Summary: The Book Thief

The Book Thief, written by an Australian author, Markus Zusak, is a devastatingly powerful historical-fiction novel that bears several re-readings. Being one of the greatest, most divinely-written epilogues in my school library, The Book Thief, is a soul-shattering, thought-provoking story that undoubtedly can be recommended to the young and old alike. This poignant, prolonged, but achingly sad book, is the pinnacle of contemporary historical-fiction, poised to become a classic. Phenomenally breathtaking, and inspiring, bringing nothing but anticipatory dread, this lyrical, surreal book, though depressingly morbid at times, was my “gateway” to historical-fiction. The tribulations and trials provided in the novel, had inevitable passion, perspective

Liesel’s first encounter with the power of words was when Hans was teaching her how to read. Liesel desperately wanted to learn how to read The Gravedigger’s Handbook. Liesel’s last memory of her brother and mother was when she had to bury his brother after he died. Her brother’s death was the first immense loss of a loved one. Liesel associates the event with the book she picked up off

The Book Thief is about a young German girl named Liesel Meminger as she goes through life while living in Germany in 1939. Liesel and her foster parents live a normal life on 33 Himmel Street. There is only one difference between their family and the others, they are hiding Max Vandenburg (a Jewish man) in their basement during the time of the Holocaust. This story, narrated by Death follows the life of Liesel from her first step into 33 Himmel Street, until the day she died in Sydney, Australia.

The character of Death has human like empathy rather than just being the supernatural being readers would expect. The narrator tries to give their work more positive meaning by collecting stories and the emotions that come from the people he sees within his work. Such as Liesel, the protagonist from this novel. A “life” of the

With the author using a third person omniscient narrator, which is death, this improves the strength of the theme. With death being the narrator of the book it helps the reader see how death was all around Liesel. “You see, to me, for just a moment, despite all of the colors that touch and grapple with what I see in this world, I will often catch an eclipse when a human dies. I’ve seen millions of theme. I’ve seen more eclipses than I care to remember” (Zusak 11). Death darkens the story and this makes you feel their emotions. With a third person omniscient

Liesel is kind-hearted because in The Book Thief she said, “ I don’t want to lose someone else”. She said this to Max after they became close friends. Given that, she is kind-hearted one can tell that she would do anything to protect her family from death. After WWII max and Liesel reunite and they hug and cry until they fell to the floor. Where Liesel use to live in 33 Himmel Street before there was a raid that destroyed the whole street, they hide Max. Her best friend is Rudy Steiner, he is a neighbor at first but then the friendship grows after each mischievous thing they do together. With Rudy, she grows and steals books for fun. Rudy might think it is fun, but to Liesel, it means for her. Like I said, she does this in memory of her brother. They have a race and it is a draw after falling. Rudy then said to Liesel, “If it’s a draw, do I still get my kiss?” Liesel then says, “ Not in a million years” and Rudy at the end he says “One day, Liesel, you’ll be dying to kiss me”. Therefore, at the end of the book and middle, she desires to kiss him but doesn’t until the end where he is dead. Later on, her family and she hide a Jew, Max Vandenburg, from the Nazis. Max and Liesel have grown close together. Liesel is competitive, compassionate,

Themes are inserted within literature by the author in an attempt to provoke readers to think about the topic provided. In the novel, The Book Thief, written by Markus Zusak, many topics are presents, such as, courage, suffering, and human behavior. The most prevalent, however, is the courage possessed by certain individuals. This theme, bravery, is evident throughout the entire course of the novel in Liesel Meminger, the Hubermanns, and Max Vandenburg.

Death is the narrator. He is fascinated by humans and the colors of the world, but he struggles throughout the novel to figure out how humans are capable of so much ugliness and so much beauty. Death has real feelings,you can see him experience both sadness and joy. He even gets depressed.Death often provides humorous, or dark quotes. having death to narrate the book thief, foreshadows the book. Death is this mean character that kills people. He is sometimes nice and helps.He lists the main elements of the story, and reveals that he has seen the main character, the book thief, three times. The first time he saw her was on a train where he had come to collect the soul of a small boy. The book thief watched him take the boy with tears frozen

Death describes himself a little; he doesn't carry a scythe, or wear a black robe unless its cold, and he looks like any person. 1942 is a very busy year for him, and he needs a vacation. There are so many humans to collect and colors to see. War is not Death's best friend, as the saying goes, but more like a demanding boss. When he remembers that year he likes to think of a little beauty as well, though, so he returns to the book thief's story.

The Book Thief by Markus Zusak is a moving, award-winning story that follows the life of a German girl, named Liesel, during World War 2.

Death is so interested in Liesel’s life because she is a survivor and she looks at life through rose colored glasses. Meaning she looks at the good things of bad situations and, she would rather risk her life for her friend, that

In the very beginning, the protagonist, Liesel, is faced with her first tragic encounter. On a train traveling toward Munich to live with foster parents, Liesel endures the death of her six year old brother. “There was an intense spurt of coughing. Almost an inspired spurt. And soon after-nothing” (Zusak 20). Her brother’s death happens so quickly that Liesel and her mother are left in disbelief and despair. This incentive moment began the tragic journey for Liesel or as Death named her, the Book Thief. After leaving her mom and being brought to her foster home, Liesel clings to the hope that this is just temporary. Because her foster father, Hans, taught her how to read and write, she desperately attempts to reach out through letters to her mom with no response. Even though Liesel is in this tragic journey, she has comfort and companionship from her foster parent, Hans, Rudy, a neighbor boy, and finally Max, the hidden Jew. Each of these relationships causes a chain reaction towards tragedy. As for Hans, “Liesel observed the strangeness of her foster father's eyes. They were made of kindness, and silver. Like soft silver, melting” (Zusak 34). Because of his kindness, Liesel also observes the tragedy. Having seen Hans being whipped multiple times in front of many people for helping a Jew and then drafted into war for also helping a Jew, Liesel sees the consequences for standing up for your own beliefs. Hans also developed in Liesel the love of reading which causes her to stand in horror and watch the burning of the book ceremony. Rudy, on the other hand, has a different relationship with Liesel. A love hate relationship that dealt with stealing and a childhood of mischievousness, these two characters bring joy in each others’ lives. Not knowing what they would do without each other, Liesel and Rudy depend on each other only to have that

After losing her mother and her brother, Liesel’s life and identity is changed drastically many times. It is through books that she discovers and becomes comfortable with this change. When she first meets Hans and Rosa Hubermann, her new foster parents, she does not wish to speak with them or get to know them. However, once Hans discovers Liesel with the book she stole when her brother was buried, The Gravedigger’s Manual, they bond over Hans teaching Liesel to read. Liesle describes the first time her and Hans have a lesson in the middle of the night: “She had done this at school, in the kindergarten class, but this time was better. … It was nice to watch Papa’s hand as he wrote the words and slowly constructed the primitive sketches” (Zusak

After his funeral and before leaving her mother, she brings a grave digger’s guide she found in the graveyard her brother was buried in, but doesn’t know how to read it. She meets her new parents, Hans and Rosa Hubermann, who she doesn’t trust at first, but shortly does after Hans teaches her how to roll cigarettes. After finding out that Liesel can’t read or write, Hans teaches her how to every night by helping her read the grave digger guide she brought. Liesel bonds with Rudy Steiner and he helps her steal books from the mayor’s library, which she is then allowed to visit often. A year later, Hans takes in Max Vandenberg, a Jewish man who was going to be relocated and killed. Now that there’s a Jew in their basement, Liesel and her family are in danger of being killed by Nazis. She cares for Max in the basement by teaching him how about reading, writing, and life outside of the basement, and upon reading a book made for her, Liesel becomes inspired to write one of her own. A few weeks later, Hans finds that Jews are marching through Himmel Street, and gives a hungry one some bread to eat at the cost of being beaten by Nazi soldiers, blowing their cover, so Max leaves to save them. One day, while Liesel is finishing her book “The Book Thief” in the family’s basement. After the bombing of Himmel Street, Liesel finds Rudy’s dead body, and after all of these years, she finally kisses him. After leaving whatever is left of Himmel Street, Death, after taking the souls of the Steiners, Frau, Hans and Rosa, he finds out that she dropped her book, and takes it with him. Liesel is taken in by Ilsa Hermann who has survived the bombing, but after Alex Steiner, Rudy’s father who was sent to war returns a while after the bombing, she goes with him later. Two years following the

Hans is a passionate, caring man who earns his living as a house painter by day and an accordion player by night. Liesel believes his eyes show kindness, and is closer to him from the beginning than to her foster mother. He is one of a few in their village who is not a registered member of the Nazi party, which comes to have serious repercussions on the family as the book progresses. Rosa Hubermann is a stern, strong woman who looks like a “wardrobe with a coat thrown over it” and would be “cute,” but appears perpetually annoyed. She peppers her language with epithets like “Saumensch” and “Saukerl” and “Arschloch”. “Sau” refers to “pig” and mensch is girl and kerl is man, arschloch sounds pretty close to its English equivalent. From the beginning Liesel is “saumensch,” which at first refers to Rosa’s annoyance at taking this girl in, even though it does mean more money for the family. But by the end, it has become a term of true endearment. Liesel’s best friend in the village is a little boy named Rudy, “the boy next door who was obsessed with the black American athlete Jesse Owens.” Rudy is in love with Liesel and always pesters her for a kiss, which he does finally receive, after some pretty serious turns in the story. He is a simple, almost naïve boy, and would do almost anything for her, including jumping into a nearly