preview

Summary: Parr At Cheyne Row

Decent Essays
Open Document

Parr at Cheyne Row Harry Parr took over the lease at 14A Cheyne Row in March 1914, when the sculptor Ernest George Gillick (1874-1951) and famous for the Guinness beer adverts, and his wife the sculptor Mrs Mary Gaskell Gillick (1881-1956) vacated the studio. The entrance to the studio was a door inset into the double stable doors (see Fig. 22). An inset brass plate on the door named the five artists. The entrance, just wide enough to drive a dust cart through it, was some fifteen yards long ending in a semi-circular courtyard around the five former stables. Moving around the courtyard anti-clockwise, Harry Parr had the first studio, and the sculptors Mervyn Herapath (1865 - 1923), and Charles William Dyson-Smith (1891-1960) occupied the next two studios. The painter William Robertson Smith Stott (Fl. 1905-1934) had the next studio and the end studio housed the sculptor Charles James Pibworth (1878-1958), …show more content…

Meanwhile, WWI had reached a critical stage with a vast loss of life, and no less than on the home front. It cannot be ascertained in what military work Harry Parr was engaged during the war. He was in some way concerned with applied art, and Malcolm Parr believes that when stationed at Chatham Barracks his father painted a large mural there. Somewhat late in the war Parr’s unit was ordered to the Russian front, but fortunately, the war ended before this came about, and he remained in England. Recalling his father coming home on leave wearing his uniform and sporting a silver-topped stick, Malcolm Parr described the event as follows: We had one of those coal holes in the pavement with a cover with small holes in it. Pa gave the swagger stick to me hold, I was just three or four, but I remember doing it, I popped it into one of the holes, and when he wanted the stick again, he couldn't find it.

Get Access