Michael Downey’s essay, “Canada’s ‘Genocide’: Thousands Taken from Their Homes Need Help” (Downey 445-448), imparts a harrowing account of the hardships and trauma induced by the controversial child apprehensions, often referred to as the ‘Sixties Scoop.’ The essay opens with Downey’s heart-rending recount of Carla Williams’ story, detailing her first-hand experience as a subject of this abuse, who managed to survive and come out triumphant. This explicit topic introduction foreshadows and gives invaluable warrant to his thesis: that the forced adoptions that occurred within Aboriginal communities during this era resulted in cultural and individual upheaval, as well as a belief that both the individuals and communities affected can …show more content…
For example, grim words like “abuse” (445, 446), “genocide” (445, 447), and “suicide” (445, 447) are repeated throughout the text so readers can grasp the extent of the tragedy. Conversely, terms such as “healing” (446), “repairing” (447), “legacy” (447), and “future” (448) are utilized in Downey’s concluding paragraphs to portray his notion of societal accountability and change as a possible solution to the tragic issue. Furthermore, Downey’s apt use of pathos, or emotional appeals, draws readers in and triggers an emotional response in them, keeping them engaged for the duration of the essay. To expand, he uses blunt phrases like, “permanent loss” (445) and “distant, angry aliens, lacking emotional bonds” (446) to create a severe impact on readers. Also, stirring examples of “descent into alcohol, drugs, and prostitution” (445) and “children committing suicide” (446) illustrate for readers the acute level of damage and suffering that Aboriginal victims experienced. Downey’s use of evocative and graphic imagery in his recounts of “residential schools” (446) and the physical, “emotional and sexual abuse” (447) that specific victims endured elucidates the turmoil and anguish felt by victims of the ‘Sixties Scoop’ in general. As such, this technique fully immerses readers in his essay. Downey creates both a sense of compassion and guilt in his readers through his mention of children who were “enslaved,
Theodore Fontaine is one of the thousands of young aboriginal peoples who were subjected through the early Canadian system of the Indian residential schools, was physically tortured. Originally speaking Ojibwe, Theodore relates the encounters of a young man deprived of his culture and parents, who were taken away from him at the age of seven, during which he would no longer be free to choose what to say, how to say it, with whom to live and even what culture to embrace. Theodore would then spend the next twelve years undoing what had been done to him since birth, and the rest of his life attempting a reversal of his elementary education culture shock, traumatization, and indoctrination of ethnicity and Canadian supremacy. Out of these experiences, he wrote the “Broken Circle: The Dark Legacy of Indian Residential Schools-A Memoir” and in this review, I considered the Heritage House Publishing Company Ltd publication.
Our society was fearful of the First Nations, because their culture and beliefs were different from ours. As a result, we penalized them for that and forced innocent children to leave their traditional culture behind and force them into our society. Lyna and Glen’s perspective was about hardship, emotional, psychological and physical trauma. They wanted our society to see and understand what that experience did to their humanity. Throughout the documentary, they focused on the victims, which were the children, resulting in personal biases about the experiences of the residential schools. Through talks in class and readings from the text, they both expressed how inequality has festered through the years in different ways for minority groups, such as the First Nations. From what our society has done, we created “so much mental and emotional suffering” (Pickett, K and Wilkinson, R), as a result from creating these residential schools and forcing assimilation upon the First Nation Children.
“Is that you Ruthie?” brings to light the negative aspects of these camps and, in particularly, how Aboriginals were taken advantage of throughout their working careers as well as how they were lured onto the reserves.
The author’s narrative, ripe with horrifying descriptions, is nonetheless told with compassion appealing to the emotions of the audience
While listening to a story, one can engross his or herself in the action, experiencing the events vicariously. By experiencing the story one can gain an understanding of the purpose that the author is trying to portray. In “A Place Where the Soul Can Rest” by bell hooks and “How to Make a Slave” by Jerald Walker the audience is taken on a journey through the progression of each of the author 's life experiences dealing with racism and sexism. Through use of anecdotes the audience develops a comprehension for both of the authors’ lives, witnessing their hardships of being subordinates in a white, male dominated society. Although both authors bring awareness to the atrocities of racism and sexism, hooks’ story’s purpose stands above
The Sixties Scoop was a horrendous time in Canadian history. It was a catastrophic failure in terms of Aboriginal children's welfare. The Sixties Scoop compromised the welfare of Indigenous children in three major ways: the victims were subject to abuse in foster families, the victim's lost their sense of identity and their success was inhibited.
Isabelle Knockwood’s novel Out of The Depths shines a light on Residential Schools in Canada through the first hand accounts of twenty-seven survivors who attended the Shubenacadie Indian Residential School. Although Knockwood’s compilation of accounts are all from students of one residential school, the treatments and experiences echo the sentiments of students and authors over a much greater area. The affects of Residential Schools have had a lasting impact, affecting communities and individual generations later. Knockwood’s novel is very unique because it voices not only the harsh realities we associate with residential schools, but also personal experiences of appreciation for what the school(s) did. It will be interesting to look at
The current outcome of the Sixties Scoop is still unresolved; it was only in 2010 that a class action suit was brought to the courts in Ontario and 2011 from survivors in British Columbia. Restitution for this is far from over. According to John Beaucage the former Grand Chief of the Union of Ontario Indians, we have now entered a new stage in the assimilation of aboriginals called the “Millennium Scoop”. In his report commissioned by the Ministry Children and Youth Services he states “Although Aboriginal people make up about 2 per cent of the province’s population (2006 Census); we make up a far greater percentage of the children in care (estimates are from 10 to 20 per cent)” (Beaucage, 2011). While this is information is based on one report it does produce viable solutions and a basis for additional research.
The National Inquiry into the separation of the children concluded that 'between one-in-three and one-in-ten Indigenous children were forcibly removed from their families and communities in the period from approximately 1910 until 1970' (Wilkie, 1997). It was the 1960s, at the earliest, when the various 'protection' Acts were either abolished or discontinued.
Unfamiliar with extended family child-rearing practices and communal values, government social service workers attempted to ‘rescue’ children from their Aboriginal families and communities, devastating children’s lives and furthering the destitution of many families. Culture and ethnicity were not taken into consideration as it was assumed that the child, being pliable, would take on the heritage and culture of the foster/adoptive parents (Armitage, 1995). The forced removal of children and youth from their Native communities has been linked with social problems such as “high suicide rate, sexual exploitation, substance use and abuse, poverty, low educational achievement and chronic unemployment” (Lavell-Harvard and Lavell, 2006, p.144). Newly designated funds from the federal to the provincial governments were “the primary catalysts for state involvement in the well-being of Aboriginal children…as Ottawa guaranteed payment for each child apprehended” (Lavell-Harvard and Lavell, 2006, p.145). Exporting Aboriginal children to the United States was common practice. Private American adoption agencies paid Canadian child welfare services $5,000 to $10,000 per child (LavellHarvard and Lavell, 2006). These agencies rarely went beyond confirming the applicant’s ability to pay, resulting in minimal screening and monitoring of foster or adoptive parents (Fournier and
Government policies authorising the removal of Aboriginal children have caused extensive and unrepairable damage to every aspect of Indigenous culture. It could be argued that the emotional turmoil which occurred as a result of this policy, is greater than any physical abused ever faced by the Australian Aboriginal people. The act of child removal would be a scarring experience for parents and children of any race or culture. This policy had a particularly damaging impact on the Indigenous people as their identity is based within a set of strong traditional guides and teachings. These lessons are not recorded, but can only be taught through speaking with elders and learning through a connection to others within the mob, connection to art forms
“These folks have been victimized twice. Once when their daughters, their sisters, their mothers have gone missing. And then, a second time when the justice system has utterly failed them in the pursuit of the justice they so rightly deserve. There can be no solution until we get to the truth in the heart of the matter, that this is a complex issue. The sources of this violence against Aboriginal women and girls is complex, but it… there’s no possibility of finding those solutions unless we actually have the truth on the table. And the resistance from this government time and time again, to have the courage and the leadership to approach this conversation and find that truth… is yet a third victimization of these families” (Pope C. & Smiley M., 2015)
There are some images and events that stick with a person forever and can change their entire outlook on life. Sometimes these events are experienced indirectly, through the media, but that does not mean that it impacts the person any less. Audre Lorde is one of those people who is indirectly affected by a tragedy that she witnesses through the eyes of the media and her society. For Audre Lorde, the brutal murder of a young African American boy sticks with her and inspires her to write an emotional poem entitled “Afterimages.” The image of the boy, Emmett till, is forever engraved in Audre Lorde’s brain (Lorde 48). Her poem clearly expresses how distraught she is, not only with what happens to Emmett Till, but also with the views of society as a whole. The theme for Audre Lorde’s “Afterimages” is traumatic events can reflect the attitudes of members of a society and can also significantly impact the lives of young people.
The high proportion of First Nations children being taken away from the care of their families is a contemporary challenge that has been present and widespread in Canada for an alarming length of time, deriving from the oppressive breakdown of the tribal structure and family values that colonization created. Little progress has been made in addressing this situation and the number of children in case has been increasing with time as Rousseau found in 2015:
In April 1995 Pamela George, an Ojibway women, was brutally murdered in Saskatchewan. Her murderers Steven Kummerfield and Alex Ternowetsky, young middle-class white men, were convicted of manslaughter and sentenced to merely six and a half years in prison. George’s story is one of the many Indigenous women who have been murdered or missing over the past years. There are over 580 cases of missing and murdered Indigenous women, close to half are put aside and left unsolved. Only 53% of these cases have lead to charges of homicide (Klement 8). Drastically, statistics indicate that Aboriginals are faced with more hardships throughout their life compared to the average Canadian. Indigenous groups, particularly women, suffer from a lower rate of education, higher suicide rates and an array of health risks. This paper will examine the role settler colonization history has played in perpetuating conditions for violence to indigenous women, many of which are still experienced today. This will be accomplished by first assessing the history of settler colonization and its negative repercussions. Secondly, it will use Sherene Razak’s concept of “spatial segregation,” to illustrate how state institutions have facilitated violence through space, race and the law. Lastly, this paper will use evidence from the film “Finding Dawn” to further demonstrate how violence towards indigenous women is institutionally produced.