Summary OfThe Moths By Helena Viramontes

The reader is almost forced to look at the actions of the grandmother as being similar to that of a young child. There's not a quiet moment with her around and she never sits still. The reader tends to have a negative perception of the grandmother due to these personality traits. However, these traits are expressed in a comical way causing the reader to be annoyed by the grandmother, but also entertained.

The narrator is totally crushed by the gender discrimination. She longed to be seen by her mother and her grandma. The narrator is heartbroken that her mother loved her brother more than her and failed to notice her. “When she went into Nonso’s room to say good night, she always came out laughing that laugh. Most times, you pressed your palms to your ears to keep the sound out, and kept your palms pressed to your ears, even when she came into your room to say Good night, darling, sleep well. She never left your room with that laugh” (190). Her agony can be easily seen by the way of her narrating. She does not get the affection that she deserves. She really needs the affection from her own mother, but she is not getting it. She compares the love which her mother shows to his brother and herself. This is gender discrimination can be seen with her grandmother too. She hated her grandma as she would always support her brother and find fault with her. Even though what the brother did, no matter what crime. Her mother and grandmother always supported her brother and never supported or showed interest towards

In the short story “The Moths” by Helena Maria Viramontes, the author uses symbolism and characterization to paint the scene of a girl in a literary fiction that has lost her way and ends up finding herself within her Grandmother through the cycles of life. Through the eyes of an unnamed girl we relive a past that has both a traumatic ending and a new leash on life; however, we do not get there without first being shown the way, enter “The Moths”.

The Moths by Helena Maria Viramontes is a short story about a relationship between a teenage girl and her abuelita. Although, the title seems unfitting for a story about a loving relationship between family members the significance of the moths, in this story, has a much deeper meaning than one would think. Like many other aspects of the piece, the insects have a symbolic meaning in order to convey the author’s feelings during the time of her grandmother’s death. Throughout the story we see the use of multiple descriptions, settings, as well as dialogue in order to pass a message to the audience. The Moths is not only a story about death and brokenness, but a story about cures and peace. Upon further examination of this narrative, the story presents symbolic attributes about the main characters personalities, descriptions, and religious imagery that tell the story about a cure for brokenness, a rebirth of hope, and coming of age.

Annie Dillard’s piece “The Death of the Moth”, is about Dillard being reminded of the death of a moth she observes and how it relates to herself, this piece is a great depiction of the impact of life and death. Dillard describes her surroundings living in a rural area and within her bathroom is a spider which Dillard reminds of a moth that she killed in her past when she sees the web that the spider has spun and how it has caught many bugs including two moths. She is intrigued by the dead moth’s bodies and givings a vivid description of the bodies While describing the moth’s dead torn body she relates it to a personal experience from her past where she watched a moth die with candle two years ago. Dillard described the burning moth in vivid

Josie's perspective of her grandmother changes from viewing her as nagging old women to having a loving, caring, respectful relationship with her. The narrative, which is written in first person, enables the reader to see the stages in which her perspective changes as she gains knowledge about her grandmother and also how it is her own actions that

In the excerpt, Death of a Moth, by Annie Dillard, she attempts to overcome her writer's block by getting away from it all and taking a trip into the Mountains of Virginia. While taking time off, she intends to spiritually find her true self again and get back on a successful track. Only by using concrete imagery, drawing a strong parallel, and meticulously selecting a certain word choice to create points of clarity, is she able to effectively convey her inner struggle.

Pathetic Fallacy is a literary technique used in the setting to reflect the feelings for the characters. In terms of Helena Maria Viramontes’s short story, “The Moths,” this technique is used to reflect Abuelita’s character. In the beginning, Abuelita’s house was full of life, having a garden full of avocados, sweet potatoes, and chayotes. The

A trickiest aspect regarding growing up is considering death. It's something individuals truly don't like to think about, but thinking about mortality is pretty much an inevitable part of coming of age. Everybody does it at some point—you know because we're all going to die someday, as are our loved ones. You know the drill: Our grandma show us, cherish, then they get super old and die, and after that we slither into the bathtub with their corpses. It's just the circle of life. What's that? You've never taken a bath with a dead person? Well then you might be a little surprised by how things unfurl in Helena Maria Viramontes' 1985 short story "The Moths," a story about a youthful Latina girl who feels at odds with pretty much everybody in her family except her cherished Abuelita.

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

Watching the hopeless death of the vulnerable moth leaves Woolf contemplating her own life, as she compares the moth to herself, and the human race. The moth, caught in a windowsill, is compared to the outside world by Woolf; while the moth flutters and exhibits life,

Someone’s sacrifices can say a lot about their character. Minerva Mirabal is no exception. In Julia Alvarez’s In the Time of the Butterflies, Minerva, the protagonist, sacrifices her family, her freedom and her life for the revolution against the antagonist and dictator, Rafael Trujillo (a.k.a El Jefe) along with her sisters, Patria, Dede, and Mate. In the novel, the four sisters, better known as “Las Mariposas” (“The Butterflies”), explain their journey towards joining the revolution before their influential deaths. The sacrifices that they all make, especially Minerva, are the reasons why their rebellion is so effective.

In the short story, The Moths Helena Maria Viramontes uses characterization and symbols to shine light on gender roles and maturity especially for women in the Hispanic culture. This short story was published in 1985 and during this time gender roles were changing. The number of women obtaining a higher education increased, it became more common for women to resist the stay at home and watch the children lifestyle. Hispanics in the US during this time felt like they were losing self-identity due to harsh laws passed by the United States. Knowing this information while I read this story was meaningful because it gave me a better understanding on what the narrator and her family were going through.

Being distinctive has been disliked on particularly with societies that firmly utilize their standards to distinguish their identity. As a rule people would prefer not to fit into their social standard that can be because of detesting of how they are dealt with. In Helena Maria Viramonetes' story "The Moths", a transitioning high school young lady battles to discover association with her family yet rather discovers association with nature. The story is told through an anonymous character's perspective in which she tells how there is no fit for her in the classification of being a young lady—ladylike, beautiful and fragile. Along these lines, the storyteller's sisters regularly bother her and call her bull hands. Beside the prodding, the storyteller is additionally beat by her dad who over and again advises his girl to be more cultured if not she'll get the beating. This outcomes for the storyteller's mom, Amá, to send the little girl to her Abuelita's home. At Abuelita's home, the storyteller ends up to be liberated to be whoever she is as opposed to managing the social standards built up in her home. In "The Moths", the storyteller doesn't shape associations with anyone from her family aside from her Abuelita who interfaces with nature. Abuelita utilizes nature as a method for dealing with stress and shows her granddaughter, the storyteller, to do likewise. The storyteller in "The Moths" utilizes Abuelita's association with nature to locate her actual self by straying far from the social standards that are forced through family, passing and religion.

Claudia expresses again and again how marginalized she and her sister perceived themselves to be, "Adults do not talk to us - they give us directions" (10). When Claudia thinks back to a childhood illness she suffered, she remembers her mother's irritation at finding her sick in bed. Claudia questions the reliability of her perceptions of pain and confusion, "But was it really like that? As painful as I remember? Only mildly. Love...eased up into that cracked window" (12). Claudia's mother's irritation is tempered with compassion; she coats Claudia's phlegmy chest with salve and "hands repinned the flannel, readjusted the