Summary Of 'Windows, By Bernice Morgan'sWindows'

A significant event in one's life forces a person to reevaluate their current situation and decide how they will adapt to a new situation, or cause them to look back on the steps they took to get into that situation. In life as well as in the literature Crosswalk In The Rain, and THE TENT DELIVERY WOMAN’S RIDE, people have to adapt to what is happening in their lives, despite conditions they may have been through in the past. In life at some point there will be crossroads that a person must cross, they can either look back at what they have done to end up in that position or they can look forward and see what they must do to continue moving forward.

The Past, an ever growing pool of time, is always biting at the heels of a person. It reminds him of what they have done wrong, done right, or when he did nothing. For most people, recalling the past leads to loose ends and blanks where memories should be. No matter how much a person may want to return to the past, it is not possible. It is lost forever. These forgotten moment lead to uncertainties and confusion in the present, and chaos in the future. Forgetting the past leads to spirals, spinning downwards as people look to what they have lost. They retrace their steps hoping to find a sliver of who they are and what may become of them. In the poem, Itinerary, Eamon Grennan shows how an individual searches through his past, but can never return to it. Through the poem and with a personal experience I will explain how individuals deal with uncertainties in their pasts.

Each symbol represents something bigger in the whole scheme of things. The mansion that the girls are first sent to is a cold and dreary place to the children. Byatt describes the mansion as cold and dark. This is because of war time in England and they are tying to not be obvious. This dreariness only helps the symbol of the mansion to represent what is going on at that time. The house is a representation of the “State.” That being the government and everything that is part of the security it provides. There is a sense of security in a way that the mansion is used. The government commandeered the mansion for use as a safe house, although there still is a feeling of doubt about it. To the girls and other children, the mansion is a place of security or home until they move on. This is most likely not what the girls had in mind when they arrived. For them to feel any sort of comfort in this time of tragedy, they will need to stick together and make the best of the situation. The girls seemed to be thinking the worst of every event but at the mansion, things were taken care of to the best of the ability of the adults there to care for them.

“You may not control all the events that happen to you, but you can decide not to be reduced by them”, says Maya Angelou, an American poet, memoirist, and civil rights activist. This quote reflects to Sarah’s journey in the novel Sarah’s Key by Tatiana De Rosnay, since the main character, Sarah, faces events that affect her well being, as they make her both weaker and stronger. These events causes her to lose her innocence, makes her persistent, and then eventually drives her to be pessimistic. Sarah experiences traumatic events through her journey, which leads her to change both in a positive and negative way.

The apartment is very small and lacks much sunlight. The small window in their apartment is the only window, and that is where they get the little bit of sunlight in their home, which barely gets through. This small window is a symbol because even with all of the problems and struggles the Younger family goes through, that little bit of sunlight makes it in through the small window. This symbolizes the little bit of hope there is for things to get better and them to get out of the bad situations they go through. This small window helps the audience see the Younger family’s

"Although there was evening brightness showing through the windows of the bunkhouse, inside it was dust". This shows that the light tries to get in but never manages to penetrate the darkness. This is important to the themes of the story because workers' hope for a future farm is just like the light while the cruel reality is like the darkness. Their efforts to realize this plan is just like the light trying to penetrate the darkness, but their dream

Our Life is a matter of choices. Live well and have faith and it will never go wrong. Our lives can be full of crazy ups and downs that shape our views on how life should be lived. With a similar ideology, author Flannery O’Connor’s depicts her own life struggles using different aspects and details throughout her novels and short stories. O’Connor lived by the basis that life must go on no matter the hardships. In her novels she represented various characters who made wrong choices and due to those choices suffered extreme negative consequences. Despite her struggles, O’Connor made the choice to continue on in her life yet many of her novels contradicted that same idea by having characters in her novels and short stories suffer consequences for making the wrong choices. Because the

Carver presents symbolism throughout his story to represent a darker side of the human heart when it is wounded. “Don’t, she said. You’re hurting the baby, she said. I’m not hurting the baby, he said.” The baby represents the relationship of the man and woman. There is not an actual baby that is being hurt, but their relationship together. Once the “issue was decided” towards the end, it represents how the man and woman’s relationship was no more. In addition, snow is brought up in the beginning to start the mood of the relationship. “...The snow was melting into dirty water.” The snow represents the pure white relationship they had in the beginning. Once the snow melted into dirty water, that shows that their relationship is tainted, fading away, and can never be the same. This also leads into the light that is set towards the house. “The kitchen window gave no light.” The window showing both the darkness of the outside and the inside of the house, represents how darkness is taking over the relationship, and how there is no more light to shine on their love for each other. All three of these symbols connect back to how the man and woman have a codependent relationship.

The text is very descriptive and loaded with symbols. The author takes the opportunity to relate elements of setting with symbols with meanings beyond the first reading’s impressions. The house that the characters rent for the summer as well as the surrounding scenery are introduced right from the beginning. It is an isolated house, situated "quite three miles from the village"(947); this location suggests an isolated environment. Because of its "colonial mansion"(946) look, and its age and state of degradation, of the house, a supernatural hypothesis is implied: the place is haunted by ghosts. This description also suggests stability, strength, power and control. It symbolizes the patriarchal oriented society of the author’s time. The image of a haunted house is curiously superimposed with light color elements of setting: a "delicious garden"(947), "velvet meadows"(950), "old-fashioned flowers, and bushes and gnarly trees"(948) suggest bright green. The room has "air and sunshine galore"(947), the garden is "large and shady"(947) and has "deep-shaded arbors"(948). The unclean yellow of the wallpaper is

As a dying person, Granny Weatherall is losing her powers of deliberate control over events, which she has evidently learned to master along with the various disappointments that life has dealt her but is also subject to a number of intense anxieties. "While she was rummaging around she found death in her mind and it felt clammy and unfamiliar. She had spent so much time preparing for death there was no need for bringing it up again." In a semi-conscious state the feisty and irritable Granny reviews her life by remembering the important happenings, disappointments, crises, achievements, and feelings.

It does not matter how many times life knocks someone down, it matters whether or not they recover. As Winston Churchill once announced, “Success is not final, failure is not fatal: it is the courage to continue that counts.” Life may cause numerous troubles, although, overcoming inadequate decisions can correct your fate. The Other Wes Moore, written by Wes Moore, is an exquisite example of how one poor decision does not need to determine one’s fate, and an individual has the power to metamorphose their fate. In addition, The Scarlet Letter, by Nathaniel Hawthorne, is a superior illustration of how confronting one’s mistakes and choosing to rectify them. The Other Wes Moore and The Scarlet Letter both portray the theme rising above challenges with the use of literary devices.

The past is something that I struggle with the understanding of, if I could I would be the first person to go back and change what I have done, I would have stayed with Daisy. Even if she wanted to leave I wouldn't have let her. But now I am stuck in the future contemplating what i would have changed. I am getting no where by doing this but I can not think of any other way in getting back out

In Jean Rhys’ novel “Good Morning Midnight” the reader is introduced to Sasha Jansen. Sasha is a run of the mill alcoholic who has seemingly been handed the most dreadful hand in life. Her husband deserted her, her child died, she is poor, and mostly—she is isolated and alone. Her viewpoints on the world, and herself, are very cynical and pessimistic. Sasha’s story details her downfall in a stream of consciousness narrative that takes the reader from one thing to the next and back again. It tells of the things she has sensed which leads to the inevitable end of hopelessness which causes her to suffer severe disconnection from the world around her. The problem is, absolute hopelessness is the best thing that Sasha could find for herself.

People often perceive the elderly as if they are not needed anymore since they are too old to do anything. In short story, “Windows”, by Bernice Morgan we see this ideology being portrayed by Leah’s family. To begin with, Leah’s family has never really shown much attention toward her. When Leah’s apartment was demolished “none of [them] had asked her to come” (pg.3) into their house. This just shows the lack of care given to Leah. No one in her family was willing to accept an elderly woman into their home. Much of this has to do with fact that Leah was too old to contribute in the family and that she would not be able to provide any benefits for the family. In other words, having her in the family would mean that they would just have to take

Losing faith in her future, Mollie withdraws from her normal daily interactions. “More and more as the days and then weeks, of that time went by Mollie clung to the drawing-room. She read there, books she’d read ages ago”(122). This shows how Mollie is becoming more reclusive and would rather shut out the outside world to retreat to a place she felt comfortable, the past. She is repeatedly drawn to the past and this allows her escape from the new events developing around her. It explains how her retreat from the outside world was progressively deteriorating as the days go