Summary: Steamboat Leaving Boulogne

The texture of the canvas works very well with the subject matter portrayed in the painting. The strong ocean current and the cloudy mountain side are complimented by the canvas. It makes the waves seem like they’re moving against the ship. The ship is nicely detailed as well as the people in the painting. The brushstrokes are very clean and precise on the waves in the foreground. The brushstrokes do create a sense of movement in the painting. The surface of the artwork looks rough where the ocean is painted and where the clouds are painted it appears smooth and soft. This artwork is linear rather than painterly.

Turner 's The Slave Ship, in addition to Monet’s Impression Sunrise, each collectively are a couple of masterpieces of the nineteenth century that examine the interpretation of colors in addition to motion. They may be intricate works that can be both identified as the face of artistic techniques; The Slave Ship is widely seen as a Romantic portrait becoming an outstanding illustration for the Sublime revolution, while on the other hand, Impression Sunrise is the earliest portrait recognized in the Impressionist age. Both styles are revolutionary artworks with approaches that a majority of individuals had never examined before. Although the artworks comprise of numerous things in common, both are specifically different from each other.

Two of the paintings I came across, Ludolf Backhuysen, Ships in a Stormy Sea off a Coast, and Philips Wouwerman, Stag Hunt in a River were very similar in many ways. First of all, they were both European art, they are both 200 plus years old, and they both show very hectic times. The first painting, Ships in a Stormy Sea, displays several ships, (although it is hard to see the other 4), being almost entirely swallowed by an angry, wavy ocean, during an extremely stormy journey. All of the ships are at different levels and some are leaned over, and tipped more than others, allowing the viewer to realize the true horror occurring in this painting. The amount of line that this artist uses in this painting is tremendous as well, as he presents plenty of diagonal lines throughout the painting, such as on all of the ships sails. This piece of art is extremely realistic and gives me chills when I imagine what these sailors must have been dealing with that night. Not only does this painting show a hectic time, but another painting titled, Stag Hunt in a River. This painting displays a village, in the mountains, lying on a river, where hunters, horses, and dogs of the village are attacking a deer that is attempting to escape from them. This painting seems to describe a very hectic time for everyone, as the dogs are desperately trying to do their job, the deer is attempting to escape, and the hunters are relying on the deer for their food. Although there are many obvious differences in these two paintings, the roles are reversed in the two, as in Ships in a Stormy Sea, nature is doing the damage, while the people are trying to avoid danger. On the other hand, Stag Hunt in a River, displays nature being attacked and endangered by the people themselves. My favorite

My initial reaction to this painting is that of melancholy. The dark colors used in the majority of the painting depress my mood, and it creates an eerie atmosphere. Moreover, the colors completely hide the ship out at sea. I had to really focus on the ship in order to distinguish from the overbearing darkness surrounding it. When I see the ship, I initially think of despair. I feel suspense; the inevitably of being caught in a storm of destruction is looming, and there is not anything that I can do to possibly slow it down. The distant bright sky offers a slight amount of hope; however, I soon realize that the bright sky is not

Turner it is a lot clearer as to why he depicted such an emotional and vivid work of art in Slave Ship. Turner was inspired to paint this piece after reading The History and Abolition of the Slave Trade by Thomas Clarkson. In 1781, the captain of the slave ship “Zong” had ordered 133 slaves to be thrown overboard so that insurance payments could be collected. This event probably inspired Turner to create this artwork. Turner became an advocate for abolishing slavery around the world and even exhibited this painting during an anti-slavery conference (History in an Hour).

The image shows a sailing ship, it could be an optimistic view of the painter expressing their particular direction of their goals and how we make choices in life. Or goals that are merely drifting away because it is difficult to get what we want out of life at times. Also sailing away could be a form of independence and freedom were we wish to break free from the constraints of everything we do in our daily lives. sailing on stormy waters depicts the difficulty of our choices and that things might be tough going forward. Or simply the strong desire to change life symbolizing the positive changes of our

The second piece, “Drawing of the ship Pass of Leny as a three masted square rigged sailing ship,” is an illustration created by dry media, this one using graphite pencils. It focuses on one ship, the Pass of Leny. The creator of the illustration is unknown, but the piece is held by the John Oxley Library.

Luncheon on the grass, a painting that left people of its time stunned was created in 1863 by painter Edouard Manet. This painting was an Impressionist work that broke the barrier that art should only be made if it respects the established conventions and attempts to achieve timelessness. The original name for this artwork was “The Bath” but it was changed four years later. It is an oil painting on canvas and its size is 208cm x 264.5cm (81.9 in x 104.1 in) it is a large painting. The color scheme of dark green, brown and black used to it gives a very earthly sensation. Manet’s style of painting was as controversial as his subjects as he

Edouard Manet was a French painter who used everyday subjects just for an occasion to make a painting. He was a leading artist in the transition from realism to impressionism. Therefore, he is known as the “godfather of Impressionism” (Rosenbum). For some people Manet was the first

The first painting in the museum is by Guy Harvey, he painted a beautiful underwater theme, with the waves crashing above the sailfish as it chases small fish for food. Guy Harvey painted this painting and many of his others to portray the natural beauty of the ocean and everything inside of it.

This piece that I have chosen has many different identifications some may know it as “The Rising Up” some may know it as “The Revolt”. This painting was based on the boat that carried the slaves from one country to the next called the La Amistad. This painting presents the moment in the movie Amistad named after the boat, where the slaves were speaking in creole about how they were going to escape. Once they got the courage, they attacked the shipmates and demand the caption to take them back to Africa. This painting captures all of that.

The Sea at Le Havre, painted by Claude Monet in 1868, is a 23 5/8” x 24 3/8” oil on canvas landscape painting. Monet was a French artist who lived from 1840 to 1926 and was considered to be an impressionist. A unique quality of Monet was unblended “sloppy” brushstrokes combined with a use of precise choice of color, as seen clearly in The Sea at Le Havre. Because of his vigorous and richly textured painting style, Monet was able to capture the look and feel of the movement of water, which was demonstrated in The Sea at Le Havre, using an impasto style. He used erratic brushstrokes to show the ripples of forming waves and the foam of the waves crashing on the shore. His brushstrokes are also almost completely horizontal, which seemed to make the painting feel heavier. In the sky, Monet used thicker, longer, and more opaque strokes, as well as of varying hues of blue and gray, along with white, to create a look of overcast. To give the clouds fluffiness and substance, the paint that was used for the sky was inconspicuously smudged in some places, with more defined clouds layered overtop. The depth of the painting is attributed to his choices of color. Black is rarely used in the painting aside from where necessary, but rather replaced with darker shades of blue to show divots in the water, heavy clouds, and the distance of the village of houses that line the horizon. The different shades also give a more realistic form of light to his paintings, which was a focus of the impressionism era. His painting appears to be slightly gloomy, but doesn’t convey sadness. The piece is uniform in color, to emphasize the overcast, darkened day. Monet also used symmetrical spacing, with the canvas split nearly in half between the sea and the sky. The only thing that separates the sea and the sky is a piece of jutted-out land that shows he is on a gulf or an inlet. On that piece of land, that goes a little over a third of the way onto the canvas, Monet used heavy contrast, then continues the horizon with a slightly thick, darker blue-gray line to clearly separate the halves of sea and sky. There are three places where it appears that Monet used black along with darker shades of purple and blue, and each of those three places are

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

To describe, and analyze any period of our marvelous World Art History, it is crucial to find a piece of art to motivate our lines. The Impressionism is not the exception, that is why Luncheon of the Boating Party, and Pierre-Aguste Renoir, are the principal characters of the paragraphs that you are going to read.

The subject matter of Rain, Steam and Speed is the Maidenhead railway crossing of the Thames. A golden brown landscape punctuated by the river to the left takes up the bottom portion of the painting. The top half is tinged by a blue sky that is marked by swirls of gold and white,