominated mindset and society, women were caught in a cycle of misery and restraint that was seemed impossible to abandon (Indian Women). Unfortunately, it gave rise to some of the most evil practices in the Indian culture, such as Sati, child marriage and the limitations on female education.

The epic story of Rama and Sita, as portrayed by Valmiki’s Ramayana and the modern day film Sita sings the Blues are two different versions of the same story which contain several contrasts as well as similarities. The Ramayana is the ancient version which was written by a sage named Valmiki in 550 B.C.E, featuring a love story between an ideal prince and an ideal woman. It outlines the adventures of Rama in his journey to find his abducted wife Sita. Rama is portrayed as an avatar, being the eighth incarnation of one of the Hindu gods Vishnu, while Sita is representing Lakshmi, the Hindu goddess of light. The modern day version of the Ramayana is seen in Sita Sings the Blues, where the animator Nina Paley is relating her love story to that of Sita’s predicament. This paper will compare and contrast the epic story of Valmiki’s Ramayana and Sita Sings the Blues in the quest for power, honor, faithfulness and the conflict between good and evil.

Art is a form of expression that lives on for centuries but changes in interpretation over time. What may be relevant in this time period may make no sense to the upcoming generations. Nina Paley’s film "Sita Sings the Blues" brings two cultures, traditions, values and time periods together to convey her message and bring relevance of her art across many cultures and generations. The Ramayana by Valmiki on the other hand is a very traditional epic which depicts the ideal of every relation, one ideal example being the wife of Rama, Sita. Idealistically, a wife in Indian culture is to stick to her husband no matter how harshly she is treated by him, she should be calm in every situation and

In the story Ramayana of Valmiki is a story that has often been passed down from generations from the original version of the story. In the story the Ramayana majority of the Ramayana’s view Sita as the wife who follows her husband when he is exiled for fourteen years who upholds her chastity when she is abducted by the Rakshasa king Ravana who goes through the ring of fire to prove her chastity (Anand). During the tenure of the abduction even after passing all these tests quietly, leaves her husband Rama who is the ideal man. When an ordinary washer man from his kingdom tells Rama about Sita of the doubts of her character forcing him to leave her. Despite the culture that these people live in an Indian society Valmiki’s Ramayana is one of those stories that compares women as creatures rather than humans as men use to treat woman as property. In the Ramayana culture they expect the wife the woman to be a virtue a figure assigning no reciprocal duties to the husband. In the sense the wife is nothing more than just a piece of property to her husband.

Ravana, the villainous king of Lanka, hears about the beauty of Sita as his sister describes her as being ‘the most beautiful woman in the world’ thereby inciting him to kidnap her. She describes her physical attributes by comparing her skin, eyes, hands and ‘her breasts’ to ‘juicy lotuses’. Sita, who resembles the animated cartoon character Betty Boop, has been objectified throughout the course of the movie . This not only happens in the movie but is something that is generally seen to happen in the society. In the Ramayana it is mentioned that Sita’s eyes ‘resembled the petals of a lotus’, she ‘wore dark curly hair and was endowed with fine hips.’ Ramayana enjoys such an exalted status that all its narrations are seen as source of teachings and truth. It is inexplicable for such a sacred epic to objectify woman. And if it does so, what can be expected from the huge number of people who seem to harbour blind faith in its

The role of women in the Mahabharata makes an interesting and fascinating study providing insight into the strengths and weaknesses of their character. In the Mahabharata, four women play pivotal role in the course of events. The men play dice and wage wars in Mahabharata, as anywhere else; but it is the women who hold power and influence. It is the women who direct the course of events and unconsciously determine the fate of men and their generations to follow. The women are the true leaders of the Epic. These women displayed that the truly powerful do not cling to power. They knew when and how to wield it but also, even more important, to when not to use it.